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Medium chamber ensemble Competitions & Call for pieces

 4TH EDITION CFS: “BEAUTY”
Summary:Solo to 15 players instrumental call
Deadline: 15 March 2019
Date Posted: 11 October 2018
Details: The Ensemble de la Belle Musique (EBM) is pleased to announce its fourth edition of “Call for Scores” (CFS). The theme is “Beauty”.

Composers are encouraged to submit works for any combination of the following instrumentation, ranging from solo up to a maximum of 15 instruments:

4 violins, 2 violas, 2 cellos, 1 double bass, 1 flute, 1 oboe, 1 clarinet, 1 bassoon, 1 trumpet, 1 horn, 1 trombone, 1 percussion (xylophone OR vibraphone OR glockenspiel), 1 piano

For example: 1 viola + 1 flute + 1 xylophone, or a string quartet formation. Please note that 4 violins are considered as 4 instruments, 2 violas are considered as 2 instruments and so on.

There is no fixed style. Please use your imagination and creativity to write music so beautiful and pleasant to the ears that the musicians would love to play them over and over again and the audience would love to hear them over and over again.

Selected works will be performed by EBM on Thursday, 30th May 2019 in Singapore. Any composer is eligible, regardless of age and nationality. Each work must be between 3-8 minutes. ONLY melodious and tonal works will be accepted. Atonal and electronics works will NOT be considered. Every work MUST be original, and never performed nor published in any format before. NO transcription nor arrangement of any sort is allowed. Works which have won awards, or which have already been uploaded onto any form of social media platforms such as YouTube, Facebook, Instagram, iTunes or SoundCloud will not be considered. Submissions will not be returned. Please dedicate new works written specially for this CFS to “Ensemble de la Belle Musique”. For older works written prior to this CFS, no dedication is required.

Video recordings of the concert will be put up on our Youtube channel. Complimentary hotel lodging of 3 days 2 nights (with complimentary breakfast) + free entry to the concert will be provided for selected composers. There is also an opportunity for selected composers to have their selected works put up onto a few music platforms in China for publicity. In addition, selected composers will each be given a full HD video recording of their works.

Submission Guidelines:

There is an entry fee of USD20 for the first work. Additional entries may be submitted for USD10 each. Each composer can submit up to 3 works but each work must be submitted as a separate entry. Each entry must be emailed in pdf format (full score + individual parts, if applicable) to ebmusiquecallforscores@gmail.com with the subject heading: “EBMCFS2019 – Title of work” along with:

a. An info sheet in pdf format with the composer’s name, title of the submission, duration of the work, year work was written, short bio (maximum 150 words), short write-up of the submitted work (maximum 150 words), and contact information (including website, if any). NO handwritten scores will be accepted. You may use any reliable music notation software as long as the score is clear and legible.

b. Photo in .jpeg format

c. Receipt or screenshot of completed PayPal payment. For submissions of up to 3 works, just one receipt or one screenshot of completed Paypal payment will do.

d. Mp3 or midi recording of every work submitted.

e. A declaration that the submitted work has never been (i) published, (ii) performed, nor (iii) awarded any prize in any competition.

All submissions must be sent and fees paid by 11:59pm, Singapore time, on Friday, 15th March 2019. Entries and payments received after this date will not be considered. Results will be announced on EBM’s website and social media platforms latest by Saturday, 30th March 2019, and selected composers will be notified via email. The decision of EBM is final. For enquiries, please email ebmusiqueinfo@gmail.com.

Rights:

The submitted works must be free of any rights. Non-selected composers will have full ownership of their works and will be allowed to perform their compositions once the results have been released. In contrast, selected composers are NOT allowed to interpret their selected works in any way before nor on the day of EBM’s “Beauty” concert on Thursday, 30th May 2019.

Selected composers retain full ownership of the copyright for their selected works but they have to grant EBM irrevocable rights limited to using the works for promotional purposes and for performing the works in concerts at any time without further compensation to them.

Deadline: 15th March 2019, 11.59pm Singapore time

Entry fee: USD20 per submission. USD10 for additional submission of up to 3 submissions per composer

Currency: US Dollars
Web Site:www.ebmusique.com/news-events/...

 International Competition for Women Composers 2019
Summary:Piano quintet competition
Deadline: 31 January 2019
Date Posted: 26 September 2018
Details: The Brixworth Music Festival, England, is delighted to announce a second international competition for women composers.

We are looking for a work that is 6-10 minutes long and is scored for string quartet and piano. The competition is open to any female composer and there is no age limit for entrants.

The following prizes will be awarded:
First prize: £500
Honourable Mention

The prize-winning work will be played by the Tedesca String Quartet, (the resident quartet of the Midland Sinfonia) www.tedesca.co.uk at the next Brixworth Music Festival on 17th May 2019. The pianist, Charles Matthews, will be performing on the Festival's new piano.

The jury comprises the following members:

Vivienne Olive Professor of Music Theory in Nuremberg, retired, Composer, and Joint Artistic Director of the Brixworth Music Festival
Gwion Thomas Singer and Joint Artistic Director of the Brixworth Music Festival
Nic Fallowfield Violin, Tedesca String Quartet
Oksana King Pianist and member of the Brixworth Music Festival Committee
Peter Dunkley Conductor, Clarinettist, Patron of the Brixworth Music Festival Committee
Judith Weir External judge: Composer and Master of the Queen's Music

The committee of the Brixworth Music Festival reserves the right to find replacements for absent jury members. Other members of the Brixworth Music Festival Committee may join the judging panel as appropriate.

Further Information
Conditions of entry
• Only one work may be entered which can, however, consist of several shorter pieces.
• The entered work may not have previously been performed or published.
• Performance material (score and parts) must be supplied by the prize-winner.
• Any instructions should be in English.

Submission
Closing date: 31st January 2019
Prize winners will be announced at the end of February 2019.
Web Site:www.brixworthmusicfestival.co....

 Asian Composers Showcase 2019
Summary:Competition for Asian Composers
Deadline: 11 November 2018
Date Posted: 05 September 2018
Details: The Asian Composers Showcase was launched in 2013 by the Goethe-Institut together with the Tongyeong International Music Festival (TIMF), to promote the composition of New Music in North East Asia. For six years now, a total of twenty-five compositions by promising young composers have been premiered at TIMF.
Goethe-Institut Korea currently invites composers from the region to take part in a call for scores for the Asian Composers Showcase 2019. From the entries, an international panel of judges will select four participants whose pieces will be performed at the Tongyeong intl. Music Festival in April 2019. On the basis of the performances, one of the composers will be given the Goethe Award, endowed with 2,000 EUR, and receive a composition commission for the following year’s festival, amounting to an additional 5,000 EUR.

Eligibility
- Composers born in/after 1980 and citizens/residents of one of the following countries
: Korea, Japan, China, Hong Kong, Macao, Taiwan, Mongolia.
- Length of the work: maximum of 15 minutes
- The work must be an original work created after 2016; hence no arrangements or the like.
- Instrumentation: available are the following instruments/players:
2 violins, viola, cello, bass
Flute, Oboe, Clarinet
Piano
Percussion (1 player)
The piece should be written for a minimum of four and a maximum of ten instruments (or parts). The parts cannot be doubled. Please contact TIMF at acs@timf.org if in doubt or if you have any questions.

Submission
- Application via the online form available at www.timf.org
- Score in PDF format and if possible a recording of the piece (Only one submission per person is permitted)
- In the case of citizenship of states other than those previously listed, proof of place of residence in one of the previously listed countries

Deadlines
- Submission deadline: 11 November 2018
- Announcement of the four participants: by 21 December 2018
- Performance: 6 April 2019 at the Asian Composers Showcase (at Tongyeong International Music Festival 2019, Tongyeong, Korea)
Copyright and performance rights must lie with the submitting party. All rights remain with the author, who with the submission agrees to a fee-free performance at the TIMF 2019 and the use of sound recordings for archiving and for promotion of future events of the Asian Composers Showcase.

Contact
Tongyeong International Music Foundation
acs@timf.org +82(0)2 3474 8315

Web Site:www.iscm.org/articles/call-wor...

 Lake George Music Festival
Summary:Chamber Music Call
Deadline: 31 January 2019
Date Posted: 05 September 2018
Details: The Lake George Music Festival is a strong supporter of contemporary classical music, and annually hosts an international competition to promote its continued development and dissemination. Our mission is to find and recruit the next generation of leading composers and promote their work to the world at large. We will pair the most promising works with our roster of exceptional performers, fostering long-lasting relationships between artists of the highest caliber. By promoting the movement that contemporary music is alive, inspirational, and relevant to every community, we are doing our part to connect Lake George with the evolution of this tradition.

HOW TO APPLY
The 2019 submission period will be from January 1st to January 31st. Please submit the following materials via ONE email with attachments to info@lakegeorgemusicfestival.com. The subject line of the email should read “LGMF Composition Competition” followed by your full name.

• An anonymous .pdf file of the composition score. The score should be labeled with the title of the work and printed date of composition only. Multi-movement pieces should be submitted together as one joint .pdf file.
• An anonymous recording in mp3 format. Recordings must be complete (no excerpts) and must be labeled with the title of the work only and sent as an email attachment. Live instrumental recordings are strongly preferred over MIDI renditions. If submitting MIDI please take the time to create an audio file which sounds as realistic as is possible. Composers submitting a piece for electronics/amplified instruments must submit a live performance or studio recording (not MIDI). Multi-movement pieces should be submitted together as one joint .mp3 file. Please edit out any tuning/clapping.
• A PayPal receipt proving the application fee has been paid. Please pay application fee at the same time when submitting materials.

In the body of the email, please include the following information: composer name, date of birth, college or university affiliation, composer phone number,

All steps outlined above must be completed and submitted in their entirety by the deadline. No exceptions can be made whatsoever. If you wait until January 31st, we cannot guarantee any issues that arise during staff review, including missing or incorrect documents, will be resolved by the application deadline. Consequently, LGMF urges you to submit immediately.

Guidelines

• an original work of chamber music composed after January 1st, 2013.
• a complete work – no single movements of multi-movement works will be accepted.
• work must be in its original form – no arrangements; example: no piece originally intended for string orchestra submitted as a string quintet will be accepted.
• between 7 and 12 minutes in duration.
• scored for 3 to 8 players (not including a conductor, if applicable).
• written for the following instruments: violin, viola, cello, double bass, flute, piccolo, oboe, english horn, b-flat clarinet, A clarinet, bass clarinet, bassoon, horn, trumpet, trombone, bass trombone, tuba, piano, percussion, harp.
• pieces scored for percussion must follow these additional guidelines.
• any combination of the above instruments is acceptable, however only two of the same instrument may be included; example: maximum of 2 flutes, 2 oboes, 2 percussionists, piano four hands, etc; with exceptions being a maximum of one tuba, one bass trombone, and one harp. Works scored for up to 4 violins, violas, and cellos are acceptable. Works for two or more pianos are not acceptable.
• instrument doublings must adhere to the instrumentation restrictions, example: no alto flute, no contrabassoon.
• works may be written for amplified instruments, prepared piano, and off stage instruments.
• works may include non-interactive electroacoustic elements (e.g., CD playback).


APPLICATION FEE
$10 – Payment will be accepted via credit/debit card through PayPal by clicking the button below. PayPal accounts are not required. Application fee is not refundable, please review guidelines carefully.


Web Site:www.lakegeorgemusicfestival.co...

 2019 Student Composition Contest and Festival
Summary:Works for 1-6 instruments
Deadline: 12 November 2018
Date Posted: 29 August 2018
Details: The Wisconsin Alliance for Composers (WAC) is accepting submissions for its 2019 Student Composition Contest. Prizes will include cash awards and a performance by professional and/or university musicians at the Wisconsin Alliance for Composers New Music Festival at the University of Wisconsin Oshkosh on March 2, 2019.

Applicants will submit to one of four categories:
Elementary School (grades K-5)
Middle School (grades 6-8)
High School (grades 9-12)
Undergraduate college

Eligibility/Guidelines:
• Applicants must be students studying full time in Wisconsin.
• Submitted compositions must be original works for 1-6 instruments with or without electronics. Purely electronic compositions incorporating no live instruments are permitted.
• Works under 10 minutes in duration are preferred.

Prizes:
• The winning composition in each category will receive a cash award and a performance at the Wisconsin Alliance for Composers New Music Festival at the University of Wisconsin Oshkosh on March 2, 2019 by professional and/or university musicians.
• The cash prize for each category is Elementary School ($15), Middle School ($25), High School ($50), and undergraduate ($75).
• Several honorable mention compositions will also receive a performance at the Wisconsin Alliance for Composers New Music Festival at the University of Wisconsin Oshkosh on March 2, 2019 by professional and/or university musicians.
• All winners and honorable mentions will receive a recording of the performance.

Submission Guidelines:
• All submission materials will only be accepted in an email to John Mayrose (mayrosej@uwosh.edu)
• Each applicant may submit only one composition.
• Submit application form.
• Submit one legible, anonymous score as a PDF. If the composition is purely electronic, then a score is not required. The only identifying information on the score should be the title. Do not include the name of the student or teacher on the score.
• mp3 recordings are encouraged by not required. (MIDI realizations are acceptable)
• A composition that makes use of a copyrighted text must be accompanied by a written statement from the copyright holder giving permission to use the text. If the text is in the public domain, a statement signed by the student and teacher indicating this fact must accompany the entry.
• Submissions must be received by Monday, November 12, 2018

Additional Information:
• Composers of works selected for performance agree to attend the Wisconsin Alliance for Composers New Music Festival at the University of Wisconsin Oshkosh on March 2, 2019.
• All judge decisions are final. Judges may elect to award no prizes.
Web Site:www.uwosh.edu/music/community/...

 Toolbox Percussion International Composition Competition 2018
Summary:Competition with 2 categories
Deadline: 18 November 2018
Date Posted: 22 August 2018
Details: Toolbox Percussion is delighted to present the Toolbox Percussion International Composition Competition 2018 (TPICC 2018) as a part of the Toolbox International Creative Academy (TICA), which will be held during 7-12 January, 2019 in Hong Kong, China.

There are two categories in this competition:

1)​ Herbert Composition Prize
● Work scoring for 1 percussionist and 1 cellist ONLY. (See appendix for the list of
percussions)
● The timpani MUST be used for this category.
● You DO NOT need to use all the listed percussion instruments.
● The submitted work should be between 5-7 minutes in length.
● Only compositions written within the last five years are eligible for the submission.
● The submitted work must be written for the full ensemble, no subset is allowed.
● Selected works of the finalists will be performed by David Herbert, principal timpani ofthe Chicago Symphony Orchestra, and Oliver Herbert, ​top prize and special prize in the XI Witold Lutoslawski International Cello Competition in 2018,​ ​during TICA.


2) ​Toolbox Composition Prize
● Work scoring for 2 percussionists and string quartet (2 vln/vla/vc) ONLY. (See appendix for the list of percussions)
● You DO NOT need to use all listed percussion instruments.
● The submitted work should be between 5-7 minutes in length.
● Only compositions written within the last five years are eligible for submission.
● The submitted work must be written for the full ensemble, no subset is allowed (i.e. not
string quartet).
● Selected works of the finalists will be performed by faculty members of TICA, ​during TICA.

Eligibility
● Applicants may be composers at any stages of their careers.
● Composers, regardless of nationality and age, are encouraged to apply.
● Scores that have been awarded, or commercially recorded are not eligible.
● However, works that are previously performed are eligible.
● Only compositions written within the last five years are eligible for submission.
● One entry per applicant per category will be accepted.
● Entry fee: USD 20
● The entry fee should be paid through paypal to ​toolboxpercussion@gmail.com
● Deadline: 18 November 2018 at GMT+8 23:59, no late submission will be considered.

Submission
● Eligible submissions must be sent electronically as a single email and should include:
● A PDF file of the score (with pseudonym), which may include program and performance
notes
● An mp3 file (audio recording, if available, Midi realisation)
● A separate word document linking the pseudonym and title to the composer's identity,which includes e-mail address, current bio (200 words), program note (200 words) & performance history of the submitted work.
● The composer’s name should NOT appear on the submitted score and recording.
● Links to recordings (due to large file size, or other factors) are fine.
● Please send materials to: ​toolboxpercussion@gmail.com ​with “TPICC 2018” and the applicant’s name in the subject line of the email.
● Further inquiry please contact:​ ​toolboxpercussion@gmail.com

Award
● The winner of the Herbert Composition Prize will receive USD 500.
● The winner of the Toolbox Composition Prize will receive USD 500.
● Three finalists of each category will be invited to participate in the Toolbox

Percussion
International Creative Academy (TICA).

● The TICA will provide accommodation for all finalists (double occupancy).
● All selected works will be performed and recorded live during TICA.
● All finalists will receive a festival pass to all TICA events.
● Participants who are not able to attend the TICA will forfeit their positions at the
competition.
● Travel expenses to TICA and other arrangements are the responsibility of the
participant.
● Selection of the finalists will be announced no later than​ ​30 November 2018.
● The Winner will be announced during the TICA in January 2019.

Appendix
I. List of Percussions for Herbert Composition Prize
Timpani (4), snare drum, triangle, suspended cymbal
II. List of Percussions for Toolbox Composition Prize
Percussion 1 - Timpani (4), snare drum, triangle, suspended cymbal Percussion 2 - 4.3 octave marimba, tomtom (3), tambourine, woodblock
Web Site:www.toolboxpercussion.org/tool...

 ACHT BRÜCKEN (EIGHT BRIDGES)
Summary:International Competition for Young Composers
Deadline: 30 November 2018
Date Posted: 01 August 2018
Details: In the framework of the next festival ACHT BRÜCKEN | Musik für Köln (EIGHT BRIDGES | Music for Cologne) which will take place for the eight’s time in 2019, composers up to 35 years are invited to present a new work for ensemble and Live Electronics. The winners will be selected by a jury and will be rewarded with a total budget of € 9,000.

§ 1 Basic data of the competition
The jury will select three compositions for completion which will be premiered on the 4th of May by electronicid.de within ACHT BRÜCKEN | Musik für Köln. The concert is supposed to be conceived as a unit.

The jury consists of the following members:
• Michael Beil, composer, Hochschule für Musik und Tanz Köln
• Felix Knoblauch, pianist und artistic director of electronic ID
• Roman Pfeifer, composer
• Werner Wittersheim, WDR 3

§ 2 Conditions of participation
1. All composition students born on or after 1 January 1984 are entitled to participate.
2. Deadline for the submission of applications is November 30, 2018. They have to be sent to ACHTBRÜCKEN GmbH and must meet the following requirements:
I. Permitted are works for mixed ensemble (violin, viola, violoncello, bass, flute,
clarinet, trombone, piano/keyboard, percussion) with Live Electronics and sound director with a maximum duration of 15 minutes. Pure tape compositions and compositions for ensemble and tape are excluded. The composition must be rehearsable without the composer's presence and the electronics must be operable by the sound director. In the annex is provided a detailed overview of the available percussion instruments, more information about special instruments and the technical framework.
II. Five copies of the score with detailed explanation of the use of electronics have to be sent anonymously by registered mail. Instructions for the performance have to be enclosed and scores must be easily readable.
III. The submitted composition must never have been published, recorded and performed before. Exception: Performances in the framework of conservatory or university events. A detailed list has to be enclosed.
IV. Candidates must ensure that nothing that could make it possible to identify them appears anywhere on the score. Otherwise the work will be excluded from the competition. Each document has to be clearly labelled with the title of the work.
3. In addition to the composition a sealed enveloped which is only labelled with the work title name has to be sent. This must contain a data medium with:
I. the completed application form
II. a copy of the applicant’s passport or ID Card a copy of the applicant’s passport or ID Card (Please blacken all personal information except your name and date of birth!)

III. a valid certificate of study
IV. a short biography including a work list
V. a current high-resolution photograph (300dpi on 10x15cm)
VI. a short work description (max. 15 lines) including the work title.
4. The applications have to be submitted in English or German. Expenses for transmission will not be refunded by ACHTBRÜCKEN GmbH.
5. The material for the performance of the selected compositions must be sent to ACHTBRÜCKEN GmbH by February 18, 2019 and must be made available free of charge.

§ 3 Decisions of the jury
1. The jury will select the three finalists based upon its own artistic estimation by January 28, 2019. In case of a high quantity of applications throughout the jury is entitled to appoint an assistant jury. This does not restrict the jury’s power of decision.
2. The judges will announce the laureates following the performance. The jury’s decision is final and cannot be legally changed.

§ 4 Benefits for the finalists
1. The selected works will be realised within the framework ACHT BRÜCKEN | Musik für Köln. In addition, documentation is planned.
2. ACHTBRÜCKEN GmbH is responsible for the organisation of all travel and hotel requirements during the rehearsal and concert period for the three finalist’s works and will bear all costs involved. Other costs will be covered by per Diems of € 24/day.

§ 5 Agreement
1. Non selected materials will not be utilized by ACHTBRÜCKEN GmbH; potential archival use will remain unaffected. The sent in scores will only be returned by request.
2. By participating in the competition, the finalists cedes to ACHTBRÜCKEN GmbH, free of charge:
I. The performance rights for the world premiere and for further performances within the framework of ACHT BRÜCKEN | Musik für Köln.
II. The exclusive and unrestricted spatiotemporal right to record, reproduce and broadcast the finalist’s works within the context of ACHT BRÜCKEN | Musik für Köln.
III. In addition, the right to communicate to the public all performances of the finalist’s works within the context of ACHT BRÜCKEN | Musik für Köln, by all available communication media (television, radio, internet etc.), both in Germany and abroad.
3. The composer must ensure that the nominated work will not be performed publicly until the competition is finished.

Deadline for entries: November 30, 2018

ACHT BRÜCKEN | Musik für Köln
Web Site:www.achtbruecken.de/en/komposi...

 "Michele Novaro" International Competition for Composers
Summary:Ensemble competition
Deadline: 20 October 2018
Date Posted: 18 July 2018
Details: The competition is open to composers of all nationalities, who on 20 October 2018 are still under the age of 40. Candidates must submit a composition for ensemble (7 - 10 minutes), which is freely inspired by a specific "Italian work of art", in the field of painting, sculpture or architecture. The ensemble will have to be from 5 to 10 instruments per ensemble, chosen from the following (one performer per instrument, except for the violin, for which 2 performers are available): flute (or piccolo), oboe, clarinet (in B flat or in A), bassoon, percussion (chosen from the following: vibraphone, marimba, tamtam, bongo, gran cassa, cymbals), piano, violin, viola, cello. Jury members: Ennio Morricone (president), Claudio Ambrosini, Francesco Antonioni, Michele dall'Ongaro, Günter Neuhold. The final stage will take place in form of a public concert in Rome on Dec. 9, 2018, live on Rai Radio3, with Ensemble '900 of Accademia Nazionale di Santa Cecilia.

closing date: 20 Oct 2018
Web Site:www.musicalchairs.info/competi...

 Wolfgang Jacobi Kompositionspreis
Summary:Accordion with other instruments
Deadline: 31 December 2018
Date Posted: 05 July 2018
Details: Ausschreibung : Competition
Der Deutsche Harmonika-Verband schreibt in Kooperation mit dem Deutschen Akkordeonlehrer-Verband den »Wolfgang Jacobi Kompositionspreis«, einen Nachwuchswettbewerb für junge Komponistinnen und Komponisten aus Europa aus. Ziel ist es, junge Komponistinnen und Komponisten dazu anzuregen, sich mit dem Instrument Akkordeon als Ensembleinstrument und im Zusammenspiel mit anderen Instrumenten und / oder Gesang auseinanderzusetzen.

With the »Wolfgang Jacobi Kompositionspreis« the Deutscher Har- monika-Verband in cooperation with the Deutscher Akkordeonleh- rer-Verband invites young talented composers from Europe for a competition. The target is, that young composers should be encouraged to deal with the instrument accordion as an ensemble instrument and in interaction with other instruments and/or vocals.

Jury : Jury
Die Jury besteht aus Fachleuten für Komposition und Akkordeon und steht unter Vorsitz des renommierten Komponisten Prof. Moritz Eggert aus München.

The jury consists of composition and accordion professionals and is chaired by the renowned composer Prof. Moritz Eggert from Munich.

Prof. Moritz Eggert Stefan Hippe
Peter Hoch Hans-Günther Kölz Andreas Nebl Helmut Quakernack Wolfgang Russ

Aufgabe : Object of the competition
Gefordert wird ein Werk für Akkordeon mit einem bis zu maximal vier anderen Instrumenten aus dem klassischen Bereich (Holz- bläser, Blechbläser, Schlagzeug) oder mit Gesang. Die Gesamt- zahl der Ausführenden ist auf fünf begrenzt. Das Werk soll maximal 10 Minuten dauern. Die Komposition darf nur handschriftlich verfasst sein und weder öffentlich aufgeführt noch publiziert worden sein.

Required is a work for accordion with one to a maximum of four other instruments from the classical field (woodwind, brass, per- cussion) or with vocals. The total number of performers is limited to five. The work should last a maximum of 10 minutes. The com- position may only be written by hand and may not have been performed or published before.

Preise : Prices
Es steht ein Preisgeld von € 1.500* zur Verfügung, das von einer unabhängigen Jury frei vergeben werden kann. Die besten drei Teilnehmer werden zu einem Workshop am 13. / 14. 4. 2019 einge- laden, bei dem sie mit zwei Komponisten ihre Stücke diskutieren. Die prämierten Werke sollen bei der Auftaktveranstaltung der Osterarbeitswoche des DHV in der Bundesakademie Trossingen am 14. 4. 2019 uraufgeführt werden. Die Kosten für Fahrt und eine Unterkunft trägt der DHV.

A prize money of € 1,500* available, which can be freely awarded by an independent jury. The best three participants will be invited to a workshop on April 13/14, 2019, in which they discuss their pieces with two composers. The winning works are scheduled for the opening event of the DHV »Osterarbeitswoche« in the Bun- desakademie Trossingen to be premiered on April 14, 2019. The cost of travel and accommodation is provided by DHV.


Teilnahmebedingungen
Conditions of participation
Teilnahmeberechtigt sind alle Jugendlichen und Erwachsene bis zum vollendeten 27. Lebensjahr
: Die teilnehmenden Komponisten übertragen dem Veranstalter das Recht zur Uraufführung des prämierten Werkes im Jahr der Preisverleihung.
: Eine Namensnennung oder Signierung auf der Partitur (im Original korrigieren) ist nicht erlaubt
: Eine Kopie der Partitur mit separaten Angaben des Komponisten (Name, Adresse, Telefon, Mail) ist einzusenden an:

Deutscher Harmonika-Verband e. V. c/o Stefan Hippe Rudolf-Maschke-Platz 6
78647 Trossingen

Anmeldeschluss ist der 31. Dezember 2018
Participation is possible for all young people and adults until their 27th birthday
: The participating composers transmit to the organizer the right to the world premiere of the awarded work in the year of the award ceremony.
: An attribution or signing on the score is not allowed
: A copy of the score with separate details of the composer (Name, address, telephone, mail) is to be sent to :

Deutscher Harmonika-Verband e. V. c/o Stefan Hippe Rudolf-Maschke-Platz 6
78647 Trossingen

Registration deadline is December 31, 2018
Web Site:www.dhv-ev.de

 International Clarinet Association
Summary:Clarinet with string quartet competition
Deadline: 20 December 2018
Date Posted: 12 April 2018
Details: The ICA seeks previously unperformed works for clarinet and string quartet (2 violins, viola and cello), 10-15 min. in length. The deadline is December 20, 2018; the winner will receive a $1000 prize and a performance of the work at ClarinetFest® 2019.

For details, please contact Antonio Faioli, coordinator.

2019 Composition Competition–Clarinet and String Quartet (2 violins, viola and cello)

Antonio Fraioli, Coordinator Email: antonio.fraioli@libero.it

Eligibility: The competition is open to composers, clarinetists, and musicians who desire to further the repertoire of clarinet and string quartet with an original composition.

Application:

1. Items must be received by December 20, 2018.

2. Applicants should email the Competition Coordinator, Antonio Fraioli and ask for a Dropbox “File Request” link. Upon receipt of this link, applicant will upload related files

3. The subject line for all email communication should read “ICA Composition Competition” followed by the applicant’s full name.

4. Scores must be submitted electronically (PDF only) WITHOUT the applicant’s name or any identifying information on the score or in the filename. Scores must be submitted to the “File Request” Dropbox link obtained from the coordinator in item 2.

5. In a separate PDF document, include contact information (name, address, phone, website, and email), a short bio (100 words or less) and name of submitted work(s). Include the applicant’s name in document filename. (this information will not be viewed by the jury).

6. A midi recording in .mp3 format or a clarinet and string quartet recording in .mp3 format must be submitted.

Contest Rules

Application fee: $25 US. Make amount payable to the “International Clarinet Association” in U.S. currency by bank check, money order, or credit card only. If paying by credit card, please use the credit card payment form. PayPal is also accepted to evanlynchica@gmail.com. The application fee is non-refundable.
The 2019 Composition Competition call is for a work 10-15 minutes in length, scored for clarinet and string quartet (2 violins, viola and cello). The submitted work must have no prior performances.
Judging

A committee having no knowledge of the applicant will conduct the judging of scores and parts. Do not include any identification on the scores and on the .mp3 realization. The winner will be notified via email by February 15, 2019. The winning composition will receive a world premiere performance during ClarinetFest® 2019, July 24-28, 2019, in Knoxville, Tennessee. Travel expenses will be the responsibility of the winner. Free registration at ClarinetFest® 2019 will be provided. If the winner is a clarinetist, he/she must be a member of the I.C.A. Past first-prize winners are not eligible to compete. All contestants will accept the decision of the judges as final. The ICA will provide the clarinetist for the premiere performance.

All scores and parts will become the property of the ICA Research Center at the University of Maryland Performing Arts Library and will not be returned.

$1,000 Prize

The I.C.A. assumes no tax liability that competition winners may incur through receiving prize money. Individuals are responsible for investigating applicable tax laws and reporting prize winnings to requisite government agencies.

Web Site:clarinet.org/competitions/2017...

 11th Joan Guinjoan International Prize for Young Composers
Summary:Prize for ensemble
Deadline: None
Date Posted: 31 October 2012
Details: 1.The contest is open to composers of every nationality under the age of 35 at December 1st, 2012. Former winners of this award are not allowed to submit again.
2.Each participant may submit an unlimited number of works, which cannot previously have been published, premiered or commissioned. Works performed in the educational context of conservatories and schools of music will not be considered premieres.
3.The work, in a contemporary style, should be 10 to 15 minutes long.
4.The work must be written for an open formation of 6 to 15 instruments, with optional electronics, chosen from among those in an orchestra, piano, accordion, guitar, voice and typical jazz –electric guitar, bass and keyboards– instruments, “cobla” instruments, and instruments of early music: harpsichord, recorder, viola da gamba, cornet, sackbut, early bassoon and plucked string instruments. It is also possible to include a small choir of four voices (SATB, 4-4-4-4), which will be considered as four different instruments. There may not be more than two instruments the same, except for violins, for which there is a maximum of 10, violas and cellos, for which there is a maximum of 4.
5.The composer must submit six copies of the score and one registration form for each work presented. The work must be written and printed with a notation software which allows automatic extraction of parts, or the participants must commit to send the parts in case of being winners. Once the winner has been chosen, the composers may collect 5 copies of their works within one month from date of the award. One copy will remain in the archives of the School.
6.The amount of the award is 3.000 €. The chosen work will be premiered by the Escola Superior de Música de Catalunya with the option to be professionally recorded on CD by the School.
7.Apart from the winning work, the jury may decide to give honorific mentions to other works submitted which are considered of special interest. The works worthy of this distinction will be premiered together with the winning work.
8.The Escola Superior de Música de Catalunya will have publishing and distribution rights to the score, the CD or any other format of the winning work.
9.All written or audio-recorded editions of the winning work will be marked “Premi Joan Guinjoan de l’Escola Superior de Música de Catalunya, 2012”.
10.The jury will be made up of five composers chosen from the Department of Theory and Composition of the School. The names of the members of the jury will be announced once the award decision has been made public. Their decision may not be appealed. The decision will be announced before January 10th, 2013.
11.The deadline for submitting scores is December 1st, 2012.
12.The works will be submitted under pseudonym.
2nd Prize:Euro 3000
Age Limit:35
Duration:6 to 15 minutes
Web Site:www.esmuc.cat/eng/Departments/...

 North/South Consonance
Summary:call for scores (various combinations)
Deadline: None
Date Posted: 20 April 2011
Details: - All composers are eligible for consideration
- Solo, chamber ensemble and chamber works up to 18 performers will be considered
- Vocalists, percussion and/or electronics are acceptable
- One work will be selected for recording on the North/South label
- $25 non-refundable fee per composition submitted required
(Checks must be negotiable through a US bank)

Complete submission guidelines posted at

http://www.northsouthmusic.org

Mail submissions to

NORTH/SOUTH CONSONANCE, INC.
P.O. Box 698 - Cathedral Station
New York, NY 10025 – 0698
USA
Web Site:www.northsouthmusic.org