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choir Competitions & Call for pieces

 Thame Chamber Choir
Summary:Choral Composition Competition
Deadline: 05 August 2019
Date Posted: 24 April 2019
Details: To celebrate its 20th anniversary Thame Chamber Choir is delighted to announce its first Choral Composition Competition.

Joining our Musical Director Duncan Aspden on the judging panel will be international composers and conductors Bob Chilcott and James Burton and pianist and professional ensemble singer Anna Markland.

Prize – £1,000 and performance of your piece by Thame Chamber Choir as part of the 2019 Thame Arts & Literature Festival.

Closing date – Entries must be received by 5th August 2019. More details below.

Forces – 28-voice SATB chamber choir (with divisi) a cappella or with piano

Duration – 3-5 Minutes

Text – a setting of any poem by famous Thame resident, W.B Yeats.

Please submit an anonymous PDF and digital recording (can be a Sibelius/Finale file) to thamechamberchoircompetition@outlook.com by the 5th August 2019. Winner will be notified by mid-September.
Web Site:www.thamechamberchoir.org/news...

 Echo Vocal Ensemble
Summary:Choral Composition Competition
Deadline: 30 June 2019
Date Posted: 17 April 2019
Details: echo are looking for a new piece for vocal ensemble to be performed as part of our 2019/2020 season. The competition will be judged by guest judges Robert Hollingworth, Judith Weir and members of the group, and the winning entry will receive £500 in prize money and a premiere of the work.

This competition is open to anyone aged 16 or over, from anywhere in the world. There is no entrance fee.

Specifications
- The piece should be between 3 and 6 minutes in duration
- It should be written for no more than eight vocal parts (SSAATTBB), without the need for accompanying instrumentalists.
- The piece should respond in some way to the following quote. The full poem can be accessed here.
“Very small and damaged and quite dry,
a Roman water nymph made of bone
tries to summon a river out of limestone”
Alice Oswald
- “Working” scores will be accepted, for example one minute of music accompanied by a detailed written concept.

How to apply
Please send your materials to sam@echo-choir.com by the 30th June 2019 at 1pm. Include a PDF of the score and an audio file.

The winning piece and shortlisted pieces will be announced on 1st September 2019.
Web Site:www.echo-choir.com/competition

 Capital Hearings' 6th Annual Young Composers Competition
Summary:Choral Competition (North America)
Deadline: 20 May 2019
Date Posted: 11 April 2019
Details: REQUEST FOR SUBMISSIONS: POWER PLAYS - how does power shape your world?

When you’re at the bottom of the ladder, the top seems unreachable. As soon as you feel empowered, though, it’s as if you’re unstoppable. How has our society’s expression of power most affected you?

The Capital Hearings are proud to announce our 6th Annual Young Composers Competition! This year, we’re requesting submissions focused on the subject of “Power Plays” - the contrast between powerful people and those with none, the ways we gain and lose our own power, and any other way that power expresses itself to you.

All U.S. & Canadian residents age 18-40 are welcome to submit a 2-5 minute original composition related to this theme, voiced for mixed a cappella choir. We especially welcome submissions from unique or underrepresented perspectives - and in unique or underrepresented styles. Submissions are due by May 20, 2019, and a prize of $500 will be awarded to the winner. Visit www.thecapitalhearings.com/competition for more information.

We hope to hear from you soon. In the meantime, listen to our CARA award-winning album at https://open.spotify.com/track/6sAGIQdiiee6qYP7UCr47x, and get to know more about us at www.thecapitalhearings.com!

***Bringing together repertoire from a diverse array of traditions, the Capital Hearings illuminate the commonalities between songs of all styles, from all eras – and the communities that brought them to the fore. Our genre-busting mission unites complex jazz, transcendent global and classical music, and dynamic modern hits into a thought-provoking message, breaking down barriers and prompting our audiences to build new bridges of understanding.***
Web Site:www.thecapitalhearings.com/com...

 Crouch End Festival Chorus ‘From the heart’
Summary:Choral Competition
Deadline: 01 May 2019
Date Posted: 11 April 2019
Details: ‘From the heart – may it return to the heart!’

These are the immortal words of Beethoven, on the title page of his great Missa Solemnis score. Crouch End Festival Chorus is inviting composers of all styles and traditions to submit an original setting of these words for unaccompanied choir. The words may be set in any language and the winning piece will be performed by CEFC as an introduction to Beethoven’s Missa Solemnis at the Queen Elizabeth Hall, London on 5 October 2019.

One of the UK’s leading choirs, boasting an international profile, Crouch End Festival Chorus is also one of the most innovative. Comprising 140 voices it has a commitment to commissioning new works and thrives on an eclectic mix of repertoire.

The competition is open to all UK-resident composers, regardless of experience. Entries must not be longer than five minutes and must not have been previously performed. The closing date for entries is 1 May 2019. The winner will be decided by a panel of judges led by CEFC’s Music Director David Temple MBE and including the renowned composer Debbie Wiseman OBE.

Music Director David Temple says: "I simply cannot wait to see what is created as a result of this competition and I hope the variety of styles is breathtaking!"

Competition Terms and Conditions
The competition is open to composers aged 18 or above but is only open to UK residents.
All entries:
• must be for unaccompanied choir.
• must encompass the full range of the choir’s voices (from soprano through to bass).
• may be no longer than five minutes in duration.
• must be submitted by email to artisticplanning@cefc.org.uk as a choral score in PDF format, notated either electronically or by hand.
• must be submitted with the entrant’s full name and contact details.
• must not have had any prior public performance.
• must use either the original German text: Von Herzen – möge es wieder – zu Herzen gehen! or, in English, From the heart – may it return to the heart! It is also permissible to set a translation of these words in any other language. No other text may be used.
• must have an accompanying audio file.

The deadline for submission of entries is 1 May 2019. There will be a panel of judges led by David Temple MBE (Music Director) whose decision will be final. The winner will be notified and the result published on our website on 1 July 2019. Copyright of the winning piece will remain with the composer. Queries regarding the competition should be addressed to artisticplanning@cefc.org.uk.

The winning piece will be premiered in CEFC’s concert on 5 October 2019 at the Queen Elizabeth Hall, Southbank Centre.

The programme will be:
Winner of ‘From the heart’ competition
Missa Solemnis: Beethoven
Erica Eloff soprano
Marta Fontanals-Simmons mezzo-soprano
Benjamin Hulett tenor
Neal Davies bass

Crouch End Festival Chorus
London Mozart Players

David Temple conductor

Web Site:cefc.org.uk/our-concerts/compe...

 Happy Composer Commission Project
Summary:Choir Composition Opportunity
Deadline: 06 May 2019
Date Posted: 11 April 2019
Details: Happy Composer Commission is an educational project to commission new choral pieces from composers in development.

Through Happy Composer, new composers will have the experience of creating a commissioned piece for choir with the guidance of composer Carlos Cordero.

I am very excited to receive your submission and the possibility of working together to create a new piece. Below, I have included again the rules for the call for Score:
The call for scores is open to composers of any nationality, gender, age, or stage in their career. Preference will be given to those who have not had any choral music published (excludes self published).

The Process

1. Online Call For Scores, allowing more composers to apply from any part of the world!
2. The conductor and I select the 3 composers most likely to write a piece suitable for the chapter’s choir.
3. I work with the selected composers for 2 months. In the process, I share drafts with the conductor before finishing the pieces.
4. Upon delivery, the choir has 1 year to premiere the work in any combination (one per concert or the three in one concert!)

The call for scores is open to composers of any nationality, gender, age, or stage in their career. Preference will be given to those who have not had any choral music published (excludes self publish). Composer Carlos Cordero will help the selected composers to create a new piece for unaccompanied choir (2 to 4 minutes). Upon completion, each composer will be paid $50.

The best part: There is no application fee!

To participate you just need to fill this google form (https://forms.gle/hn4tyRo78BVsnkNb6) where we ask you for:

PDF + Audio (midi) recording
Upload up to 2 pieces

Bio or CV + Photo (headshot preferably)
List of works (PDF or Word)

Why do you want to be part of HCC?
Professional Reference (email)

If you have any question, please review the FAQ or email me to composer.cordero@gmail.com

Deadline: May 6th, 2019.
Web Site:www.composercordero.com/hccpsc...

 Mastersingers Prize for Choral Composition 2019
Summary:Choral Competition
Deadline: 10 May 2019
Date Posted: 27 March 2019
Details: Prize: $750 and performance
Deadline: 2019-05-10
Fee: None
Open To: Women composers and/or composers of color

The Fort Myers Symphonic Mastersingers announces the second annual Sanibel-Captiva Trust Prize for Choral Composition. Women composers and/or composers of color may submit up to two works for SATB choir with or without accompaniment (piano or organ and/or strings up to string orchestra). Works should between six and 12 minutes minutes long and have a limited performance history. Individual movements from longer works are acceptable. One winning work will be performed by the Mastersingers during the 2018-19 season and the winning composer will receive a $750 prize. Please note the following:

• Composers must provide proof of permission to use texts that are not in the public domain (append as a part of the score)
• Composers must provide an English translation for texts in a language other than English (translation must also be in public domain or composer must acquire permission to use the translation)
• The winning composer must allow the Mastersingers to duplicate scores as needed without further cost and parts for works with string orchestra should be immediately available
• The winning composer is required to attend a performance (date TBD). The Mastersingers will provide lodging and local transportation.
• Composers must be citizens or legal residents of the United States
• All entries may be considered for future performances
• There is no entry fee
• The Mastersingers have a variety of performing forces: an 80-voice choir, a 28-voice chamber choir and youth choirs. Submissions may be for any of the groups.
• Persons affiliated with the Mastersingers are prohibited from entering the competition

The Fort Myers Symphonic Mastersingers were founded in 2001. This auditioned, 80-voice community choir is composed of doctors, lawyers, homemakers, nurses, businessmen and women, music educators, professional music performers and retirees. Recent repertoire of the Mastersingers include Requiems of Brahms, Verdi, Fauré, and Mozart, Bernstein’s Chichester Psalms, Orff’s Carmina Burana and other standard choral masterworks. The Mastersingers have also championed new music by presenting the works of living composers and premiering new works, including composers Jason Bahr, Daniel Forrest, Nancy Cobb Lippens, Robert Patterson, Z. Randell Stroope, and others.

For questions, contact Jason Bahr: bahrline (at) yahoo.com

Entries are due by May 10, 2018.
Web Site:www.newmusicengine.org/categor...

 VOICES 21C – Second Annual Call for Scores
Summary:Choral Competition
Deadline: 21 July 2019
Date Posted: 20 March 2019
Details: Deadline: July 21st 2019

Our mission:
VOICES 21C is a Boston-based chamber choir who seeks to combine high technical proficiency with creativity and compassion. The choir creates personal meaning in performance by connecting their musical messages to social justice issues in the USA and abroad, representing the voices of the silenced, the forgotten, and the marginalized. VOICES 21C Is a welcoming space for LGBTQ, committed to contemporary composers, and improvisational, interdisciplinary modes of performance through their co- creating, egalitarian consensus model.

Objective:
As an artists collective of 20+ teachers, composers, and conductors, we are looking to strengthen our commitment to today's composers and refine the 21st Century components of our voice through our annual call for scores.

For those Chosen:
Winners of our 2019 Call for Scores will receive a live performance recording and a spot in our 2020 season, with potential performances at ACDA Rochester, throughout Boston, and abroad, depending on the piece’s subject matter and how it will fit into the programs we present in 2020.

(V21C is not able to cover any travel expenses for this opportunity, but attendance is not required).

Submissions will be reviewed by a jury of singers from our Artistic Committee, in consultation with director André de Quadros for final decisions.
Workshopping "she took his hands," with Nicholas Cline, the finalist from our 2018 call for scores

What we are looking for:
-Unaccompanied SATB (divisi conscious that we are +-6 on a part)
-A piece no longer than 8 minutes in duration
-Pieces that align with our group mission (note: we are not an overtly political or protest-based organization)
-Preferably pieces able to show, more than instruct/tell our audience about their messages
-Music that could cater well to elements that VOICES 21C showcases in performance:
-Group movement
-Concert programs presenting a constructed narrative
-Improvisation on the individual and collective level
-Potential for an added instrumental solo - please consult with Michael from our leadership team at webmasterv21c@gmail.com in order to explore instrumental capabilities, as these options are based upon our roster for the season.

Submission Fee:
Our $20 submission fee goes directly towards defraying the cost of this season’s expenses for our singers. As a non-profit organization, our singers are not compensated for our work in VOICES 21C, which includes purchasing airfare for our season’s performances, performance preparation, rehearsal and venue spaces, singer accommodations, and all that goes into planning each year of our existence. Your submission fee is tax deductible, and greatly appreciated by every single one of us. Composers may send as many pieces as they like, while filling out our form and submitting separate payment for each entry. (Ex: 2 submissions - $40, etc).

Results will be announced via our monthly newsletter in December 2019!

Entry Fee:$20
Web Site:www.voices21c.org/call-for-sco...

 Welcome Christmas Carol Contest
Summary:Carol Competition
Deadline: 15 June 2019
Date Posted: 20 March 2019
Details: The custom of singing Christmas carols brings joy to the holiday season unlike any other tradition. And every December VocalEssence and the American Composers Forum celebrate this tradition in their own unique way: championing today’s composers, exploring new works, and rediscovering lesser-known works of the past. This year marks the 22nd year of the Welcome Christmas Carol Contest as VocalEssence and the American Composers Forum provide composers with the opportunity to compose a modern-day carol.

Open to composers of all ages, this year’s contest requires writing a carol for SATB chorus and violin. Each year, the contest has produced wonderful new settings of familiar texts and carols based on existing poems and original texts, each year with a different instrument.

The two winners will each receive a prize of $1,000. The winning carols will be premiered at the December 7, 8, 13 and 15, 2019 Welcome Christmas concerts featuring the VocalEssence Chorus & Ensemble Singers. The performances will be recorded for national broadcast in 2020 via American Public Media. The winners are invited to attend the rehearsals and performances at their own expense, and will have the opportunity for radio interviews as well as other media coverage and promotion.

VocalEssence

Under the artistic direction of founder Philip Brunelle, VocalEssence is a champion of choral music: performing past and present repertoire for voices, commissioning new works from today’s composers, and celebrating the human experience through concerts and community engagement. VocalEssence has been recognized by ASCAP with five awards for its adventurous programming of contemporary music and has been honored with the Margaret Hillis Achievement Award for Choral Excellence. VocalEssence is comprised of several ensembles: the fully professional 32 voice VocalEssence Ensemble Singers, the 125 voice VocalEssence Chorus, and the VocalEssence Singers Of This Age, an innovative youth choir for singers throughout the Twin Cities.

2019 Contest Guidelines
• World premiere: No prior performance of submitted work.
• Original carol: No arrangements or new settings of existing tunes.
• Eligibility: Composers of all ages whose permanent residence is North America.
• Form: Carol (defined as a strophic song, which may or may not have refrains, that is associated with Christmas).
• Voicing: SATB chorus with violin (no additional accompanying instruments allowed).
• Duration: 3-4 minutes. Compositions longer than 4 minutes in length will not be reviewed.
• Text: Sacred or secular, medieval to present, appropriate for concert setting; Christmas or seasonal winter themes accepted. Proof of public domain or author’s written permission for use of text is required.

Who May Apply
• Composers of all ages; experience writing for voice and/or choirs is beneficial.
• Applicants do not need to be members of ACF to apply.

Submission Requirements
• Signed and completed application form
• One full score including duration
• One copy of the violin part
• A biography not to exceed one page
• Program notes not to exceed one page (optional)
• Document giving permission or status for use of text
• Optional: If you would like your materials returned, please enclose a check (payable to American Composers Forum) in the amount of $5.00 to cover return postage. Please do not include stamps or SASEs.
• Please DO NOT SEND RECORDINGS.

Deadline
Postmarked on or before Saturday, June 15, 2019. Submissions sent by fax or email will not be accepted.

Selection Process
Applications and scores will be screened for completeness by ACF staff. Final selection and programming decisions will be made by VocalEssence Artistic Director Philip Brunelle and Associate Conductor G. Phillip Shoultz, III. Note: American Composers Forum and VocalEssence reserve the right not to make an award.

Notification
Composers will be notified by late July 2019.


Web Site:composersforum.org/programs/we...

 Boston Choral Ensemble's Commission Competition
Summary:Choral Competition
Deadline: 31 May 2019
Date Posted: 20 February 2019
Details: CANDIDATE ELIGIBILITY
This competition is open to composers regardless of race, color, national origin, religion, creed, age, sex, sexual orientation, marital status, disability, or veteran status.
The following groups are ineligible to enter the competition:
• current Boston Choral Ensemble singing members;
• current Boston Choral Ensemble board members;
• current members of the Commission Competition Jury;
• spouses, partners, or family members of any of the above groups; and
• those who were members of any of the above groups within one year of entry deadline.

PARAMETERS OF NEW WORK
If selected as the competition's winner, the commissioned piece will meet the following criteria:

Essentials
• For UNACCOMPANIED mixed voices (SATB). NB. This year some tuned or untuned percussion may be permitted providing it can be performed by musicians from within the Ensemble.
• Up to 10 minutes in length.
• Generally no more than 4 parts but may include limited divisi (up to two per voice).
• Limited or no solo vocal material.
• The work must not have been performed in any public setting, recorded, promised to another group for first performance or first recording

Texts
This piece will be performed at our 2019 Holiday Concert. Texts may be sacred or secular, and in any language provided it meets the parameters for the new work. If the intended lyrics are not in the public domain, and the composer is not the author and copyright holder of the lyrics, it is the responsibility of the composer to obtain permission from the copyright holder before the application deadline. While our holiday concert largely includes sacred and secular music for Christmas we encourage the use of texts that have broad appeal and are inclusive. This might, for example, include texts on the theme of the winter solstice, or of issues of peace and joy that are not religion specific.

ITEMS TO SUBMIT
A completed online application form including
1. A short proposal idea for the new work outlining the details, at the discretion of the composer including, but not limited to proposed text, compositional technique, etc. (File name: Last Name, Proposal.pdf)
2. A short biography (about 250 words) and (File name: Last Name, Bio.pdf)
3. A works list, PDF files only. (File name: Last Name, Works.pdf)
4. Three (3) work samples that demonstrate current compositional activity. (File name: Last Name, Sample 1.pdf, Last Name, Sample 2.pdf, Last Name, Sample 3.pdf)
o It is recommended that composers include work samples that indicate skills appropriate to write for an unaccompanied choral ensemble.
o PDF files only. Notation files will not be accepted. Please combine ancillary materials—such as notes, texts, instructions—into a single PDF per work.
o Include (within the score PDF) an English translation for any text not in English.
o Include date of composition on the score.
5. Recordings of the submitted work samples (optional but recommended). Although this is optional, audio may assist in the initial assessment. These may be acoustic recordings or MIDI renderings; the quality of performances or MIDI renderings will not be judged. MP3 files only. (File name: Last Name, Audio 1.mp3, Last Name, Audio 2.mp3, Last Name, Audio 3.mp3)
6. An application fee of US $25 submitted via the application form.

TECH TIPS
Did you try to submit your application to Boston Choral Ensemble's Composition Competition but receive an error message or a blank screen? If so, please try one or all of the following to complete your application:
1. Update your browser to the most recent version
2. Make sure javascript is enabled for your browser
3. Download Google Chrome
4. If all of these do not work, please email all of your attachments to competition@bostonchoral.org and we will make sure that your application is submitted.

Thank you so much for your dedication to the competition. We are so excited to review all of this new music!

DISQUALIFIED SUBMISSIONS
• Late entries
• Incomplete entries
• Illegible copies

DEADLINE AND PROCESS FOR SUBMISSIONS
Materials must be submitted on or before May 31, 2019. Questions should be directed to competition@bostonchoral.org. Late applications will not be considered.

APPLICATION FEES
The $25 application fee can be paid on the application form.
Application fees are non-refundable and will not be returned to those disqualified for not meeting the requirements herein.

COMPETITION PRIZE
The winner will receive a prize of $1,500. Payment will be in US funds only. Prize monies will be subject to applicable tax laws and it the responsibility of the winner to properly report the prize.
The performance in concert of the newly-composed work will be recorded electronically. One copy of any such recordings will be furnished to the composer.

Entry Fee:$25
Web Site:www.bostonchoral.org/commissio...

 Cantus Composer Competition
Summary:Choral Competition
Deadline: 01 May 2019
Date Posted: 20 February 2019
Details: We are thrilled to announce our young and emerging composer competition in conjunction with our 25th anniversary! Cantus first began with four undergraduate students. They had passion, vision, and a desire to contribute meaningfully to the musical community. In our 2019-20 season, we are celebrating those student roots by providing an exciting opportunity for young and emerging composers.

Winner(s) will receive a $1000 cash prize. Honorable mentions will also be awarded. Winning compositions will be performed and recorded by Cantus and will also be considered for publication as part of a Cantus series. Compositions must be for tenor and bass voices written at a level accessible to collegiate and high school choirs. Special consideration will be given to pieces that relate to the following themes: technology and innovation, journeys, home, identity and self-understanding, finding the divine in all.

Applications must be submitted electronically by May 1, 2019.

Submissions must include the following:
• A cappella composition for tenor and bass (TTBB with limited divisi)
• Midi-file and piano reduction (PDF only)
• Personal statement (PDF only)
• $10 submission fee (details below)

Entry Fee:$10
Web Site:www.cantussings.org/composer-c...

 Illinois-ACDA’s annual Choral Composition Contes
Summary:Choral Competition
Deadline: 01 May 2019
Date Posted: 30 January 2019
Details: Illinois composers with a creative voice and clear compositional ability are invited to submit works for SATB or SAB voices to Illinois-ACDA’s annual Choral Composition Contest. The winning composition will be premiered at the Illinois-ACDA Summer Re-Treat, Summer 2019. In addition, winning composers are invited to display their works at our annual Summer ReTreat.

Entries for the 2018 IL-ACDA contest will be accepted from now until April 1st, 2019. Details and forms for submitting your work can found on the following links:
The deadline for the 2019 IL-ACDA Choral Composition Contest will be April 1, 2019. The required voicing for 2019 will be SAB or SATB.

Entry Requirements and Guidelines

All composers with an Illinois connection – i.e. residency, education, employment -
are invited to submit works to Illinois-ACDA’s annual Choral Composition Contest
to earn a $1000 prize!
The winning composition will be premiered at the Illinois-ACDA Retreat
in Summer 2019.

Entry Deadline is April 1, 2019.

WHO IS ELIGIBLE TO ENTER?
a) All composers with an Illinois connection (see above) who are age 18 or older by the entry deadline.
b) Anyone who is not currently an officer of IL-ACDA.

c) Anyone who has not previously won the IL-ACDA composition contest within five
preceding years.

WHAT ARE THE COMPOSITION CATEGORIES AND PRIZES?
a) A $1,000 prize will be awarded to the winning composer. Only one prize will be awarded.
b) The winning composition will be premiered at the IL-ACDA 2019 Summer Convention/Retreat.
c) Composers may submit as many compositions as they wish. Each composition must be treated as a separate entry, accompanied by the required entry materials.

WHAT ARE THE COMPOSITION REQUIREMENTS?
a) Duration: approximately 3-8 minutes.
b) Voicing for 2019 Contest: SAB or SATB voicing, divisi acceptable
c) Accompaniment options: 1. Unaccompanied/a cappella 2. Piano
d) Text may be secular or sacred and may be in any language. An English translation must be provided for any text not in English.
e) If the composer is not the author and copyright holder of the lyrics submitted or the lyrics are not in the public domain, the composer must enclose a written statement of permission signed by the copyright holder.
f) Composers are at liberty to choose the composition’s style and form.

WHAT ARE THE ADDITIONAL ELIGIBILITY AND ENTRY REQUIREMENTS?
In addition to meeting the composition requirements above, submitted works:
a) Must be original, not an arrangement of another composer’s work.
b) Must not be a commissioned work.
c) Must currently be unpublished and must not be published prior to July 1, 2019, including self-published.
d) Must not be performed publicly prior to July 1, 2019.
e) Must not be recorded or broadcast prior to July 1, 2019.
f) May not have won or placed (second, third, honorable mention, etc.) in any prior composition contest.
g) Must not be entered in other contests between entry to IL-ACDA and July 1, 2019.

WHAT IS THE PROCEDURE FOR SUBMISSION OF MATERIALS?

a) The following items must be submitted with each composition:
1. Electronic submission in pdf format via e-mail
2. A legibly completed entry form.
3. Additional documentation (if applicable):
a) English translation for any text not in English.
b) Written statement of permission signed by the copyright holder, if the text is under copyright protection. Entries printed using music notation software are encouraged. Legibly handwritten entries are also acceptable. A manuscript size of 8-1/2”x 11” is preferred.
c) The composer’s name and any other identifying information must not anywhere on the music. d) The composer’s name, address, telephone number, and e-mail address should appear only on the entry form. The judge will not have access to the entry forms until the final decisions have been made. No recordings will be accepted.
e) Compositions must be e-mailed. Faxed applications will not be accepted.
f) Each composer will be notified by e-mail of receipt of the entry.
g) The following will be considered ineligible: 1. Late entries 2. Incomplete entries 3.Illegible copies 4. Any entries with composer identification on the scores 5.Entries which do not follow submission requirements.
h) All decisions of the contest committee are final and may not be discussed with the applicants.

HOW WILL THE ENTRIES BE JUDGED?

a) Entries will be judged by the Choral Composition Contest Committee of IL-ACDA.
b) If, in the opinion of the judges, no composition meets the expected standards, no award will be given.
c) Criteria for selection include evidence of a unique creative voice and of choral compositional ability, as well as suitability for performance.
d) The decision of the contest committee will be final and no correspondence may be entered into regarding the award.

HOW WILL THE APPLICANTS BE NOTIFIED OF RESULTS?

a) All applicants will be notified of contest results by mail no later than June 1st, 2019.
b) A public announcement of the winning composers will be made at the IL-ACDA Summer Retreat/Conference in June 2019. Winners also will be announced after July 1st, 2019 on the IL-ACDA website.
c) Each winning composer will be contacted by IL-ACDA to follow through on details about:
1. Distribution of prize money. A check will be awarded upon completion of items b and c below, at the IL-ACDA Summer Retreat/Conference. 2. Agreement of rights. The composer will be required to sign a form confirming the items stated in sections 8) and 9) below. 3. Final version of score and parts. The composer must provide a new score bearing the composer’s name and appropriate dedication. (see section 8a)

WHAT RIGHTS ARE GRANTED TO ACDA-ILLINOIS?

a) The following dedication must be included in all subsequent manuscript and published editions of the winning compositions:
Winner of the 2019 ACDA Illinois Choral Composition Contest
b) IL-ACDA will have the right to make copies for distribution to the members of the summer 2017 IL- ACDA performing chorus, its conductor, and accompanist. Use of the winning composition will be strictly limited to the Retreat/Conference, unless permission of the composer is granted.
c) The winning composer will be asked to provide biographical information for publicity purposes. IL-ACDA will have the right to use the composer’s name and composition title in the future IL-ACDA communications.
d) The winning composer will be asked to be present for the award in person, if possible, at his/her own expense.

WHAT RIGHTS ARE GRANTED TO THE COMPOSER?

a) Copyright ownership will be retained by the composer.
b) Publication rights will be retained by the composer.
c) The composer will be given the privilege to display/advertise other compositions at the IL-ACDA Retreat.

WHAT IS THE CONTEST CONTACT INFORMATION?

E-mail: pspencer@jjc.edu
Phone: (815) 280-2225

Philip Spencer, Chair, Illinois-ACDA Choral Composition Contest
Fine Arts Department
Joliet Junior College


Web Site:www.il-acda.org/awards/

 Opus Ignotum
Summary:Children and Youth Choir Competition
Deadline: 31 May 2019
Date Posted: 30 January 2019
Details: International Composition Competition for Children´s and Youth Choirs
The Composer´s Competition is now also open to children´s choirs and is divided into two parts. Each odd year will take place the deadline of the Children’s Choirs Competition, each even year the deadline of the Youth Choirs Competition. The instructions for the Composers’ Competition for Youth Choirs will be officialy announced in January 2019.

Principal:
National Information and Counsulting Centre for Culture (NIPOS),
address:
Narodni informacni a poradenske stredisko pro kulturu (NIPOS)
Fügnerovo namesti 1866/5, P. O. Box 12
120 21 Praha 2, Czech Republic.

Contact: Michaela Králová, opusignotum@nipos.cz, +420 778 702 491

Competition Goals:
The organizers set themselves the task of initiating and supporting creation of new works which would be distinctive in composition and accessible for interpretation and which would be of benefit to the repertoire of non-professional choirs.

Deadline of composers´ competition for the children’s choirs: 31st May 2019

General Conditions:

Art. 1
The compositions in pdf format should be sent by e-mail to the address: opusignotum@nipos.cz or by post (easy legible manuscript, copy or computer printout) to the address: Michaela Kralova, Narodni informacni a poradenske stredisko pro kulturu (NIPOS), Fügnerovo namesti 1866/5, P. O. Box 12, 120 21 Praha 2, Czech Republic.

Demo recordings are appreciated.

Art. 2
The competition is anonymous. Each composition should be marked by a code-name and by the category for which it is intended (A, B or C). The author should attach to an e-mail with the contest composition a text document with information about the composer (name and address, both mail and e-mail and telephone number)[1]. If sent by mail, a sheet of paper with the information about the composer should be enclosed in a sealed envelope marked by the same code-name.

Art. 3
The manuscripts, copies and printouts shall remain in the possession of the competition organizers. After the competition a selection of the manuscripts will be, with autor´s consent, placed into the Music section of the NIPOS library, where it will be available for borrow.

Art. 4
Any failure to meet any of the requirements mentioned will result in the refusal of the composition from the competition.

Art. 5
Additional information about the competition are available on the website of NIPOS-ARTAMA www.nipos.cz in the section Amatérské umění (Artama) / Dětský sborový zpěv or Středoškolský sborový zpěv. In case of any doubts or ambiguity of their interpretation, the Czech version is decisive.

Competition Rules:

Art. 1
The composers can send their compositions for children‘s choirs composed on any text primarily in Czech, Slovak or Latin.

Art. 2
Categories:
A (children approx. until the age of 10)
B (children approx. until the age of 15)
C (children approx. until the age of 18)

The recommended voices for respective categories:
Category A: for one or two voices (SA)
Category B: for two voices (SA), for three voices (S1, S2, A), or for four voices (S1, S2, A1, A2)
Category C: for two voices (SA), for three voices (S1, S2, A), or for four voices (S1, S2, A1, A2)

The recommended voice range in respective categories:
Category A: b flat-e flat2
Category B: a flat-f2
Category C: g-g2

The compositions could be a cappella or with the piano accompaniment, eventually with other commonly available instruments (the accompaniment is recommended particularly for the Category A).

The length of a particular compositions should not exceed:
2 minutes (Category A)
3 minutes (Category B)
4 minutes (Category C)

Art. 3
Each author can enter one piece in each category (i. e. up to 3 pieces). Compositions that were awarded in another competition or published commercially will not be accepted for the competition.

Art. 4
The compositions should be sent to the organizer of competition by 31st May 2019 (if the compositions are sent via mail, the date of the mail stamp is decisive).

Art. 5
The official results of the competition will be published in October 2019. The awarded compositions that receive the required number of points, will be performed within the opening concert of the 13th National Competition of Children’s Choirs Porta Musicae 2020 in Nový Jičín (Czech Republic). They will be published by NIPOS.
Web Site:www.nipos-mk.cz/?p=34658

 ​2019 CHORAL COMPOSITION COMPETITION
Summary:Call for choral works
Deadline: 01 June 2019
Date Posted: 24 January 2019
Details: Freudig Singers of Western New York, now in its 34th concert season, is an auditioned chorus dedicated to exploring choral music in its many forms, both traditional and non-traditional, and spreading the joy of the choral art to widely diverse audiences. Freudig combines elements from many periods and genres in innovative and unexpected ways to create interesting and exciting programs for its listeners. The chorus encourages and pursues composition of new choral works, artistic collaboration with other groups, and participation of singers of all ages.

Opportunity: Freudig Singers of Western New York seeks original, unpublished works for mixed chorus. One cash prize, honorable mentions, performance(s) and possible recording.

Application Deadline: June 1, 2019.

Award Notification: on or before September 1, 2019,

Eligibility: No age restrictions.

Awards: The winner will receive $1000 and have his/her work performed and possibly recorded.

Details: Works should be scored SAB or SATB (little or no divisi) with piano or organ accompaniment, or a cappella. Any work with a copyright-protected text must be accompanied by a letter of permission from the publisher, poet, or author. The jury reserves the right to change the number of award winners depending on the quality of the music submitted. The winner retains all rights to his/her work. By submitting your score you authorize Freudig Singers to make copies of your music for rehearsal and performance purposes, and to perform and record your work.

Submissions: Send COPIES ONLY of music. Do not send originals, as no materials will be returned.

One hard copy with the composer's name and identifying information removed.

A letter containing contact information (name, address, phone number, e-mail address).

The performance history and the composer's program notes for each work submitted.

A brief composer biography.

CD or Mp3 recordings of the music, if available. MIDI realizations and audio files are acceptable.

Administrative Fee: U.S. $25 per piece submitted. Remittances must be in U.S. currency. Pay through PayPal, money order, or certified check drawn on a U.S. bank. Make checks payable to Freudig Singers of Western New York.

Send materials, postmarked by June 1, 2019, to:

Freudig Singers of WNY
c/o 221 Deumant Terrace
Buffalo, NY 14223
U.S.A.

Entry Fee:$25
Web Site:www.freudigsingersofwny.org/co...

 REGENSBURG COMPOSITION COMPETITION 2019
Summary:Choir Competition
Deadline: 01 July 2019
Date Posted: 24 January 2019
Details: A composition competition in Regensburg for the present-day theme of the Kulturreferat 2019: "City and Society". The competition is aimed at composers of all ages who compose new works and bring them to world premiere in Regensburg.
In addition to the annual theme, the default is only the cast of the performing ensemble (sextet, SMezATBarB, solo cast), as well as a total length of a maximum of 6 minutes. The composer is thus granted the most creative possible use of freely chosen texts.

The compositions must meet the following criteria
• Content analysis of the motto "City and Society"
• Text basis freely selectable
• Performance duration up to 6 minutes
• Six-part a cappella composition for the StimmGold vocal ensemble (SMezATBarB, solo part)
• Only one composition per composer
• If the composed text is not non-public domain material, the right of use must be available for the performance and publication in a publisher.
• The submitted work may neither be published nor awarded a prize in another competition.
 
Conditions of participation
The competition will be conducted anonymously. The following documents must be submitted:
• Score in five copies, bound and legible without attribution
• Registration form with the name, address, telephone and e-mail address of the composer and the title of the composition submitted
• Short biography of the composer with photo
 
Competitors declare their consent to radio and television recordings as well as recordings on sound and image media (including their duplication) in connection with the Competition. Any rights resulting therefrom shall be transferred to the organizers upon acceptance of the conditions of participation of the Composition Competition.
The organizers are not responsible for loss or damage of the submitted documents. The submitted documents will not be returned.

Prices
1st place: 1,500 € (donated by the University for Catholic Church Music and Music Education Regensburg)
2nd place: € 1,000 (donated by REWAG AG & Co KG Regensburg)
3rd place: 500 €

Schedule
Deadline: 01. July 2019 (postmark)
Jury Evaluation: July 2019
Announcement of the winners: end of August 2019
Prize Winners Concert: 19 October 2019

Closing Address
Association for the promotion of contemporary music Regensburg
COMPANY PRESENT
Lower Bachgasse 15
93047 Regensburg

Judging jury
Kunibert Schäfer (Professor of Conducting, HfKM Regensburg)
Kerstin Behnke (Professor for Choir and Ensemble Management, HfM Weimar)
Steven Heelein (composer, Professor i.K. for conducting, HfK Bayreuth)
Jakob Steiner, Christoph Schäfer (vocal gold vocal ensemble)

The decision of the jury is final and incontestable.

StimmGold vocal ensemble
As an ensemble for the final concert, the young Regensburg vocal ensemble StimmGold was again selected.
The young Regensburg vocal ensemble StimmGold was founded at the beginning of 2014 by students of the Hochschule für katholische Kirchenmusik und Musikpädagogik Regensburg (HfKM) and the Faculty of Music Education at the University of Regensburg. The six classically trained singers, in addition to years of ensemble practice and rich choir experience (including in the New Chamber Choir Regensburg), especially the joy of singing together demanding works.
The focus of the ensemble is German romantic vocal music as well as current a cappella literature, including world premieres of contemporary works (2016 Bastian Fuchs, 2017 Rihards Dubra) and modern folk-song arrangements, in which the professional voices convince with expressiveness and harmonious transparency.

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Ein in Regensburg stattfindender Kompositionswettbewerb zum gegenwartsbezogenen Jahresthema des Kulturreferats 2019: „Stadt und Gesellschaft“. Der Wettbewerb richtet sich an Komponistinnen und Komponisten jeden Alters, die neue Werke komponieren und nach Regensburg zur Uraufführung bringen.
Neben dem Jahresthema wird als Vorgabe lediglich die Besetzung des ausführenden Ensembles (Sextett, SMezATBarB, solistisch besetzt), sowie eine Gesamtwerklänge von maximal 6 Minuten angegeben. Den Komponisten wird somit ein möglichst kreativer Umgang mit frei gewählten Texten eingeräumt.


Die Kompositionen müssen folgende Kriterien erfüllen
• Inhaltliche Auseinandersetzung mit dem Motto „Stadt und Gesellschaft“
• Textgrundlage frei wählbar
• Aufführungsdauer maximal 6 Minuten
• Sechsstimmige A‐cappella‐Komposition für das StimmGold Vokalensemble (SMezATBarB, solistisch besetzt)
• Nur eine Komposition pro Komponist
• Falls es sich beim vertonten Text um nicht gemeinfreies Material handelt, muss das Nutzungsrecht zur Aufführung und Veröffentlichung in einem Verlag vorliegen.
• Das eingesendete Werk darf weder publiziert noch Preisträger bei einem anderen Wettbewerb sein.

Teilnahmebedingungen
Der Wettbewerb wird anonymisiert durchgeführt. Folgende Unterlagen müssen eingereicht werden:
• Partitur in fünffacher Ausfertigung, gebunden und gut leserlich ohne Namensnennung
• Anmeldeformular mit Name, Anschrift, Telefon und E‐Mail‐Adresse des Komponisten/der Komponistin und Angabe des Titels der eingereichten Komposition
• Kurzbiografie des Komponisten/der Komponistin mit Foto

Die WettbewerbsteilnehmerInnen erklären ihr Einverständnis mit Rundfunk‐ und Fernsehaufnahmen sowie mit Aufzeichnungen auf Ton‐ und Bildträgern (einschließlich deren Vervielfältigung) im Zusammenhang mit dem Wettbewerb. Etwa hieraus entstehende Rechte übertragen sie mit der Anerkennung der Teilnahmebedingungen des Kompositionswettbewerbs auf die Veranstalter.
Die Organisatoren sind nicht verantwortlich für Verlust oder Beschädigung der eingereichten Unterlagen. Die eingereichten Unterlagen werden nicht zurückgesandt.

Preise
1. Platz: 1.500 € (gestiftet von der Hochschule für kath. Kirchenmusik und Musikpädagogik Regensburg)
2. Platz: 1.000 € (gestiftet von der REWAG AG & Co KG Regensburg)
3. Platz: 500 €

Zeitplan
Einsendeschluss: 01. Juli 2019 (Poststempel)
Jury-Auswertung: Juli 2019
Bekanntgabe der Preisträger: Ende August 2019
Preisträgerkonzert: 19. Oktober 2019

Einsendeadresse
Verein zur Förderung zeitgenössischer Musik Regensburg
UNTERNEHMEN GEGENWART
Untere Bachgasse 15
93047 Regensburg

Bewertende Jury
Kunibert Schäfer (Professor für Dirigieren, HfKM Regensburg)
Kerstin Behnke (Professorin für Chor- und Ensembleleitung, HfM Weimar)
Steven Heelein (Komponist, Professor i.K. für Dirigieren, HfK Bayreuth)
Jakob Steiner, Christoph Schäfer (StimmGold Vokalensemble)

Die Entscheidung der Jury ist endgültig und unanfechtbar.

StimmGold Vokalensemble
Als Ensemble für das Abschlusskonzert wurde erneut das junge Regensburger Vokalensemble StimmGold ausgewählt.
Das junge Regensburger Vokalensemble StimmGold wurde Anfang 2014 von Studierenden der Hochschule für katholische Kirchenmusik und Musikpädagogik Regensburg (HfKM) und der Fakultät für Musikpädagogik an der Universität Regensburg gegründet. Die sechs klassisch ausgebildeten Sänger verbindet neben jahrelanger Ensemblepraxis und reichhaltiger Chorerfahrung (u.a. im Neuen Kammerchor Regensburg) vor allem die Freude am gemeinsamen Singen anspruchsvoller Werke.
Als Schwerpunkt des Ensembles gilt die deutsche romantische Vokalmusik sowie aktuelle a cappella-Literatur, darunter Uraufführungen zeitgenössischer Werke (2016 Bastian Fuchs, 2017 Rihards Dubra) und moderne Volksliedbearbeitungen, in der die professionellen Stimmen mit Ausdrucksstärke und harmonischer Transparenz überzeugen.


Web Site:www.unternehmengegenwart.com/k...

 International Federation for Choral Music
Summary:Choral Competition
Deadline: 30 September 2019
Date Posted: 17 January 2019
Details: 1. The International Federation for Choral Music (IFCM) announces the ‘Fourth
International Competition for Choral Composition’, the chief aim of which is to pro-mote the creation and wide distribution of new and innovative choral repertoire.

2. Participation is open to composers of any nationality or age.

3. The Competition is dedicated to choral compositions a cappella (SATB or divided into as many as eight parts, SSAATTBB) with a maximum duration of 5 minutes, specifically for medium to advanced choirs. The text of the composition, sacred or secular, in any language, written for the occasion or preexisting should be in the public domain. If not, permission in writing must be obtained from the author or copyright holder of the text and must be enclosed with the entry form.

4. There is a 25 USD entry fee payable at the time of submission for each entry.

5. Up to two works per composer may be submitted. Scores must be sent electroni-
cally either in PDF format made from Sibelius or Finale fi les or in a similar program. Midi Files, Tapes or CDs may not be submitted. The composer’s name must not appear anywhere on any score. The IFCM Competition Offi ce will receive all works, which will then be sent to jury members. No composer’s identity will be divulged to the jury before or during judging. The jury’s decision will be announced in the ICB and in the IFCM website. Each participant must include a document (.doc or .PDF fi le) with full address, contact details and title of the composition submitted. This document must also contain a written, signed statement by the composer declaring that any score submitted is unpublished and has never been awarded a prize in any previous contest. Entries must arrive by the entry form no later than 30 September 2019. Works cannot be revised after submission.

6. The competition will be judged by a five member jury consisting of international
choral conductors and composers. The jury’s decision is final.

7. Strong consideration will be given to a work’s potential for performance and for
the prospect of repeated performances by a medium to advanced SATB (SSAATTBB) choir possessing the appropriate voicing requirements. The winning work must demonstrate excellence of compositional craft , imagination, ‘sing¬ ability’ (given reasonable rehearsal time), idiomatic eff ectiveness and, most importantly a fresh approach to choral writing.

8. The winning works will receive the following:
First Prize:
1,000 USD, IFCM Awards Certificate and plaque
Second Prize:
500 USD, IFCM Awards Certificate and plaque
Third Prize:
300 USD, IFCM Awards Certificate and plaque

The first winning composition will be performed by one the presenting choir at the
WSCM (World Symposium of Choral Music) in Auckland, 2020. In consultation with the composers, the three winners will be featured in the International Choral Bulletin where an interview with the composers and the entire scores will be published in print and online. The three winning composers will receive a 20% discount in participation at WSCM activities.

9. The copyright to the three winning works will be transferred to IFCM.

10. Participation in the competition implies full knowledge and acceptance of these
regulations.

FOR MORE INFORMATION:
Andrea Angelini, ICB Managing Editor & Director of the Competition
(aangelini@ifcm.net) | https://ifcm.net/projects/choral-composition-competition
Entry Fee:$25
Web Site:www.facebook.com/1162436217/po...

 EL COR CANTA International Composition Competition
Summary:Choral/Orchestral Competition
Deadline: 31 May 2019
Date Posted: 10 January 2019
Details: • The association EL COR CANTA (ECC) convenes the first edition of the EL COR CANTA International Composition Competition for Choir and Orchestra, focused on the creation of new choral-symphonic music of a level suitable for amateur choirs.
• El Cor Canta is an amateur choir of 140 singers of different levels and musical experience.
• The competition focuses on the composition of original works on text that will be determined in each edition.
• The composition contest prize will be announced during the spring of 2019.
• The winning work(s) will be premiered in the concerts of the El Cor Canta project scheduled for February and/or March of 2020.

RULES
1. Contestants
The EL COR CANTA International Composition Competition for Choir and Orchestra is open to all without age or origin restrictions or entry fees.
There will be two categories.:
• Professionals for those born before 01/01/1984
• Young composers or composition students for those born after 31/12/1983. These participants may choose to participate directly in the professional category, indicating such on the entry form.

2. The works
The submitted works should be compositions of choral-symphonic music for chamber orchestra, soloist and mixed choir (SATB) of an estimated duration of 15 minutes.
• The submitted works must be original, not previously performed nor awarded prizes in any other competition. Adaptations or versions of existing works by the same composers already performed or published will not be accepted.
• The text of the composition will be based this year on the poetic work of a Catalan author, free of copyright. It can be based on a single poem or a collection of poems by the chosen poet, at the discretion of the composer. The style of the new symphonic choral work is also discretionary.

3. The performers of the work
For the professional component of the work you must include:
1. Orchestra:
a. A maximum of 30 members
b. Strings: 6/5/4/3/2
c. Winds: 8 at the most the instrumentation of which will be at the discretion of the composer
d. Percussion: 1
e. Organ or Piano and/or Harp
2. Soloist
For the non-professional component:
1. Choir:
a. The choir that will premiere the winning work is currently made up of about 140 amateur singers divided into SATB, aged between 35 and 75 years old, with varying degrees of choral experience
It is imperative that the submitted works be appropriate to the characteristics of vocal and technical training that we detail below:
1. Tessituras:
a. Sopranos: from do 3 to la 4
b. Contralts: from sol 2 to mi 4
c. Tenors: from do 2 to sol 3
d. Basses: from fa 1 to mi 3
2. Divisi: There may occasionally be divisi of up to two voices for each of the four groups
3. The musical treatment of the voices, voice leading, and reference points that will facilitate the successful rehearsal and execution of the submitted works will be greatly valued. It must be kept in mind that the work should be of an average difficulty. By way of reference, a few examples of the numbers interpreted by the choir in their concerts are attached in a document attached to these bases.

4. Presentation of the works
1. Six (6) printed copies, the pages of which must be numbered, must be submitted. They must be legible, clear, without ambiguities or amendments. The text that has been used must be added separately. The score in PDF format and a MIDI file of the work must also be sent.
2. The title page of each work should include only the title, a pseudonym for the composer and the category in which they participate: Professional or Young composers (only one).
3. Additionally, the entry form must be completed and signed and submitted in a sealed envelope. This envelope must be labeled with the pseudonym of the composer.
4. More than one work may be submitted for consideration.

5. Terms and place of presentation
The deadline for submission of works is May 31, 2019 at midnight CET. The works must be submitted or sent by mail to the following address:
El Cor Canta
International Composition Competition EL COR CANTA for Choir and Orchestra
C/ Freixa, 41 5è 2a
08021 BARCELONA

The digital material (PDF and MIDI) can also be submitted by email to the address concurscomposicio@elcorcanta.cat.
In both cases the anonymity of the sender is guaranteed before the jury.

6. Jury
The jury of this Competition Contest will be composed of the following international directors and composers:
• Kazushi Ono, principal conductor of the Barcelona Symphony and National Orchestra of Catalonia (OBC), as president of the jury
• Albert Guinovart, composer
• Elisenda Carrasco, director of the Voxalba Women's Choir
• Pere Lluís Biosca, director of the Francesc Valls Choir of the Cathedral of Barcelona
• Noé Cantú, OBC bassoonist.


7. Winning works
The jury will select a winner for each category of the competition. It may also designate some works as honorable mention. Additionally, the jury could decide not to award any prizes if it considers that none of submitted compositions merit them.

8. Verdict
The jury will issue the verdict in a private act in Barcelona and, later, will make it public on June 30, 2019. The verdict, which will be previously communicated individually to the winners, will be published in the media and specialized magazines. The verdict of the jury will be final.

9. Prizes
The winning work in the professional category will receive:
1. A cash prize of 3,000 euros, subject to current taxation laws
2. The premiere of the work in the framework of the EL COR CANTA project at the end of the 2019/20 season (February/March 2020)
3. The publication of the score by Editorial FICTA
4. The recording of one of the premiere concerts.
The prize of the winning work in the category young composers or composition students will consist of:
1. A cash prize of 2,000 euros, subject to current taxation
2. The possible premiere of the work within the framework of the EL COR CANTA project at the end of the 2019/20 season and at the discretion of the directors of EL COR CANTA.
3. The publication of the score by Editorial FICTA, if the work is premiered at the concerts.

10. Material
The winners will have to provide the necessary material necessary for the execution of the work for free at the mentioned opening concerts.

11. Editorial rights
The ECC association reserves the exclusive right to publish the winning works for a period of three years from the date of issue of the verdict. This will not affect the intellectual property rights, which will be the composers’ for all other effects.

12. Return of the submitted works
Participants may request the return of non-awarded works within a period of two months from the publication of the verdict. The ECC association reserves the right to preserve one of the copies of the works for its own archive. The works not collected may be disseminated by the ECC association, unless expressly requested by the author, who must communicate it in writing attaching it to his works, or later in the term mentioned.

Web Site:elcorcanta.cat/index.php/concu...

 Busan Choral Festival
Summary:Choral competition
Deadline: 31 May 2019
Date Posted: 29 November 2018
Details: Throughout its festival and competition history, Busan Choral has fostered cultural exchange and promoted high quality of choral music by attracting notable artists, conductors, and composers to one of Asia’s top choral festivals. The Busan Choral Composition Competition seeks to engage with aspiring young composers and to encourage the creation and performance of new works written for the choral music genre. The 1st winning work will be premiered at the 2019 Busan Choral Festival & Competition during the week of October 16-19, 2019.

Eligibility
Composer must be born between JUN 30, 1999 and JUN 30, 1979
(exceptions may be considered under the BCFC committee's review.)

Length and Format
1. 3-10 minutes in duration
2. Piece must be for unaccompanied, equal or mixed voices choir.
3. Smaller, portable percussion instruments are allowed. (Xylophone, vibraphone and timpani not allowed).
4. Text can be chosen from Latin, English or Korean. If another language is chosen, a detailed English synopsis and pronunciation must be included in the score.
5. Compositions must not have been previously published or awarded in previous composition competitions and never publicly performed.

Application (May 31, 2019 Deadline / Korea Standard Time)
1. Complete Online Application Form
2. Resume/CV (*.doc / *.docx)
3. Copy of passport or ID Card with date of birth in JPEG format
4. Score in PDF format
5. English synopsis and pronunciation
6. Midi recording (by computer software) in MP3 format
7. 3 original copies of the score mailed to the Busan Choral office by May 31, 2019 (postmark deadline). Submitted original copies of
scores will be used only for judging so there MUST be No Personal Information Included on the score for a fair evaluation.

Scores submitted to the Busan Choral office will not be returned (Address: Busan Choral Festival & Competition / Busan Cultural
Center, UN pyeonghwa-ro 76-1, Nam-gu, Busan, South Korea 48534).

Application Fee
Free

Results
1. Winners will be announced on July 18, 2019 on BCFC Website.
2. Composition will be judged by a panel of international jury. The jury's decisions are final and cannot be appealed.

Web Site:www.busanchoral.org/bcfc/compe...