|
New Music Concert Listings
|
Previous Month |
Next Month
|
6 Aug |
|
7 Aug |
|
8 Aug |
|
9 Aug
|
Friday, June 9, 2017 at 8.30pm George Crumb, John Cage, Henry Cowell Holland Festival Amsterdam Netherlands
Margaret Leng Tan
Metamorphoses, Book I (2017) is George Crumb’s long-awaited new work for amplified piano. He is the Holland Festival’s composer in focus this year. Crumb wrote this composition specifically for pianist Margaret Leng Tan. He once called her ‘a sorceress of the piano’ because she is so thoroughly familiar with the unusual sound palette and playing techniques he requires. Tan caused a furore with her virtuoso performance of Crumb’s famous Makrokosmos cycle, and worked for a long time with John Cage, whose The Perilous Night is on the programme too. There are also compositions by one of the founders of the American experimental tradition, Henry Cowell, some of which are played entirely without using the piano keys.
John Cage : The Perilous Night Henry Cowell : The Tides of Manaunaun Henry Cowell : Aeolian Harp Henry Cowell : The Banshee George Crumb : Advertisement George Crumb : Metamorphoses, Book I
|
|
9 Aug
|
Friday, June 9, 2017 at Charlie Parker’s YARDBIRD English National Opera London Coliseum United Kingdom
ENO
In the empty twilight between life and death, saxophonist Charlie Parker composes his final masterpiece.
09 Jun - 17 Jun 2017
Hackney Empire and English National Opera present the European Premiere of Charlie Parker’s YARDBIRD, a jazz-infused chamber ‘be-bopera’ by Daniel Schnyder with libretto by award winning African-American poet Bridgette A. Wimberly.
Lawrence Brownlee stars as the legendary saxophonist—a role crafted around the effortless, improvisational style that makes him one of music’s most sought after tenors.
In the empty twilight between life and death, saxophonist Charlie Parker composes his final masterpiece, revisiting the inspirations, demons and women who fueled his creative genius.
Set in the famed NYC jazz club Birdland, the opera is as uncompromising in its artistic vision as the “Yardbird” himself.
Daniel Schnyder : Charlie Parker’s YARDBIRD
|
|
10 Aug
|
Saturday, June 10, 2017 at 8.30pm robots/non/robots Holland Festival Amsterdam Netherlands
Mouse on Mars
They will all be performing together on one stage: the avant-garde orchestra Ensemble Musikfabrik, the electronic pioneers Mouse on Mars, conductor André de Ridder, and an array of percussion robots. This concert will certainly be an exceptional combination of electronic and acoustic sounds. Mouse on Mars has been at the forefront of electronic music for years now. Band members Jan St. Werner and Andi Toma prove their place with these two new compositions. The evening will begin in complete darkness with a performance of De Umbris Idearum... The acousmatic memory palace. This dark and experimental composition includes percussion robots and a lighting installation which responds to the music. It will be followed by the larger and lighter work Paeanumnion, a compelling hybrid of electronic and orchestral music.
Mouse on Mars : De Umbris Idearum … The acousmatic memory palace Mouse on Mars : Paeanumnion
|
|
10 Aug
|
Saturday, June 10, 2017 at 11am A Film Music War Requiem Snape Maltings, Aldeburgh Snape Maltings Concert Hall,Snape,Suffolk,IP17 1SP United Kingdom +44 (0)1728 687110 http://www.aldeburgh.co.uk enquiries@aldeburgh.co.uk
London Sinfonietta
Gerry Cornelius conductor
Andrew Watts countertenor
Olga Neuwirth’s War Requiem takes as its starting point not poetry or sacred texts, but a silent film – a prophetic anti-war parable made in France just one month before the outbreak of the Great War. Performed to the backdrop of the film, Neuwirth’s score, she says, ‘brushes against the grain’ in the spirit of the Viennese satirist Karl Kraus. In two shorter works, Goethe and Gertrude Stein serve as jumping-off points for a composer who regularly questions shared cultural memories.
Olga Neuwirth : Five Daily Miniatures Olga Neuwirth : …morphologische Fragmente… Olga Neuwirth : Maudite soit la guerre – A Film Music War Requiem
|
|
11 Aug
|
Sunday, June 11, 2017 at Brett Dean Hamlet Glyndebourne Glyndebourne, Lewes, BN8 5UU United Kingdom +44 (0)1273 815000 http://glyndebourne.com info@glyndebourne.com
Hamlet Allan Clayton
Gertrude Sarah Connolly
Ophelia Barbara Hannigan
Claudius Rod Gilfry
Polonius Kim Begley
Ghost of Old Hamlet John Tomlinson
Horatio Jacques Imbrailo
Laertes David Butt Philip
Rosencrantz Rupert Enticknap
Guildenstern Christopher Lowrey
London Philharmonic Orchestra
The Glyndebourne Chorus
A story of betrayal, revenge and madness
To be, or not to be. This is Hamlet’s dilemma, and the essence of Shakespeare’s most famous and arguably greatest work, given new life in operatic form in this original Glyndebourne commission.
Thoughts of murder and revenge drive Hamlet when he learns that it was his uncle Claudius who killed his father, the King of Denmark, then seized his father’s crown and wife.
But Hamlet’s vengeance vies with the question: is suicide a morally valid deed in an unbearably painful world?
‘The themes of life and death, love and betrayal have opera written all over them.’
—Brett Dean, Composer
Shakespeare’s Hamlet reconfigured for a world premiere
Dean’s colourful, energetic, witty and richly lyrical music expertly captures the modernity of Shakespeare’s timeless tale, while also exploiting the traditional operatic elements of arias, ensembles and choruses.
Matthew Jocelyn’s inspired libretto is pure Shakespeare, adhering to the Bard’s narrative thread but abridging, reconfiguring and interweaving it into motifs that highlight the main dramatic themes: death, madness, the impossibility of certainty and the complexities of action.
Sung in English with English supertitles
Brett Dean : Hamlet
|
|
11 Aug
|
Sunday, June 11, 2017 at 7pm Paradise Lost: 350th Anniversary Milton Court - Guildhall School of Music & Drama Milton Court, Guildhall School of Music & Drama, EC2Y 9BH United Kingdom 020 7638 8891 http://www.gsmd.ac.uk/miltoncourt
Melos Sinfonia
Oliver Zeffman conductor
Singers to be announced
Actor to be announced
'The Melos Sinfonia marks the 350th anniversary of John Milton’s poem Paradise Lost with music inspired by the epic.
Milton's Paradise Lost – dictated by the blind poet to assistants over a period of six years – sets out to ‘justify the ways of God to Man’. The Melos Sinfonia will mark the epic’s 350th anniversary with three works inspired by it: Haydn's Creation, and two new commissions. Presented alongside extracts from the poem, this will be a memorable tribute to one of the greatest texts in the English language.
The Melos Sinfonia is an energetic orchestra based in London which, through ambitious programming and enterprising projects, provides talented young musicians with invaluable experience and exposure. Players are drawn from the major conservatoires and universities across the UK, as well as from orchestras such as the European Union Youth Orchestra, Gustav Mahler Jugendorchester, Britten-Pears Orchestra and Southbank Sinfonia.
Joseph Haydn : 'The Representation of Chaos' from The Creation Joe Rust : The Fall of the Rebel Angels Edward Nesbit : Near Paradise Joseph Haydn : The Creation, Part 3
|
|
12 Aug |
|
13 Aug
|
Tuesday, June 13, 2017 at 3pm Deborah Pritchard World Premiere Snape Maltings, Aldeburgh Snape Maltings Concert Hall,Snape,Suffolk,IP17 1SP United Kingdom +44 (0)1728 687110 http://www.aldeburgh.co.uk enquiries@aldeburgh.co.uk
Jonathan Berman conductor
Harriet MacKenzie violin
Catrin Finch harp
with Maggi Hambling artist
A concert complementing visual artist Maggi Hambling’s Festival exhibition, with music by Debussy, Robert Saxton and Deborah Pritchard performed in front of projections of the artworks.
Pritchard’s two concertos are based on some of artist Maggi Hambling’s most recent canvases, matching their muscular dynamism and distinctive use of colour and texture in works of taut structure and opaque beauty.
Edge follows her new pieces on climate change and the melting of the polar ice cpas. The music is performed in front of projections of the original artworks, complemented by Robert Saxton’s Stanley Spencer-inspired elegy and Debussy’s dances. Interspersed with conversations with artist and composer, this complementary concert to Hambling’s Festival exhibition illuminates both the music and the art that inspired it.
Claude Debussy : Danse sacrée et danse profane Robert Saxton : The Resurrection of the Soldiers Deborah Pritchard : Wall of Water; Edge
|
|
14 Aug |
|
15 Aug |
|
16 Aug |
|
17 Aug
|
Saturday, June 17, 2017 at 7pm The Story of Magnus Erlendsson St Magnus Festival St Magnus Cathedral, Kirkwall United Kingdom
2017 is the 900th anniversary of the death of St Magnus, murdered at the command of his cousin on the island of Egilsay. This specially commissioned dramatic work tells the story of Magnus, his early life, his religious commitment and the journey leading towards his murder and martyrdom. Local historian and storyteller Tom Muir narrates the tale with a large cast of singers, actors and musicians. This performance takes place in the monument, the Cathedral, created in St Magnus’s memory by his nephew Rognvald and showcases the work of two local collaborators, Gemma McGregor and Ron Ferguson.
Francis Church Magnus
Kristin Linklater Thora
Tom Muir Narrator
Vivia Leslie Director
Alasdair Nicolson Conductor
The Assembly Project
Heather Rendall Organ
Singers and Actors from the community of Orkney
St Magnus Cathedral Choir
Boys from Kirkwall Grammar School
Gemma McGregor : The Story of Magnus Erlendsson
|
|
17 Aug
|
Saturday, June 17, 2017 at 1pm Paul Crabtree World Premiere St Magnus Festival St Magnus Cathedral, Kirkwall United Kingdom
BBC Singers
A rare treat from the BBC Singers, bringing a masterpiece of the choral repertoire to the lunchtime concert. Frank Martin’s Mass has a luminous quality which is profoundly beautiful and, though written in the 1920s, was kept in a bottom drawer by the composer for 40 years. Hillborg’s work exploits the virtuoso technique of the choir in a work whose sounds go beyond text setting whilst Paul Crabtree’s new work, premiered here, provides reflections on Stanley Spencer paintings with biblical texts. Music by Maxwell Davies completes the programme with his Mackay Brown settings reflecting the Orkney winter.
Frank Martin : Mass for Double Choir Anders Hillborg : Muoayiyoum Paul Crabtree : New Work Peter Maxwell Davies : The House of Winter
|
|
18 Aug
|
|
19 Aug
|
Monday, June 19, 2017 at 3pm Stuart MacRae, Marco Ramelli World Premieres St Magnus Festival St Magnus Cathedral, Kirkwall United Kingdom
Alison McNeill Voice
Sasha Savaloni Guitar
Alison McNeill and Sasha Savaloni present a selection of music by living composers. As part of their residency with Enterprise Music Scotland, Stuart McRae was commissioned to create a work specially for this performance which will receive its première in this concert alongside his setting of Middle English texts from 2008. Stephen Goss’s piece draws on Mahler and the inspiration of the Arts and Crafts chapel in Surrey in a work about remembrance and peaceful contemplation. Whilst the work of the young guitarist Marco Romelli, who studies composition at the Royal Conservatoire of Scotland completes the programme.
Stuart MacRae : Four Attar Songs Stephen Goss : Watts Chapel for solo guitar Marco Ramelli : Moon Stuart MacRae : The Life of this World
|
|
19 Aug
|
Monday, June 19, 2017 at 1pm Philip Cashian World Premiere St Magnus Festival St Magnus Cathedral, Kirkwall United Kingdom
Gildas Quartet
Schubert’s most well known quartet, written near the end of his life, takes his own song as its title and the music of this song as a starting point for its second movement. The music weaves a passionate and intense web of texture and melody, almost Beethovenian in scale, with sudden dramatic and dynamic shifts. Philip Cashian is Head of Compostion at the Royal Academy of Music and is an acclaimed composer performed throughout the world. His second quartet is co-commissioned by the St Magnus International Festival and Britten Pears Foundation and its movements have the titles Swarming, Drifting, Freezing, Reeling.
The award-winning Gildas Quartet has instantly earned itself a reputation for its refreshing approach and exciting precision combining a love of the classic repertoire and music of today. The quartet has worked closely with the likes of Harrison Birtwistle and Colin Matthews and has a commitment to commissioning new work.
Tickets £25, £20, £12 Concessions £19, £15, £8
Duration 1 hour
Philip Cashian : String Quartet No. 2 Franz Schubert : String Quartet No. 14 in D minor, D.810 Death and the Maiden
|
|
20 Aug
|
|
21 Aug
|
|
21 Aug
|
Wednesday, June 21, 2017 at 13.00 New Music, New Directions St Magnus Festival St Magnus Cathedral, Kirkwall United Kingdom
The Assembly Project
Eight new works conducted by eight student conductors. This concert presents music hot off the press. Each new work has been written in the preceding eleven days of the St Magnus Composers’ Course and represents an intense collaboration with the musicians of The Assembly Project and the course tutors. A participant from Orkney Conductors’ Course will conduct each new work. Watch this space for the talents of the future.
Contemporary Composers : New Work
|
|
22 Aug
|
Thursday, June 22, 2017 at 6pm - 7pm Gene & The Percussionists - The Percussion Music of Gene Pritsker - Le Poisson Rouge NYC United States
Tickets: 10 Gene Pritsker
Patti Cudd
Michael Lipsey
Cesare Papett
Peter Jarvis
Jim Kempner
Composer Gene Pritsker presents a concert of his music for percussion. “Over the years I have written many percussion compositions, from solos to chamber music to percussion ensembles, etc. I decided to have a concert featuring some of these older compositors as well a few world premieres”. Four stellar percussionists and a poet will join Gene to perform solos, duos, chamber pieces, as well as compositions with Di.J. & Samplestra (pre recorded electronics). The concert will feature: Patti Cudd on ghatam (an ancient clay pot percussion instrument of South India), Michael Lipsey on talking drum (an hourglass-shaped drum from West Africa), Cesare Papetti on darbuka (a middle eastern goblet drum). Peter Jarvis on drum set with poet/comedian Jim Kempner perform ’Comedic Poems’ with Gene on Guitar. World premieres include ‘Melting Pot’ written for Patti Cudd for gahtam and Samplestra, a new quartet for darbuka, talking drum, ghatam and Di.J. as well as a new duo for electric guitar and darbuka. Other compositions include ‘Sitting’ for talking drum and Samplestra.
Gene Pritsker : Comedic Poems Gene Pritsker : Encomium Gene Pritsker : Melting Pot Gene Pritsker : Sitting
|
|
23 Aug
|
Friday, June 23, 2017 at 7.30pm BCMG & Knussen Snape Maltings, Aldeburgh Snape Maltings Concert Hall,Snape,Suffolk,IP17 1SP United Kingdom +44 (0)1728 687110 http://www.aldeburgh.co.uk enquiries@aldeburgh.co.uk
Birmingham Contemporary Music Group
Claire Booth soprano
Robert Murray tenor
Marie-Christine Zupancic flute
Oliver Knussen conductor
A world premiere by Oliver Knussen is always a major occasion, and this one – a setting of haiku chosen personally by Knussen – comes as a wonderful surprise.
The inspiration was personal: a tribute to Stephen and Jackie Newbould, the former directors and creative spirits behind Birmingham Contemporary Music Group. So it’s entirely fitting that Knussen conducts BCMG tonight, and that the programme is as beautifully assembled as we’ve come to expect from these regular and very welcome visitors to Snape. Stravinsky’s oriental songs complement Knussen’s Japanese texts; Jo Kondo’s graceful, elusive Three Songs Tennyson Sung were a BCMG commission. A sequence of miniatures by Harrison Birtwistle – including three premieres – brings two of the most original creative forces in British music thrillingly into alignment.
Harrison Birtwistle : Chorale 1 Igor Stravinsky : Balmont & Japanese Lyrics Jo Kondo : Three Songs Harrison Birtwistle : Chorale 2 Jo Kondo : Standing Harrison Birtwistle : Chorale 3 Oliver Knussen : Hototogisu
|
|
24 Aug
|
Saturday, June 24, 2017 at 5pm Sacred Environment Kate Moore Holland Festival Amsterdam Netherlands
Sacred Environment is a ground-breaking new work by the Dutch-Australian composer Kate Moore and visual artist Ruben van Leer, commissioned by the Holland Festival and NTR Radio. The oratorio is being performed and sung by the Netherlands Radio Philharmonic Orchestra and the Netherlands Radio Choir. The Australian singer Alex Oomens goes on a virtual reality dream-track towards the Hunter Valley in Australia, originally the territory of the Dharug, Darkinjung and Wonnarua people. The audience will follow her on a big screen in search of the stoneless temple. In this piece, the changing meaning of sacred ground in our demythologised society is being explored. A similar issue is touched upon in Haunted Landscape by George Crumb, the festival’s composer in focus this year. The concert opens with Steven Mackey’s energetic piece Lost and Found. Expect multi-layered soundscapes.
Steven Mackey : Lost and Found George Crumb : A haunted landscape Kate Moore : Sacred Environment
|
|
24 Aug
|
Saturday, June 24, 2017 at 9.30pm Tom Jenkinson Premiere Holland Festival Amsterdam Netherlands
James McVinnie Organ
Tom Jenkinson Bass Guitar
Tom Jenkinson is famous as Squarepusher for his rapid and unsettling beats. He is also a phenomenal bass player and has been fascinated by the organ from an early age. In this concert, he shares the stage with James McVinnie, who was an organist at Westminster Abbey, and is also a virtuoso performer of contemporary music. McVinnie has worked with composers like Nico Muhly and Oneohtrix Point Never (Holland Festival, 2014). The programme includes an earlier organ work Jenkinson wrote for McVinnie, as well as a piece written especially for this Proms concert: a duet for organ and bass guitar, in which Jenkinson is also playing. McVinnie also performs a rarely heard organ work by Philip Glass and an early work by organ giant Olivier Messiaen.
Tom Jenkinson : Selection from: Solo Electric Bass 1 Tom Jenkinson : Space Frame Suite Olivier Messiaen : Le banquet céleste Philip Glass : Mad Rush Tom Jenkinson : new work (2017) for electric bass and organ
|
|
25 Aug |
|
26 Aug
|
Monday, June 26, 2017 at 8.30pm Greek Bayerische Staatsoper Max-Joseph-Platz 2 D-80539 Munich Germany +49.(0)89.21 85 01 www.staatsoper.de/en/staatsoper.html info@staatsoper.de
Mom/ Waitress 2/ Sphinx 1 Miranda Keys Wife/ Waitress 1/ Sphinx 2 Okka von der Damerau
Eddy Tim Kuypers
Dad/ Café Manager/ Chief of Police Robert Bork
Orchester Bayerisches Staatsorchester
An opera in two acts based on the play of the same name Steven Berkoff Composer: Mark-Anthony Turnage
Fate could not be more cruel: fulfilling a prophecy, Oedipus unknowingly murders his father and marries his mother. Since ancient times, this myth about the Theban ruler has been adapted by countless authors, unleashing its power on the stage and counteracted the idea of free will. The London actor and playwright Steven Berkoff locates his version of the tale in the socially deprived areas of his home city, letting the social pressures and cruelties of the present flow into the myth. Marc Anthony Turnage's operatic version is based on Berkoff's drama. It plays freely with the musical styles of the 20th Century, thereby unleashing its very own power. The work was first performed in 1988 at the Munich Biennale and was the composer's international breakthrough. Almost thirty years later, a young production team once again take on the piece's timeless questions as part of the Festival Workshop.
Mark-Anthony Turnage : Greek
|
|
27 Aug |
|
28 Aug |
|
29 Aug |
|
30 Aug |
|
31 Aug |
|
1 Sep |
|
2 Sep |
|
3 Sep
|
Monday, July 3, 2017 at PINOCCHIO 'Aix En Provence Festival Palais de l'Ancien Archevêché 13100 Aix-en-Provence - France France festival-aix.com
ON 3, 7, 11 AND 14 JULY AT 8:00PM
ON 9 AND 16 JULY AT 5:00PM
Since writer Carlo Collodi unleashed him from his imagination and Geppetto fashioned him from a piece of wood, the puppet Pinocchio has been constantly transformed, adapted and revisited. Now playright and director Joël Pommerat has made an opera character of him, in an ideal collaboration with composer Philippe Boesmans, whose richly coloured musical universe, seems tailor-made for the small wooden figure. He presents the character as a rude and insolent person, eschewing all sentimentality to reconnect with the harsh world that Collodi portrays in his book. Reflecting his conception of theatre as a company endeavour, Joël Pommerat entrusts all the roles in this lyrical tale to six singers in disparate costumes – cabaret fairy, circus director, bad guy – all brought to life by a director who also narrates this story that speaks to everyone, both young and old alike.
Phillippe Boesmans : PINOCCHIO
|
|
4 Sep
|
Tuesday, July 4, 2017 at 11AM - 2PM How much does Quicken CD/Download cost? 1-844-894-7054 How much does Quicken Online cost? 1-844-894-7054 california ca United States 1-844-894-7054 www.quicken-software-service.com rockeyrosser@gmail.com
Tickets: 0.00 How much does Quicken CD/Download cost? 1-844-894-7054
There are different prices of weekend products and you will have to pay for the product you purchase. You will have to choose the product according to your requirement and that is possible if you learn about the features of the Quicken products. You can go to the website of Quicken and read about the details of the Quicken products. Visit :- www.quicken-software-service.com
http://www.quicken-software-service.com/blog/quicken-registration-issues/
|
|
5 Sep
|
|
Previous Month |
Next Month
|
|
|