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New Music Concert Listings
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3 Mar |
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4 Mar
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4 Mar
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Friday, March 4, 2016 at AKHNATEN English National Opera London Coliseum United Kingdom
ENO
Divine ruler of Egypt, husband to Nefertiti, father of a new religion. Akhnaten decrees that the sun god rules supreme, and the old gods must be banished from their temples.
But instead, his people turn upon their Pharaoh as a traitor. Akhnaten must die. Will his new faith live on?
Watching Akhnaten is a thought-provoking, absorbing experience.
This extraordinary work has not been seen in London for 30 years and forms the last of Philip Glass’s trilogy of ‘portrait’ operas in which he looks at figures from the fields of science (Einstein), politics (Gandhi) and religion (Akhnaten).
This hypnotically mesmerising work uses texts drawn from ancient hymns, prayers, letters and inscriptions sung in their original Egyptian, Hebrew and Akkadian.
ENO’s new production is directed by Improbable theatre company’s Phelim McDermott and follows his spectacular stagings of Glass’s Satyagraha and The Perfect American.
Performances until 18th March
Philip Glass : AKHNATEN
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5 Mar
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Saturday, March 5, 2016 at 7.00pm Anthony Green at 70. Piano recital Schott Recital Room @ Bauer & Hieber 48 Great Marlborough Street, London W1F7BB United Kingdom
Tickets: £10 (£7 concessions) Anthony Green
Saturday March 5th, 7.00pm
Anthony Green - Contemporary Piano Recital
Celebrating three birthdays and an anniversary, Anthony Green plays 3 Intermezzos, 12 Inventions and the Fourth Sonata by Frank Bayford (who is 75) Housman's Spinney by John Mitchell (who is 70) and a number of pieces by himself (he is also 70) including the premiere of his Sonata No.7. There is also a Panegyric for Anthony Green at 70 by Nick Ray, pieces by Schoenberg and Webern and Elegy No.1, Toccata and Indian Diary by Busoni (150th anniversary).
Tickets: £10 (£7 concessions) from 020 7534 0710 or on the door.
Nick Ray : Panegyric for Anthony Green at 70 (2016) [piano] Anthony Green : Piano Sonata no.7
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5 Mar
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Saturday, March 5, 2016 at 7.30pm Tourbillon Grisey IRCAM/Centre Pompidou-Grande salle-Paris
France
Composition, Sound Installation, Video and Animation Daniele Ghisi
Inspired by the eponymous book by John W. Dunne
Script Daniele Ghisi, Luigi Acerbi, Paolo Puggioni
Script Assistant Maryam Babaei
Video Assistant Luca Morino
Graphic Advisor Davide Bordogna
Visuals drawn by Luca Nava
Divertimento Ensemble
IRCAM Computer Music Design Manuel Poletti
IRCAM Sound engineer Sylvain Cadars
Photo credits Miroslav Barták, From Old Books, Karl Jahnke
Copies of the Illustrated London News shoLondon News/Mary Evans Picture Library
Audio credits Tebblofang, empraetorius, HollowRiku, lucaslara, nebulousflynn, exterminat, Omar Alvarado, RutgerMuller, Runey, SunnySideSound
Additional thanks to Mattia Bergomi, Sylvain Cadars, Aaron Einbond, Carla Felotti, Maria Giulia Ganassini, Boris Labbé, Virgilio Maffeis and family, Yann Philippe, Andrea Rota, Christopher Trapani, Paul Slocum and Vincenzo Picariello
"Abolish all material in favor of length is a dream that I have followed for several years. Vortex Temporum is perhaps only the story of an arpeggio in space and time, below and beyond our auditory window that my memory has let swirl around during the months dedicated to writing this piece." This masterpiece by Gérard Grisey has inspired numerous artists, such as Anne Teresa de Keersmaeker who choreographed it, before turning it into an exposition of movement for a museum space. Three archetypical images characterize this "tourbillion of time": the time of men and language, the wide time of whales and the rhythm of sleep, the extreme contraction of the time of birds.
In the work by Daniele Ghisi, also marked by Grisey, An Experiment with Time includes several temporal cycles - a day, a year, a lifetime. Following the installation that premiered opening night of ManiFeste-2015, the Italien composer presents here the final version of the diary inspired by John William Dunne's text, a curious machine that dilates time and enables past, present, and future to coexist.
Daniele Ghisi : An Experiment With Time Gerard Grisey : Vortex Temporum Raphaël Cendo : Radium
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6 Mar
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Sunday, March 6, 2016 at 4:00pm Organist Gail Archer Performs in Oakland First Presbyterian Church of Oakland 2619 Broadway United States 510-444-3555 http://www.firstchurchoakland.org
Tickets: Suggested donation $10 organist Gail Archer
Gail Archer is a Grammy-nominated, international concert organist, recording artist, choral conductor and lecturer. Lucid Culture proclaimed, "Like the composers she chooses, Archer's playing spans the range of human emotions—with Bach, there’s always plenty to communicate, but this time out it was mostly an irresistibly celebratory vibe." Ms. Archer's recordings span the seventeenth to the twenty-first centuries, a festive discography that highlights her musical mastery on grand Romantic instruments as well as Baroque tracker organs. Her most recent compact disc, Bach, the Transcendent Genius, celebrates the brilliant improvisations on Lutheran hymn tunes of the "Great 18" chorale preludes (MM1013). Ms. Archer is college organist at Vassar College, and director of the music program at Barnard College, Columbia University where she conducts the Barnard-Columbia Chorus. She serves as director of the artist and young organ artist recitals at historic Central Synagogue, New York City.
J.S. Bach : Great 18
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7 Mar |
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8 Mar |
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9 Mar
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9 Mar
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Wednesday, March 9, 2016 at 7.30pm Composer Focus: Thomas Adès Barbican Hall, London Barbican, Silk Street, London EC2 United Kingdom 020 7638 8891 http://www.barbican.org.uk/eticketing
Thomas Adès conductor
Anne-Sophie Mutter violin
Samuel Dale Johnson baritone
London Symphony Orchestra
In recent years composer-conductor Thomas Adès has become an unstoppable creative force. In this LSO composer focus series he conducts his own works alongside the music that influenced and informed his development as a composer.
Adès’ striking ‘voyage for orchestra’ Polaris is inspired by the magnetic pole-star, with its harmonies rotating hypnotically around a central pitch. Brahms’ legendary Violin Concerto is then performed by Anne-Sophie Mutter in anticipation of Adès’ own work Brahms for Baritone and Orchestra. Brahms is an ‘anti-homage’ to the composer inspired by the cold logic of his music, taking his compositional compulsions to extreme conclusions.
The programme closes with Adès’ one-movement symphony Tevot. As ever with Adès the dual meaning of the title is key to understanding the work fully, in this case ‘Tevot’ is both the Hebrew for ‘bars of music’ and used in the Bible to refer to Noah’s ark. Over its one-movement span the listener is guided through a monumental journey contrasting moments of incredible turbulence with sudden stasis and calm.
Thomas Ades : Polaris Johannes Brahms : Violin Concerto Thomas Ades : Brahms Thomas Ades : Tevot
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10 Mar
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Thursday, March 10, 2016 at 7.30pm POPPE: SPEICHER Coronet Theatre 28 New Kent Road London SE1 6TJ United Kingdom +44 (0)20 7701 1500 http://coronettheatre.co.uk/contact/ info@coronetlondon.co.uk
Susanna Malkki conductor
London Sinfonietta
Much more than just a piece of music, Enno Poppe’s Speicher is a complex structure of variations and repetitions that pushes its 22 players to their interpretative and technical extremes. But it is just as immersive for its audience as it is for those on stage. Speicher is an adventure in active listening –gradually revealing clues as to what might be coming next through an unpredictable network of derivations. As we, too, become part of the unfolding music, so it truly comes alive. Developed over five years and premiered in Europe in 2013, this will be its landmark UK premiere.
Enno Poppe : Speicher
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11 Mar
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12 Mar
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13 Mar
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Sunday, March 13, 2016 at 5.00pm - 7.00pm Celebration of Spring Alyth, London NW11 7EN United Kingdom http://www.alyth.org.uk/ katie@alyth.org.uk
Tickets: £12 (under 16s free) VIVIENNE BELOS (MBE), CONDUCTOR
Vivienne Belos, soprano
Tami Tal, soprano
Katie Hainbach, mezzo soprano
Rachel Broadbent, oboe
Stephen Dickinson, piano
Kimon Pallikaropoulos, piano
Kelvin Thomson, piano
Kevin Vockerodt, piano
Noam Solomons-Wise, percussion
Lior Solomons-Wise, shofar
ALYTH CHORAL SOCIETY
ALYTH CHILDREN'S CHOIR
Bob Chilcott : Songs and Cries of London Town Julian Dawes : Psalm 140 Julian Dawes : Priestly Blessing Julian Dawes : Limericks from Edward Lear Julian Dawes : Love Songs Julian Dawes : Siren Song Kelvin Thomson : Song's Eternity Kelvin Thomson : Babel Kelvin Thomson : There is only...
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13 Mar
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13 Mar
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Sunday, March 13, 2016 at 7pm LSO FUTURES: CONCERT 2 Barbican Hall, London Barbican, Silk Street, London EC2 United Kingdom 020 7638 8891 http://www.barbican.org.uk/eticketing
François-Xavier Roth conductor
Synergy Vocals
London Symphony Orchestra
LSO Futures, the LSO's biennial festival of contemporary music, returns with two 20th-century masterpieces and a world premiere for the 21st.
François-Xavier Roth opens with Ligeti's Atmosphères, a swirling sound mass that rebelled as much against traditional forms as it did against the prevailing dogma of serialism. And Berio's Sinfonia, a monumental work from the Italian master, famous for its haunting ode to the late Martin Luther King and a middle movement that weaves three centuries of musical fragments into a rich tapestry of familiar quotations. 50 years on from their premieres, these two works provide a fitting frame for a new work by former LSO Panufnik composer Elizabeth Ogonek.
Gyorgy Ligeti : Atmosphères Elizabeth Ogonek : Sleep & Unremembrance Luciano Berio : Sinfonia
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13 Mar
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Sunday, March 13, 2016 at 4pm LSO Futures: Concert 1 LSO St Luke's, London 161 Old Street London EC1V 9NG United Kingdom 020 7638 8891 http://www.lso.co.uk/lsostlukes/ admin@lso.co.uk
François-Xavier Roth conductor
LSO Chamber Orchestra
LSO Futures, the LSO's biennial festival of contemporary music, returns with two chamber symphonies written at opposite ends of the 20th century that follow a world premier from the 21st.
Donald Glaser won the Nobel Prize in Physics in 1960 for his invention of the bubble chamber, a piece of equipment used for the study of subatomic particles. This is how we begin the 2016 edition of LSO Futures, with a breakthrough: a world premiere from Darren Bloom inspired by this landmark scientific event. Then it’s two chamber symphonies, two more breakthroughs and two very different composers: Schoenberg’s chamber symphony, written on the brink of his revolutionary break with tonality, and Thomas Adès’s, a work of staggering maturity and accomplishment from the 19 year old who would go on to become one of Britain’s leading living composers.
Darren Bloom : Dr Glaser's Experiment Thomas Ades : Chamber Symphony Arnold Schoenberg : Chamber Symphony
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14 Mar |
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15 Mar |
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16 Mar
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17 Mar |
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18 Mar
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18 Mar
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Friday, March 18, 2016 at 7.30pm Anthony Payne Visions and Journeys Bridgewater Hall, Manchester Lower Mosley Road United Kingdom 44 (0) 161 907 9000 http://www.halle.co.uk/publishedSite/aidsdayconcert.asp box@bridgewater-hall.co.uk
Yan Pascal Tortelier conductor | Leonard Elschenbroich cello
Visions and journeys: from a scented garden high above the Mediterranean, Walton imagined a cello concerto that blossoms with song; Albert Roussel took the elegance of the French baroque, and exploded it to release a burst of energy and waves of glittering sound; Anthony Payne takes a sea voyage to the Scilly Isles (tonight’s performance is an 80th birthday gift to this last of the British romantics); and Georges Bizet conjures up the sunlight, fragrance and passion of Spain, in what’s surely got to be the world’s favourite opera.
Sexy melodies and ravishing colours: Yan Pascal Tortelier will be in his element, joined by rising star Leonard Elschenbroich, and reunited with the BBC Philharmonic.
Anthony Payne : Visions and Journeys William Walton : Cello Concerto Albert Roussel : Suite in F major Georges Bizet : Carmen – orchestral extracts
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18 Mar
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18 Mar
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Friday, March 18, 2016 at 7.30pm MacMillan Little Mass Usher Hall Edinburgh Scotland
Peter Oundjian Conductor
Nicola Benedetti Violin
Crazy in love…when Hector Berlioz couldn’t win the girl of his dreams, he went for broke. The result? His astonishing Symphonie fantastique – a wild-eyed, opium-fuelled blockbuster that still sets hairs on end today. With Peter Oundjian at the helm, a specially-written choral work by one of Scotland’s greatest living composers sung by the RSNO Junior Chorus, and the nation’s favourite Nicola Benedetti playing Szymanowski’s sensuous, shimmering concerto, this is a special 125 performance not to be missed.
Karol Szymanowski : Violin Concerto No.2 James MacMillan : Little Mass Hector Berlioz : Symphony Fantastique
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19 Mar
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Saturday, March 19, 2016 at 7:30pm PhiloSonia Inaugural Concert - "Revelations" The Old Stone House 336 Third Street, btw. 4th/5th Avenues, Brooklyn, NY 11215 United States http://www.theoldstonehouse.org info@theoldstonehouse.org
Tickets: $20/15 Stanichka Dimitrova,violin
Igor Pikayzen violin
Chieh-Fan Yiu, viola
Adrian Daurov, cello
PhiloSonia is an innovative concert experience, designed to create a personal connection between audience members and classical music.
PhiloSonia offers an insight into established and new works from the chamber music repertoire. Through compelling programming and interactive elements listeners are guided through an in-depth exploration of a wide variety of works.
Ludwig Beethoven : String Quartet Op. 59 #1, Allegro Ludwig Beethoven : String Quartet Op. 59 #3, Menuetto; Allegro Molto Bedøich Smetana : String Quartet # 1 "From My Life", Vivace Franz Schubert : String Quartet D 810 "Death and The Maiden", Andante con moto Felix Mendelssohn : String Quartet #6 in F minor, Allegro; Adagio
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20 Mar
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Sunday, March 20, 2016 at 7pm Equinox: light and dark Turner Hall 1040 N 4th St United States 414-271-0711 http://www.presentmusic.org/concerts/equinox.aspx emwoehlke@presentmusic.org
Tickets: 15, 25, 35 Present Music
Last season's Equinox was "aglow with promise" (Milwaukee Journal Sentinel), contrasting light and dark, death and life, and this year is no different as Present Music presents Equinox: light and dark, March 20, 2016. Performing the brooding, atmospheric Night Scenes from the Ospedale by Robert Honstein (written as part of the Vivaldi Project, the goal of which was to weave early and new music together seamlessly) will make an intriguing contrast to Vivaldi’s sunny L’Estro Armonico. Judd Greenstein’s Clearing, Dawn and Dance (“…an epically high flying work reminiscent of Glass's dance and cinema pieces while never abandoning Greenstein's own signature palette of sounds” - wqxr), Andrew Norman’s Music in Circles (a “5 minute static electricity storm” - Pitchfork) and music by Ligeti and Gubaidulina will connect as we cross the divide from winter to spring.
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20 Mar
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20 Mar
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Sunday, March 20, 2016 at 1.00pm to 5.00pm and 7.00pm to 9.00 pm Soundmarks Hoxton Hall 130 Hoxton St, London N1 6SH United Kingdom 020 7684 0060 http://https://www.hoxtonhall.co.uk/
Tickets: Daytime £15, £10 and Evening £10, £7 Jerry Wigens, composer, bass clarinet, with:
Evie O’Driscoll, cello
Rosie Bergonzi, percussion
Dylan Bates, bongos
Janet Oates, composer, voice, with
CoMA Singers:
Gordon Banner
Katie Boot
Elizabeth Dobson
Imogen Dyer
Jill House
John McCleod
Sonja Mes
Page Starr
CoMA Winds:
Adam Lewin - clarinet
Emily Nevis - flute
Karen Burnell - tenor horn
Ian Mitchell - bass clarinet
Shamim Azad, poet, story teller
Yousuf Ali Kahn - tabla
Isabel White, performance poet, with:
James Hodgson - performance poet
Sabina Virtuso - violin
Robin Pilcher – performance poet
Cassandra Mathews – Guitar/Lute
Emma O’Rourke – designer
Irene Wernli – dancer, choreographer
Ilze Ikse, flute
Daniel Figols, composer, laptop
Paula Newbery, artist
Marjorie Lazaro, poet
Contakt:
Kerry Andrews, cello
Karen Burnell, tenor horn
Paul Burnell, oboe
Deborah Edwards, laptop
Derek Foster, vibes
Soundmarks is a contemporary variety show - a series of ‘events’ throughout the day in various spaces in the building, organized by Contakt, a contemporary music ensemble.
Soundmarks aims to explore the significance of place in music and our collective and individual lives.
Supported using public fundings by Arts Council England.
Kerry Andrews : TBA Janet Oates : Off the wall Janet Oates : Shop Janet Oates : Cecilia John King : Lux Aeterna Robert Percy : Hakka Deborah Broderick Edwards : Coasts Derek Foster : Colours of Meditation Daniel Figols : SVIRA Jerry Wigens : ACPT Shamim Azad : A Story Isabel White : Warp and Weft
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21 Mar
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22 Mar
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22 Mar
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22 Mar
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22 Mar
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23 Mar
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Wednesday, March 23, 2016 at 7.30pm A musical journey through Holy Week St Botolph without Bishopsgate Bishopsgate, London EC2M 3TL United Kingdom http://www.botolph.org.uk/
Tickets: £12 (inc glass of wine), under 25's £5 London Concord Singers
Jessica Norton (conductor)
For their Easter Concert on Wednesday 23 March 2016, London Concord Singers, with their new conductor Jessica Norton, are presenting a musical journey through events of Holy Week, combining contemporary works such as John Tavener's The Lamb, James MacMillan's Tenebrae Responsories, Gabriel Jackson's O Sacrum Convivium and Robert Hugill's Resurrexi, with motets and anthems by Bruckner, Brahms, Weelkes and Byrd, concluding with JS Bach's great motet Jesu, meine Freude.
John Tavener : The Lamb James MacMillan : Tenebrae Responsories Gabriel Jackson : O Sacrum Convivium Robert Hugill : Resurrexi
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23 Mar
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23 Mar
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24 Mar |
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25 Mar
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Friday, March 25, 2016 at 8:00 p.m. BMOP Presents Song Cycle Child Alice 3/25 Jordan Hall, Boston 30 Gainsborough Street United States 617-585-1260 http://www.newenglandconservatory.edu
Tickets: $20-50 Boston Modern Orchestra Project
Soprano Courtenay Budd
The Boston Modern Orchestra Project (BMOP), the 2016 Musical America Ensemble of the Year, ends its 20th anniversary season with the Boston premiere of David Del Tredici’s complete Child Alice (1981) featuring the acclaimed soprano Courtenay Budd. Based on poems prefacing Lewis Carroll’s Through the Looking Glass and Alice’s Adventures in Wonderland, this 135-minute evening-length work changed the course of 20th century music.
David Del Tredici : Child Alice
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26 Mar |
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27 Mar |
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28 Mar |
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29 Mar
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Tuesday, March 29, 2016 at The Importance of Being Earnest Covent Garden - Royal Opera House Covent Garden, London United Kingdom http://info.royaloperahouse.org/home
ROH
Irish composer Gerald Barry’s wildly inventive and idiosyncratic setting of Wilde’s classic play The Importance of Being Earnest has been an extraordinary success. Since its 2011 concert premiere in Los Angeles and its 2013 stage premiere in Nancy, it has enchanted audiences with its high-energy madcap humour, and in 2013 it won the Royal Philharmonic Society Award for best large-scale composition. Ramin Gray’s fabulously ridiculous production for the Royal Opera House marked the work’s UK stage premiere.
Barry’s hyperactive score runs helter-skelter through numerous musical languages – everything from serialist pastiche to galumphing concerto grosso gets a look in, riveted through with increasingly giddy variations on ‘Auld Lang Syne’. From the basso profundo Lady Bracknell’s spluttered Beethovenian Schiller to Gwendolen and Cecily’s Sprechstimme battle of spite through megaphones to the accompaniment of 40 solemnly smashed plates, The Importance of Being Earnest is insanely virtuoso, brilliantly hilarious and packed with invention.
Performances until April 3rd.
Gerald Barry : The Importance of Being Earnest
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30 Mar |
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31 Mar
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31 Mar
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Thursday, March 31, 2016 at 20:30 PIERRE BOULEZ, A PORTRAIT Conservatoire Darius Milhaud 380 Avenue Wolfgang Amadeus Mozart, 13100 Aix-en-Provence France 04 88 71 84 20
Michael Barenboim, violin
Edgar Moreau, cello
Bertrand Chamayou, piano
Ircam computer music, Andrew Gerzso
In honour of Pierre Boulez, the composer and conductor, leader of the post-1945 avant-garde who passed away on January 5, 2016, Aix Easter Festival have asked a range of young talents to defend his music which marked its time and has slowly but surely become a milestone in the artistic history of the 20th century.
The piano virtuoso Bertrand Chamayou will bring us into the luxuriant world of Incises, a swift piece, the best moments of which are reminiscent of the frantic agitation of a free-jazz chorus.
The solo violin of Anthèmes 2 (1991-1997) will be played by Michael Barenboim and finally, the young cellist Edgar Moreau will light up the work of Matthias Pintscher who takes on Boulez, though born a half a century later.
Pierre Boulez : Incises for piano Pierre Boulez : Anthèmes 2 for violin and electronics Matthias Pintscher : Three pieces for cello and piano
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1 Apr
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Friday, April 1, 2016 at 7pm Brett Dean conducts Brett Dean BBC Maida Vale Studios, London Maida Vale One, Delaware Road, London United Kingdom 02085761227
BBC Symphony Orchestra
Brett Dean conductor
Thomas Gould violin
Anthony Pateras revox
Thomas Meadowcroft revox
Join the BBC Symphony Orchestra at Maida Vale Studios for a concert programmed and conducted by Australian composer Brett Dean.
Through the monumental works of the great Peter Sculthorpe and others, contemporary Australian orchestral music won a reputation of being above all linked to Australia's landscape and evoking the sounds of its nature. Aspects of the natural world still inspire Australian composers but as we'll see in this wide-ranging programme, there's more to it than that.
From the quietly persuasive, Basho-inspired Clouds Now and Then by Richard Meale through to Georges Lentz's extraordinary vision of the cosmos as the "embodiment and proof of divine agency", Australian orchestral music in the late 20th and early 21st centuries has grown remarkably in its diversity and sophistication. Still little known outside Australia, this concert presents no less than four European premieres from several of Australia's leading composers.
Admission is on a first-come, first-served basis. Please note that as not everyone who asks for tickets uses them, to make sure we have a full house we send out more tickets than there are places. We do our best to get the numbers right, but unfortunately we occasionally have to disappoint people so please arrive early.
Richard Meale : Clouds Now and Then Thomas Meadowcroft : Peacemaker Tattoo Georges Lentz : Caeli enarrant... III Brett Dean : Engelsflügel Anthony Pateras : Immediata
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1 Apr
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Friday, April 1, 2016 at 2:00 pm Anna Akhmatova: The Heart is Not Made of Stone BAM Fisher 321 Ashland Place United States 718.636.4100 http://www.bam.org
Tickets: $75 and Up Ensemble for the Romantic Century
Celebrating its 15th season, the Ensemble for the Romantic Century (ERC) returns to BAM Fisher for six performances of Anna Akhmatova: The Heart is Not Made of Stone. Written by Eve Wolf and directed by Donald T. Sanders, this multi-media production examines the troubled relationship between artistic creation and totalitarianism through the perspective of the Russian poet Anna Akhmatova (1889-1966). This tale of passion, love, political repression, and redemption is interwoven with music by Russian composers’ Rachmaninoff, Prokofiev, and Shostakovich.
Sergei Prokofiev : Romeo & Juliet
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2 Apr
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Saturday, April 2, 2016 at 7:30pm BASS Composer in Residence Scott Wheeler Premieres Ben Gunn 4/2 Tenri Cultural Institute, NYC 43A West 13th St, NY NY 10011 United States 212-645-2800 http://www.tenri.org mail@tenri.org
Tickets: $25 Soprano Elisabeth Marhsall, mezzo soprano Kate Maroney, tenor Brandon Snook, and baritone Steven Eddy join pianists Michael Brofman, Jocelyn Dueck, and Miori Sugiyama.
BASS continues its innovative new music series In Context at the Tenri Cultural Center on Saturday April 2nd, 2016. This year’s featured composer is Scott Wheeler, hailed by Fanfare as “one of the freshest American voices.” The program features Mr. Wheeler’s work alongside those by colleagues and mentors (Virgil Thomson and Judith Weir) and favorite classics (Johannes Brahms and Robert Schumann). The program will include the world premiere of Ben Gunn. Soprano Elisabeth Marhsall, mezzo soprano Kate Maroney, tenor Brandon Snook, and baritone Steven Eddy join pianists Michael Brofman, Jocelyn Dueck, and Miori Sugiyama.
Scott Wheeler : Ben Gunn
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