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6 Mar
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Tuesday, September 6, 2011 at 5:30 pm
Pro UN Ensemble & Chorus Concert
The Gabarron Foundation - Carriage House Center for The Arts
149 East 38th Street, Between 3rd and Lexington Ave (4,5,6 Train)
United States
http://www.gabarronfoundation.org
events@gabarronfoundation.org
Tickets: Free
The Pro UN Ensemble & Chorus
The Pro UN Ensemble & Chorus will celebrate a special event for hope at The Gabarron – Carriage House Center for the Arts one day before performing at the IV Conference of States Parties to the Convention on the Rights of Persons with Disabilities at the United Nations’ Headquarters in New York City. The concert will be conducted by Pascual Osa, Lead Conductor and Director of Orquesta Filarmonia in Madrid. The Pro UN Ensemble & Chorus integrates a 20 musician orchestra, a choir of 30 singers and two soloists – soprano and tenor – from various countries. They will perform a mixed program, which includes “Spes – A Hymn to Hope”, composed by Pablo Peláez. This hymn has been dedicated by its composer to the Convention on the Rights of Persons with Disabilities with the aim to promote and raise awareness of the principles and the values of this advanced international treaty.
Pascual Osa : The Pro UN Ensemble & Chorus Concert
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7 Mar
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| 8 Mar |
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9 Mar
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Friday, September 9, 2011 at 5:30 pm
“Crimes and Passion: Love and the Criminal Underworld in Spanish 17th Century Song”
The Gabarron Foundation - Carriage House Center for The Arts
149 East 38th Street, Between 3rd and Lexington Ave (4,5,6 Train)
United States
http://www.gabarronfoundation.org
events@gabarronfoundation.org
Tickets: Free
Collective
“Crimes and Passion: Love and the Criminal Underworld in Spanish 17th-Century Song” is a semi-staged performance that provides insight into the Spanish Golden Age through music. This program draws upon three 17th-century dramatic interludes: the anonymous "Baile de Marizápalos," “La Visita de la Cárcel” (the “Visit to the Jail”) by Luis Quiñones de Benavente and the anonymous “La Cárcel de Sevilla”. Additionally, members of the Collective, whose focus is interpreting 17th-century song from figured bass or 'basso continuo', will interweave popular tunes with courtly songs by José Marín (who had many run-ins with the authorities, and was even sentenced to the galleys) and the royal composer Juan Hidalgo, and will present reconstructions of popular forms such as jácaras and folias, some created by the performers themselves. The performance will feature the singers and players of the Collective on baroque guitars, vihuelas and lutes, preceded by a brief introduction to these instruments and this period of Spanish music by members of the Collective.
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10 Mar
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