Site Search


Other Resources
News Archive






Large chamber ensemble Competitions & Call for pieces

 OSSIA 2018-2019 International Call for Scores
Summary:Competition 3–20 players
Deadline: 01 December 2018
Date Posted: 31 October 2018
Details: OSSIA New Music:
2018–19 International Call for Scores

APPLICATION DEADLINE:
DECEMBER 1st, 2018 at 11:59PM US Eastern Time

OSSIA New Music, the student-run new music organization at the Eastman School of Music, is pleased to announce a call for scores for our 2018–2019 International Composition Prize. The prize-winning work will be presented by Eastman student performers on the final concert of OSSIA New Music’s 2018–2019 season, on Wednesday, May 1, 2019 at 7:30 p.m.

Composers age 35 and under, as of July 1st, 2019, of all nationalities, are encouraged to apply. There is no entry fee, and works may have been previously performed (detailed guidelines below). Current Eastman students, alumni of Eastman’s Composition Program, and composers who have been full-time composition faculty at a college or university for more than three years are ineligible to apply.

The submitted compositions should be scored for a chamber ensemble (detailed guidelines below). OSSIA invites the submission of works involving unusual performative demands; composers are encouraged to view our current season program (http://ossianewmusic.org/current-season/).

A panel consisting of members of OSSIA New Music will evaluate the pieces and choose the winning entry. All applications must be completed and received by DECEMBER 1st, 2018. The winning entry will be announced by FEBRUARY 1st, 2018.

RULES AND GUIDELINES
The submitted work should be 5–12 minutes in duration.

The number of performers should be 3–20 players. The use of electronics (i.e. audio playback or live processing) with instruments is acceptable. If submitting a work with electronics, please provide documentation describing how processing and diffusion needs to be done.


The following instruments are available:

Flute (Piccolo, C, Alto, Bass) (2)
Oboe/English horn (2)
Clarinet [E-flat, B-flat, A, Bass, Contrabass] (2)
Saxophone [Soprano, Alto, Tenor, Baritone] (4)
Bassoon/Contrabassoon (2)
Horn (2)
Trumpet (2)
Tenor/Bass Trombone (1)

Euphonium (1)

Tuba (1)
Percussion; please see appendix for available instruments (up to 4 percussionists)

Harp (1)

Guitar (1)

Piano [2 players, 1-2 pianos]

Keyboard synthesizer/Harpsichord/Celesta (1)
Voice [Soprano, Mezzo-Soprano, Tenor, Baritone, Bass] (2)
Violin (2)
Viola (2)
Cello (2)
Contrabass (4 string, 5 string) (2)

FULL GUIDELINES

–Works should be between 5–12 minutes in duration.
–Works of any style, aesthetic, and notation will be considered.
–Only one entry per composer.
–Submissions may have been performed previously, but pieces that have been performed and/or recorded by a professional ensemble should not be submitted.
–Previous winners of the OSSIA Call for Scores are ineligible.
–No information that indicates or suggests the name or affiliation of the composer can appear anywhere on the score or recording of submitted work.
–Scores and recordings should be uploaded to a cloud sharing service such as Dropbox or Google Drive and links should be provided on the entry form.
–The composer of the winning entry is strongly encouraged to attend the performance of their piece on May 1, 2019, but attendance is not required.
–A travel stipend of up to $500 will be provided, in addition to a $500 honorarium.


SUBMISSION PROCESS
The submission process is entirely online. Please follow the directions below to ensure that your application is successfully received. If you have any questions about the submission process or our rules and guidelines please email info@ossianewmusic.org

1) Prepare an anonymous PDF score (with filename format TITLE_OSSIA.pdf) and, optionally, an anonymous MP3 recording (with matching filename format TITLE_OSSIA.mp3) of your work. All indications of the composer’s identity, affiliation, or performing ensemble must be removed. Recordings are strongly encouraged, though submissions without recordings will be accepted.
2) Upload the score and recording to an online file sharing service (Dropbox, Google Drive, etc.)
3) Prepare a 200-word biography to be pasted into submission form. (Biographies will be used when announcing the winning composer and will not be visible to the selection committee).
4) Submissions will be handled by a third party to ensure anonymity. For questions and information, please write to info@ossianewmusic.org
5) Submit your information and materials here: https://goo.gl/forms/jbrQ14IpmRaGM8553

APPENDIX
Percussion instruments available:
1 Vibraphone
1 Marimba (5.0, 4.3)
2 Glockenspiel
Timpani (32, 29, 26, 23)
4 Snare drum
1 Bass drum
4 Cymbals
3 Wood blocks
4 Triangle
Bongo (2 sets)
3 Congas
4 Tambourine
1 Xylophone
Almglocken
2 Shakers
Claves (2 sets)
4 Maracas (2 pairs)
1 Guiro
1 Rain stick
1 Ratchet
2 Anvil
3 Glass bottles
Crotales (2 octaves)
2 Cowbell
1 Chimes
1 Tam-tam
3 Thai gongs




Web Site:docs.google.com/document/d/1uN...

 The 2019 Salvatore Martirano Memorial Composition Award
Summary:1-15 performers call
Deadline: 15 April 2019
Date Posted: 31 October 2018
Details: Eligibility: Any composer, regardless of age or nationality is eligible. Previous winners, faculty, and currently-enrolled students at the University of Illinois are ineligible for the competition.

Awards: First Prize cash award of $1000 and second prize cash award of $500 plus performances by the Illinois Modern Ensemble in the fall of 2019 on the 23rd Annual Martirano Award Concert at the Krannert Center for the Performing Arts on the campus of the University of Illinois. Additional awards and performances may be given at the discretion of the judges.

Judges: A panel of judges consisting of international composers and University of Illinois music composition faculty members will select the winning compositions.

Guidelines:

1. Medium: Full scores of any style or aesthetic direction for 1-15 performers (including vocalists) may be submitted. Works for electronics and/or mixed media (including video), with or without instruments and voices, are eligible.

2. Duration: 20 minutes maximum

3. Limit: One entry per composer

4. Entry fee: A non-refundable entry fee of twenty US dollars (20.00 USD) is paid online at the time of submission. All major credit cards are accepted.

5. Anonymous Submission: The composer's name must not appear on the score or in any accompanying materials submitted online.

6. The winning composers are expected to attend the award concert and reception, and will be responsible for their transportation costs (the competition will provide lodging and some meals). The winning composers will assume full responsibility for providing adequate performance materials upon request.

Entries must be submitted and paid for online by Monday, April 15, 2019 11:59PM CST (23:59 GMT-0600).

For more information and to submit scores go to:
https://music.illinois.edu/martirano-award

For questions:
zbrownin@illinois.edu
www.zackbrowning.com
Web Site:music.illinois.edu/martirano-a...

 NNSF Call for Scores
Summary:3-12 players call
Deadline: 15 January 2019
Date Posted: 11 October 2018
Details: Each year the NNSF Call for Scores invites submissions of contemporary scores for chamber ensemble that are performed by Performance Fellows at the annual Nief-Norf Summer Festival. Composers of selected compositions will be invited to attend the festival and coach festival students and faculty in the preparation of the work.

The 2019 NNSF Call for Scores invites submissions of works for chamber ensemble (3-12 players) for any of the following instruments.
• guitar (acoustic or electric)
• violin
• viola
• cello
• double bass
• voice
• electronics (separate performer)
• flute (all family)
• clarinet (all family)
• oboe
• bassoon
• saxophone (all family)
• trumpet
• horn
• trombone
• tuba
• piano / keyboard
• harp
• percussion

The call is open to all composers without restriction. We welcome any of the following: scores requiring multiples of any of the above instruments (such as percussion ensemble or string quartet); works including improvisation, electronics (including audio or video), indeterminate notation or instrumentation; works that have been performed, recorded or published. All interested composers, at any point in their career are eligible to apply.

We are especially interested in submissions that tie into the theme of this year’s Research Summit, which is to interrogate the notion of genre in music. For example: works that embrace or defy genre categories, works that challenge the individuality of “the composer’s voice” by their genre associations, works in which genre references are an essential component, etc.

Submission fee: $15 for the first composition, $10 for each additional work (up to three).

Submission deadline: January 15, 2019

Details: Selections will be made in part based on the instruments of enrolled fellows in the Performance Workshop. If your score is selected, you will be invited and expected to attend the NNSF 2019, during a three-day period determined by the rehearsal and performance schedule. Composers will be given the opportunity to work directly with the fellows in preparation for a performance of their pieces. Selected composers will not be required to pay registration or tuition and will be offered accommodations for two nights and meals for three days. However, travel will not be covered or reimbursed.

CALL FOR SCORES APPLICATION REQUIREMENTS:

Applicants should submit:
1) Completed Call for Scores Competition Submission Form including submission fee (when you submit the form, you will be provided a PayPal link to pay the submission fee). Please note the submission form will call for:
• Your bio
• Title of each submission
• Program note for each submission. If your submission ties into the theme of the Research Summit, please explain how so in the program note.
• Link to audio or video of the work, if available.

2) Email to callforscores@niefnorf.org containing a PDF of the score for each submission.

Please scan any hand-written materials. Please do not email audio or video files; these will not be accepted. Please post audio or video on a streaming service such as Youtube, Soundcloud, Dropbox, or Google Drive and include the link on the submission form.

Questions? Send us a note to callforscores@niefnorf.org

Web Site:www.niefnorf.org/call-for-scor...

 Cum Laude Music Awards
Summary:Works with up to 10 parts
Deadline: 28 February 2019
Date Posted: 25 July 2018
Details: Prize
The value of the award is up to 30,000 € investment in the dissemination of the winning works. The prize is a full program of international promotion of the winning works through his performance in concert halls world-class with renowned interpreters. In addition, a CD Audio will be recorded provided that there is established in the point No.9 of Prize Rules section is accomplish. The recording will feature an international broadcast campaign between broadcasters and print media.

The premiere or performance of the work will be videotaped, additionally, for submission to be broadcasted by Spanish Radio Television. Each winning author will also receive 50 copies of the recording. The distribution of the recording in the United States and Canada will be made through Naxos of America and Europe through Semele Music Projects. The recording will be distributed on digital download stores both high resolution and generic stores too.

Jury
José Luis Temes.
Spanish National Music Prize 2008

Juan Carlos Garvayo.
Spanish National Music Price 2013 (with Trío Arbós)

Javier Monteverde.
CEO of Cezanne Producciones Recording Studio

Jorge Grundman.
CEO of Non Profit Music Foundation

Musicians and collaborators of Non Profit Music Foundation

Instruments
Any possible combination that includes up to 10 parts. It can be present works for a single instrument alone but not for voice a capella. As an example we could cite:

Piano Trio
String Quartet
String Quartet and Soprano
String Trio
Piano
Viola and Piano
Piano Quintet
String Quartet and Choir
String Quartet Amplified
Choir and Piano
etc...


Inscription Rules
01. Can participate composers of any age but over 18 years and of any nationality irrespective of their place of residence and any publisher who has the publishing rights of a composer.

02. The works can not be longer than 20 minutes, or less than 3 minutes.

03. The work may have been performed and / or recorded previously, but never released in Spain.

04. There is a registration fee for each work a composer present to this contest of $50 / 45€ to be paid online through PayPal or bank wire transfer.

05. Of each registered work it must be provided a single PDF containing the full score and particellas, and a MP3 audio file containing either a recording of a performance or a simulation performed in MIDI instruments. All contact details for the composer, a biography of 250 words maximum, a color photograph high resolution and an email address is also needed. All this material will be sent through the website page that the Non Profit Music Foundation will enable the composer once the registration amount paid.

06. Each composer or publisher can submit unlimited works provided are appropriate to the template shown below. The material submitted for registration will not be returned to the author and will be destroyed except after the winning works for dissemination. When submitting a work the composer explicitly recognizes that owns the copyright and exploit rights and accept no liability to the Non Profit Music Foundation for the use of the work.

07. The composers or publishers of the winning works will transfer their rights for free for the music recording, performance, premiere, broadcast television and image rights subject to copyright arising from the concepts of public performance and mechanical reproduction which will be controlled by the General Society of Authors of Spain and they will get through it in their respective management copyright entities of their respective countries.

08. The works that sign must have the intention of getting a new audience for classical music in a way that stimulates the creation of new audiences for it. To this end each entry will have digital access to a recording published by Non Profit Music Foundation that brings together such intention.

09. The languages for vocal music should be among the following: English, German, Italian, French, Spanish, Portuguese and Latin.

10. The deadline for registration is February 28th / 2019.

11 In no case will the registration fee be refunded. Once payment has been made it is understood that all rules are understood and accepted. If in doubt, please use the contact form before registering. The accepted languages for communication are Spanish and English.

12. No one connected with this institution or with the jury can participate.

Prize Rules
01. The winning works will be premiered or performed by renowned artists as those who regularly collaborate with Non Profit Music Foundation. Among the list of artists who have worked with us for over ten years we can find the Trio Arbós, Brodsky Quartet, Ara Malikian, Daniel del Pino, Ludmil Angelov and many other renowned. Depending on the winning works the artists who will perform both the concert and recording will be selected. The mention some of the artists who have worked with us does not imply the availability of them for the realization of the prize.

02. The winning works will be performed in a prestige hall in Madrid ilike Chamber Hall of the National Auditorium, the Auditorium of the Palacio de Cibeles, the Conde Duque Auditorium, choosing the most appropriate for the moment.

03. The performance of the winning works will be recorded for submission to television broadcasting through Spanish Radio Television, although them reserves the fact to choose them and/or broadcast on the date it deems appropriate.

04. Whenever all the winning works last more than 50 minutes and less than 73 minutes program, such works will be recorded in studio and published in CD or DSD format and surround sound in high-resolution distributed internationally if its necessary.

05. The works that are recorded will have a similar distribution and international presence to those who have had publicated the Non Profit Music Foundation. Physical and digital distribution in the US and Canada will be made through Naxos of America. The distribution in Europe will take place through Semele.

06. The dissemination of works awarded to radio and press will be held through Phoenix Classical, Wildkat PR and Promosapiens.

07. All winning works will receive the award for Best Classical Contemporay Work with the distinction of the selected instrumentation. Thus a winning work for Piano Trio receive the name Best Classical Contemporary Work for Piano Trio.

08. Of all the winning works a unique work will be selected to honor its composer with the Composer Cum Laude certification.

09. If the works submitted did not meet the right quality that the jury deems, or the number of participants did not allow the economic sustainability of the contest, the prize may be forfeited.

10. If there is a winning work, Composer Cum Laude distinction can not be decladred void.

11. The performances and recordings of the winning works will be scheduled between 2019 and 2020.

12. The finalists will be announced during March 2019.

13. The awards will be announced in April 2019
Web Site:clma.nonprofitmusic.org/englis...

 CALL FOR SCORES
Summary:Ongoing Chamber Call
Deadline: None
Date Posted: 04 December 2014
Details: rarescale has an ongoing call for scores and are interested in hearing from composers of all ages and nationalities. We are seeking quality chamber works for any combination of the following instruments:

flute/alto flute/bass flute (Kingma System)
oboe/cor anglais
clarinet/bass clarinet
bassoon
violin
viola
cello
piano
guitar
soprano
electronics

Please note that due to the high volume of works received we are unable to perform all the works sent to us, but we will keep details of all submissions in our database for future performance opportunities.

Please send scores and all performance materials as PDF or Sibelius 6 files to rarescalescores@gmail.com Recordings are preferable but not essential, and please bear in mind rarescale's charitable remit to promote the alto and bass flute.
Web Site:rarescale.org.uk/section468038...