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New Music Concert Listings
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14 Mar
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Thursday, March 14, 2013 at 6pm
Cage’s Water Music
Ikon, Birmingham
1 Oozells Square, B1 2HS
United Kingdom
0121 248 0708
http://www.ikon-gallery.co.uk/
Tickets: Free
Christopher Hobbs Piano
BCMG and IKON Gallery present Cage’s Water Music for piano (plus radio, whistles, water containers and a deck of cards) as part of a live internet concert curated by the Forum of Contemporary Music Leipzig – the biggest highlight of the international art and music festival CAGE100. The concert will be one of several Water Music performances across Leipzig’s sister cities from 8 – 15 March, including Bologna, Houston and Lyon – all streamed live on www.cage100.com.
The setting for this six-minute piece is Ikon’s exhibition of work by the Russian artist Timur Novikov – who along with Cage and others, created and performed Water Symphony in St. Petersburg in 1988, a piece symbolising the unification of American capitalist and Soviet state culture.
John Cage : Water Music
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14 Mar
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14 Mar
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Thursday, March 14, 2013 at 7pm
Margaret Leng plays Cage at the Barbican Art Gallery
Barbican Hall, London
Barbican, Silk Street, London EC2
United Kingdom
020 7638 8891
http://www.barbican.org.uk/eticketing
Tickets: Free to The Bride and the Bachelors same-day ticket holders
Margaret Leng Tan Pianist
Pianist and pre-eminent Cage interpreter Margaret Leng Tan performs Cage's monumental Four Walls from 1944.
Hailed as the 'revelation of a masterpiece' when she first premiered it at Huddersfield Contemporary Music festival in 1989, this one-time only performance invites you to engage with Cage's work and its compelling beauty.
John Cage : Four Walls
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15 Mar
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Friday, March 15, 2013 at 7pm
Studio Concert: Zhubanov, Gribbin and Prokofiev
BBC Maida Vale Studios, London
Maida Vale One, Delaware Road, London
United Kingdom
02085761227
Tickets: Free
BBC Symphony Orchestra
Alan Buribayev conductor
Finghin Collins piano
Kazakh conductor Alan Buribayev conducts Akhmet Zhubanov and Khamidi Latyf’s symphonic arrangement from the opera Abai. Both composers were pivotal in the development of Kazakh musical culture in the 20th century. Irish pianist Finghin Collins joins the BBC SO for the UK premiere of The Binding of the Years, by Belfast-born composer Deirdre Gribbin. The concert opens with three new chamber works by composers from the Guildhall School of Music & Drama, and closes with Prokofiev’s nostalgic final symphony, completed in 1952, the year before his death.
Contemporary Composers : Guildhall Octets
Zhubanov/ Hamidi : Wedding Dances from the opera Abai
Deidre Gribbin : The Binding of the Years
Sergei Prokofiev : Symphony No. 7
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15 Mar
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16 Mar
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Saturday, March 16, 2013 at 7.30pm
The Gospel According to the Other Mary / John Adams
Barbican Hall, London
Barbican, Silk Street, London EC2
United Kingdom
020 7638 8891
http://www.barbican.org.uk/eticketing
Tickets: £15-65
Los Angeles Philharmonic
Gustavo Dudamel conductor
Peter Sellars director / librettist
Kelley O’Connor Mary
Tamara Mumford Martha
Russell Thomas Lazarus
Daniel Bubeck countertenor
Brian Cummings countertenor
Nathan Medley countertenor
Michael Schumacher dancer
Anani Sanouvi dancer
Troy Ogilvie dancer
Los Angeles Master Chorale
Grant Gershon music director
Their 1987 music drama Nixon in China has become the most popular American opera since Porgy and Bess. Now the powerhouse creative partnership that is John Adams and Peter Sellars unveil their new work for Barbican audiences, played and conducted by the musicians for whom it was written. The Gospel According to the Other Mary is a 90-minute oratorio for orchestra, chorus and soloists, based on the New Testament stories of Lazarus and Jesus’s Passion and which draws on evocative Mexican poetry. The score is played here in its European premiere by the orchestra which Adams has described as ‘one of the most supple and flexible of any in the world.’
John Adams : The Gospel According to the Other Mary
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17 Mar
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Sunday, March 17, 2013 at 7.30
Beethoven, Osvaldo Golijov and Dvořák
Wigmore Hall, London
36 Wigmore St, London W1
United Kingdom
02079352141
http://www.wigmore-hall.org.uk
Tickets: £12-28
St. Lawrence String Quartet
Since winning the Banff International String Quartet Competition in 1992, the St. Lawrence Quartet has delighted audiences with its spontaneous, passionate and dynamic performances. The St. Lawrences, noted Alex Ross in The New Yorker, ‘are remarkable not simply for the quality of their music-making … but for the joy they take in the act of connection.’
The programme opens with the last of Beethoven’s Op. 18 string quartets, in which the composer showed his unfailing mastery of the style developed by Haydn and Mozart. Argentine composer Osvaldo Golijov enhanced his long and fruitful association with the St. Lawrences in 2011 when he created Qoheleth for the group, a new work inspired by core texts from the book of Ecclesiastes. Dvořák’s final string quartet brings the concert to a joyful close.
Ludwig Van Beethoven : String Quartet in Bb Op. 18 No. 6
Osvaldo Golijov : New work (UK première)
Antonin Dvorak : String Quartet No. 14 in Ab Op. 105
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17 Mar
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| 18 Mar |
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19 Mar
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Tuesday, March 19, 2013 at 8pm
Quartett
IRCAM/Centre Pompidou-Grande salle-Paris
France
Allison Cook soprano, the marquise de Merteuil
Robin Adams baryton, the vicomte de Valmont
Ensemble intercontemporain
Conductor Susanna Mälkki
IRCAM computer music design Serge Lemouton
Recording of the choir and orchestra at La Scala in Milan Julien Aléonard
Carried by the music of Luca Francesconi and the words of Heiner Müller that reinvent the Dangerous Liaisons, the opera Quartett interpenetrates three worlds.
The interior, a post-apocalyptic space where two solitary monsters caught up in a delirium of masks, the Marquise de Merteuil and the Vicomte de Valmont, collide; the exterior, the thoughts and conspiracies of the protagonists; and outside, a space of metaphysical forces like attraction and magnetism, the only space capable of absorbing the psychological tension in Quartett.
IRCAM's technology was called upon to create this spatial staging for the work’s premiere at la Scala in Milan, directed by La Fura Dels Bauls: passage from a microscopic dimension to the occupation of almost the entire theater-world, vocal grafts that incarnate the feminine side of de Valmont and the masculinity of de Merteuil, the founding and sonorous ambiguities of a "quartet" for two.
Luca Francesconi : Quartett
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20 Mar
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Wednesday, March 20, 2013 at 18.30
John Adams The Gospel According to the Other Mary
Lucerne Festival
Lucerne
Switzerland
http://e.lucernefestival.ch
Tickets: 30-240 CHF
Los Angeles Philharmonic | Los Angeles Master Chorale (Grant Gershon music director) | Gustavo Dudamel conductor | Peter Sellars director | Kelly O'Connor Mary Magdalene | Tamara Mumford Martha | Russell Thomas Lazarus | Daniel Bubeck Narrator | Brian Cummings Narrator | Nathan Medley Narrator | Michael Schumacher dancer | Anani Sanouvi dancer | Mark Grey sound designer | James Ingalls lighting designer | Dunya Ramicova costume designer
With Nixon in China, composer John Adams and director Peter Sellars created the most successful American opera since Porgy and Bess, while their El Niño juxtaposed biblical texts with apocryphal scriptures, a medieval mystery play, and Latin American poetry to fashion a “nativity oratorio for the 21st century.” Now comes their latest collaboration: The Gospel According to the Other Mary, an oratorio which is being premiered in its fully staged version in March 2013 in Los Angeles with conductor Gustavo Dudamel – just two weeks before this performance in Lucerne. Adams and Sellars recount the biblical Passion from an unusual perspective. Beginning with the raising of Lazarus, these events are narrated by the risen Lazarus and his two sisters, Martha and Mary Magdalene, who directly experience the crucifixion, burial, and resurrection of Jesus – all framed in the “eternal present.” Adam’s ambitious score combines his powerful rhythmic sense with a complex harmonic language, haunting melody, and innovative choral and orchestral writing.
John Adams : The Gospel According to the Other Mary
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20 Mar
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| 21 Mar |
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| 22 Mar |
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23 Mar
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Saturday, March 23, 2013 at 18.30
Britten War Requiem
Lucerne Festival
Lucerne
Switzerland
http://e.lucernefestival.ch
Tickets: 150-240 CHF
Bavarian Radio Symphony Orchestra | Bavarian Radio Choir (Peter Dijkstra chorus master) | Tölz Boys’ Choir (Ralf Ludewig chorus master) | Mariss Jansons conductor | Emily Magee soprano | Mark Padmore tenor | Christian Gerhaher baritone
On 14 November 1940 the English city of Coventry was bombed by the German Luftwaffe and almost completely destroyed. Among the ruins were those of the famous Gothic cathedral, which had been built around 1400. For the consecration of the newly rebuilt cathedral in May 1962, Benjamin Britten created his large-scale War Requiem, in which he wove the liturgical text together with verses by Wilfred Owen, the British poet who was killed in the First World War at the age of only 25. Britten wrote the solo voice parts for three singers, each of whom represented one of the nations that had been at war: Russian soprano Galina Vishnevskaya, English tenor Peter Pears, and German baritone Dietrich Fischer-Dieskau. Indeed, the idea of reconciliation is at the center of the work: “I am the enemy you killed, my friend,” writes Owen in his poem. To mark the 100th birthday of Britten, Mariss Jansons performs this moving Requiem with the Bavarian Radio Symphony Orchestra and Chorus.
Benjamin Britten : War Requiem
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23 Mar
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23 Mar
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Saturday, March 23, 2013 at 8pm
The Gospel According to the Other Mary : musique de John Adams (création)
Salle Pleyel
252 rue u Fauborg Saint-Honore, 75008 Paris
France
Tickets: Cat. 1 110€ Cat. 2 80€ Cat. 3 60€ Cat. 4 35€ Cat. 5 10€
Los Angeles Philharmonic
Gustavo Dudamel : conducting
Peter Sellars : mise en scène
Kelley O'Connor : mezzo-soprano
Tamara Mumford : contralto
Russell Thomas : tenor
Daniel Bubeck : contre-ténor
Brian Cummings : contre-ténor
Nathan Medley : contre-ténor
Los Angeles Master Chorale
Grant Gershon : choirmaster
Michael Schumacher : danse
Anani Sanouvi : danse
Troy Ogilvie : danse
John Adams : The Gospel According to the Other Mary
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24 Mar
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| 25 Mar |
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26 Mar
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Tuesday, March 26, 2013 at 8pm
Versus Nunes
IRCAM/Centre Pompidou-Grande salle-Paris
France
Tickets: 14€ | 10€ | 5€ |
Solistes de l'Ensemble intercontemporain
IRCAM computer music design José Miguel Fernandez
Under the generic term Einspielung (sich einspielen, warming up before playing), Emmanuel Nunes designed a series that originally intended the inclusion of nine solo pieces for violin, viola, and cello.
His project exploits the polyphonic potential of these instruments, a potential that has been reinforced with the use of electronics. While Einspielung I for violin is the work that is the most constricted and melodic, Einspielung II for cello reveals its labyrinthine appearance.
EMMANUEL NUNES : Rubato, registres et résonances
EMMANUEL NUNES : Einspielung II
EMMANUEL NUNES : Versus
EMMANUEL NUNES : Aura
EMMANUEL NUNES : Einspielung I
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26 Mar
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Tuesday, March 26, 2013 at 8pm
Manchester Camerata: UpClose III
Bridgewater Hall, Manchester
Lower Mosley Road
United Kingdom
44 (0) 161 907 9000
http://www.halle.co.uk/publishedSite/aidsdayconcert.asp
box@bridgewater-hall.co.uk
Tickets: £10
Camerata Principal Players
UpClose is our eclectic series of laid-back concerts in smaller, more intimate venues around the city, shining a light on hidden gems, both in terms of the music and the venues themselves. Relax and unwind with a drink and enjoy a blend of classical and contemporary music at close quarters. Arrive early for contemporary sound-based artworks by John Hyatt and Lewis Sykes, taking inspiration from the music at each event.
The centre-piece of this concert is Olivier Messiaen's Quartet for the End of Time, one of the most emotionally wrenching and spiritually reflective works written for chamber group. Written for the unusual combination of piano, violin, cello and clarinet, the work received its first performance outside in the rain in a German prisoner of war camp in 1941 on a collection of damaged instruments. This reflective programme also features a performance by Camerata’s principal cellist, Hannah Roberts, of Bach’s D minor Cello Suite, and a new chamber work by Camerata’s composer in residence.
J.S. Bach : Suite for solo cello No.2 in D minor
Chris Mayo : World Première by Manchester Camerata’s Composer in Residence
Olivier Messiaen : Quartet for the End of Time
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| 27 Mar |
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28 Mar
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29 Mar
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Friday, March 29, 2013 at 20.15
THE NIGHT OF EARTH, SEA AND BUTTERFLIES
Concertgebouw, Amsterdam
Het Concertgebouw, Concertgebouwplein 2-7, 1071 LN Amsterdam
Netherlands
http://www.concertgebouw.nl
Nieuw Ensemble
Ed Spanjaard - dirigent
An unforgettable evening out
The Concertgebouw is one of the best concert halls in the world, famous for its exceptional acoustics and varied programme. It serves as the home base of the Royal Concertgebouw Orchestra, and features performances by the world’s best orchestras, conductors and soloists. Bernard Haitink once praised the Concertgebouw as the best instrument in the orchestra that it houses. The wide-ranging programme offers an excellent selection of classical, pop and jazz music. Attend a concert and have an evening you will never forget. Come experience inspiring music in the beautiful surroundings of the Main Hall or the more intimate Recital Hall.
Iannis Xenakis : Roscobeck
Toru Takemitsu : Itinerant
Sofia Gubaidulina : Five Etudes
Giacinto Scelsi : Et maintenant c'est à vous de jouer
Toru Takemitsu : Toward the Sea
Kaija Saariaho : Sept Papillons
Giacinto Scelsi : Okanagon
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| 30 Mar |
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| 31 Mar |
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| 1 Apr |
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3 Apr
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Wednesday, April 03, 2013 at 7pm
The Firework-Maker's Daughter
Linbury Studio Theatre
Covent Garden, London WC2E 9DD
United Kingdom
020 7304 4000
http://www.roh.org.uk
Composer David Bruce
Libretto Glyn Maxwell
Director John Fulljames
Designer Dick Bird
Puppetry design Steve Tiplady
Puppetry design Sally Todd
Lighting Designer Guy Hoare
This opera by award-winning composer David Bruce and poet Glyn Maxwell is based on an acclaimed children’s novel by Philip Pullman. John Fulljames’s imaginative staging, with puppet designs by Indefinite Articles, follows Lila’s adventures as she undertakes a perilous quest. With the help of a talking elephant, Lila sets out to discover the secret of becoming a firework-maker. Bruce’s score is characterized by infectious energy and spirited humour, offering musical fireworks of its own.
NB: PERFORMANCES from 3rd April to 13th April
More details: http://www.roh.org.uk/productions/the-firework-makers-daughter-by-john-fulljames
David Bruce : The Firework-Maker's Daughter
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6 Apr
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Saturday, April 06, 2013 at 7.30pm
Into the Little Hill: Part of Wigmore Hall's George Benjamin Day
Wigmore Hall, London
36 Wigmore St, London W1
United Kingdom
02079352141
http://www.wigmore-hall.org.uk
Tickets: £15 / £20 / £25 / £30
BCMG
George Benjamin’s jewel-like, award-winning chamber opera – a contemporary re-imagining of the Pied Piper fable – has gone on to enjoy worldwide success since its premiere in 2006.
The opera tells the tale of a morally bankrupt politician who, desperate to shore up a flagging public vote, promises to exterminate a plague of rats. A faceless stranger arrives and offers his services; but when the Mayor refuses to pay up, his actions have terrible repercussions. All the roles in Into the Little Hill are performed by two female singers, while the richly-expressive and alluring score combines conventional instruments with basset-horns, cornets, a cimbalom, and even banjo and mandolin.
Also drawing on a classic fable, David Sawer’s stage work, Rumpelstiltskin, was premiered and toured by BCMG in 2009/10 to universal acclaim. In this concert we premiere a 30-minute instrumental suit compiled by Sawer from his scintillating Rumpelstiltskin score.
Completing the programme is Italian composer Franceso Antonioni’s BCMG 2009 Sound Investment commission Ballata (dell’abbandono e della fortuna), which takes its sources from two songs: a lullaby from southern Italy and a ballade, Ecco la primavera, composed in the 15th century by the Florentine Franceso Landini.
George Benjamin : Into the Little Hill
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6 Apr
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Saturday, April 06, 2013 at 7.30pm
George Benjamin Day
Wigmore Hall, London
36 Wigmore St, London W1
United Kingdom
02079352141
http://www.wigmore-hall.org.uk
Tickets: £15 £20 £25 £30
Birmingham Contemporary Music Group
Susanna Andersson
soprano
Hilary Summers
contralto
George Benjamin
conductor
International influences informed George Benjamin’s musical outlook from a young age. Born in London in 1960, he began composing at the age of seven and studied piano and composition during his formative years with the distinguished German musician Peter Gellhorn. Benjamin went on to study during his teens with Olivier Messiaen in Paris and Alexander Goehr in Cambridge.
Wigmore Hall’s George Benjamin Day offers a thick slice of the composer’s strikingly vivid creative world, spanning everything from his early Sonata for violin and piano and the intricate Shadowlines to a concert performance of his acclaimed chamber opera of 2006, Into the Little Hill.
Franceso Antonioni : Ballata
David Sawer : Rumpelstiltskin Suite
George Benjamin : Into the Little Hill
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7 Apr
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Sunday, April 07, 2013 at 3:00pm
Organist Gail Archer Performs Free Concert
Park Avenue Christian Church
1010 Park Avenue
United States
Tickets: Free
Gail Archer
Internationally renowned star concert organist Gail Archer celebrates the distinctive voice of organ music in The Muse’s Voice: A Celebration of International Women Composers – a five-concert series touring the churches and synagogues of New York City. Performing a colorful collection of organ music spanning 19th – 21st century female composers, Archer is slated to premiere two works: the New York premiere of The Everlasting Crown by Judith Bingham; and the world premiere of And the Greatest of These is Love by Alla Borzova. Hailed for championing contemporary organ music by female composers, Archer will also feature works by Nadia Boulanger, Jeanne Demessieux, Sofia Gubaidulina, Judith Bingham and Jennifer Higdon, to name a few. Several of these works are being recorded for Archer’s next album to be released in Spring 2013.
Wang An Ming : Soundings
Rachel Lauren : Petite Suite sur un Motet de Gerald Bales OP. 41, I. Fantasie “Let the Earth Celebrate the Lord”, II. Cantabile “Mountains and Hills, III. Toccatina “Praise Him”
Mary Howe : Elegy
Barbara Rettagliati : Fantasia su frammenti gregoriani
Jeanne Demessieux : Te Deum
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7 Apr
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Sunday, April 07, 2013 at 7.30pm
CBSO Centre
Berkley Street, Birmingham, B1 2LF
United Kingdom
http://www.cbso.co.uk
info@cbso.co.uk
Tickets: £14 full price / £8 concession / £5 under 16s // On the door: £16 full price / £10 concession / £6
Birmingham Contemporary Music Group
Conductor: George Benjamin
Soprano: Rebecca Bottone
Contralto: Hilary Summers
George Benjamin’s jewel-like, award-winning chamber opera - a contemporary re-imagining of The Pied Piper fable – has gone on to enjoy worldwide success since its premiere in 2006.
The opera tells the tale of a morally bankrupt politician who, desperate to shore up a flagging public vote, promises to exterminate a plague of rats. A faceless stranger arrives and offers his services; but when the Mayor refuses to pay up, his actions have terrible repercussions. All the roles in Into the Little Hill are performed by two female singers, while the richly-expressive and alluring score combines conventional instruments with basset-horns, cornets, a cimbalom, and even banjo and mandolin.
Also drawing on a classic fable, David Sawer’s stage work, Rumpelstiltskin, was premiered and toured by BCMG in 2009/10 to universal acclaim. In this concert we give the Birmingham premiere of Sawer’s 30-minute instrumental Rumpelstiltskin Suite, compiled from his scintillating Rumpelstiltskin score.
Completing the programme is Italian composer Franceso Antonioni’s BCMG 2009 Sound Investment commission Ballata (dell’abbandono e della fortuna), which takes its sources from two songs: a lullaby from southern Italy and a ballade, Ecco la primavera, composed in the 15th century by the Florentine Franceso Landini.
There will be a free pre-concert talk from 6.30-7pm with George Benjamin, David Sawer and Francesco Antonioni, open to all ticket holders.
Franceso Antonioni : Ballata
David Sawer : Rumpelstiltskin Suite
George Benjamin : Into the Little Hill
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9 Apr
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Tuesday, April 09, 2013 at 8pm
UBS Soundscapes: Eclectica - Tansy Davies: Troubairtiz
LSO St Luke's, London
161 Old Street London EC1V 9NG
United Kingdom
020 7638 8891
http://www.lso.co.uk/lsostlukes/
admin@lso.co.uk
Tickets: £10 £15 £22
LSO
British composer Tansy Davies first worked with the LSO in 2005, composing her work Tilting as part of the UBS Sound Adventures scheme. This Eclectica evening at St Luke’s places Davies’ music, with its hints of funk, experimental rock, industrial techno, atonalism and electronica, centre stage - her darkly powerful and acclaimed album Troubairitz is recreated by the Azalea Ensemble, duo Anna Snow and Damien Harron, and conductor Chris Austin. Ensemble New Noise will give a rare performance of Aquatic, while percussionist Joby Burgess will play ritualistic funk hybrid Dark Ground.
Tansy Davies : Troubairtiz
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| 10 Apr |
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11 Apr
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Thursday, April 11, 2013 at 8pm-10pm
The DIOTIMA String Quartet
Roulette, Brooklyn, NY
509 Atlantic Ave (corner of 3rd)
United States
917 267 0363
http://www.interpretations.info
mutemus@rcn.com
Tickets: $10-$15
YunPeng Zhao (1st violin)
Guillaume Latour (2nd violin)
Franck Chevalier (viola)
Pierre Morlet (cello)
The DIOTIMA recorded Hugh Levick's three string quartets for Signature Records in Paris. THE UNIMAGINED: PREPARATIONS FOR THE UNKNOWN will be released in March.
The Interpretations concert at Roulette will be the World Premiere of two of Levick's quartets.
Here are some things Allan Kozinn of the New York Times had to say about the Diotima when he heard them play in New York last January:
January 18, 2011
Capturing Shifts Between Ecstasy and Anguish
By ALLAN KOZINN
The Diotima Quartet, based in Paris, looks as if its members were not long out of the conservatory and plays with the energy and passion of a newly minted ensemble. But it has been building its reputation for the last dozen years, largely through its new-music performances and an eclectic discography.
…Janacek’s “Intimate Letters”: The quartet captured the composer’s continual shifts between ecstasy and anguish with a sound that embraced reverie and tumult, lushness and abrasiveness, melodic richness and stark angularity…
…The Ravel Quartet: The haunting juxtaposition of a dark-hued theme and its tremolando accompaniment was perfectly balanced, and muted passages played with a vibratoless, almost organlike tone were especially affecting. ..
http://www.quatuordiotima.fr
Their repertoire of the Diotima String Quartet ranges from Haydn to the composers of our time, with particular focus on the Classical period, French Romanticism, the early Twentieth Century, and a selection of major works from the last 50 years. An equally significant part of their activity is the performance and dissemination of newly commissioned works. Performances include Wigmore Hall, Library of Congress, Frick Collection, Venice Biennale, Musica Strasbourg, Auditorium du Louvre. Residencies: Harvard and University of Minnesota, Kunstfest Weimar, Wissenschaftskolleg Berlin, Fondation Royaumont.
http://www.interpretations.info/
www.hughlevick.com
Quatuor Diotima
Hugh Levick : EMPIRE, Inc.
Hugh Levick : THE UNIMAGINED:PREPARATIONS FOR THE UNKNOWN
Henri Dutilleux : Ainsi la nuit
Toshio Hosokawa : SILENT FLOWERS
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11 Apr
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12 Apr
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Friday, April 12, 2013 at 7:30 pm - 9:30pm
Judgment of Midas
UWM Helene Zelazo Center for the Performing Arts
2419 E. Kenwood Blvd., Milwaukee WI, 53211
United States
(414) 229-4308
http://sa1.seatadvisor.com/sabo/servlets/EventSearch?presenter=UWM
Tickets: $20 - $30, student pricing available.
Present Music & Milwaukee Opera Theatre
Loosely based on Ovid's mythical drama Metamorphoses in a libretto by Miriam Seidel, Judgment of Midas details an epic musical battle between the gods Pan and Apollo. With King Midas as the witness-Pan, maker of "street music" and Apollo, maker of the gods’ music, compete for supremacy as the foremost divine musician. What follows is a musical battle of diverse orchestration that showcases Kamran Ince's unique talents and genius as a composer. Mixing together an assortment of world, ethnic, popular and folk music, Ince uses his versatile compositional talents to depict the mythical musical duel of the gods. Recognized nationally and internationally, Kamran Ince finds in Judgment of Midas a vehicle for a classic mythic story and a musical triumph.
Kamran Ince : Judgment of Midas
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12 Apr
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Friday, April 12, 2013 at 7.30pm
Sunken Garden
Barbican Hall, London
Barbican, Silk Street, London EC2
United Kingdom
020 7638 8891
http://www.barbican.org.uk/eticketing
Tickets: £50-£16
ENO
A world premiere and a brand new collaboration with the Barbican, Sunken Garden tells a multi-layered story of a missing person and those who are searching for him. What connects the disappearance of a software engineer, a neurotic film-maker and a gullible patroness of the arts? This new film-opera explores hoax and dark truth, with a libretto from Cloud Atlas novelist David Mitchell.
Composer, director and film-maker Michel van der Aa makes his ENO debut with this enthralling multimedia ‘occult mystery’, combining live performance, music, 2D and 3D film. Van der Aa’s technique of mixing live and recorded images and sounds have won him great international acclaim, with The Guardian praising him for ‘his ability to fuse music, text and visual images into a totally organic whole’. His prize-winning music theatre piece After Life premiered at the Barbican in 2010.
Baritone Roderick Williams takes the main role, conducted by ENO guest André de Ridder.
Performances
Apr 12, 13, 15, 16, 18, 19, 20 at 7.30pm
7 performances. Running time: 1hr 40mins approx (no interval)
Pre-performance talk, Mon Apr 15, 5.15–6.00pm, £5/£2.50 concs
Michael van der Aa : Sunken Garden
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12 Apr
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Friday, April 12, 2013 at 7.30pm
Jonathan Lloyd, Brahms and Tippett with the BBC Symphony Orchestra
Barbican Hall, London
Barbican, Silk Street, London EC2
United Kingdom
020 7638 8891
http://www.barbican.org.uk/eticketing
Tickets: £30 £25 £20 £15 £10
Sir Andrew Davis conductor
Stephen Hough piano
Our Artist in Focus, Stephen Hough, returns to perform Brahms’s tumultuous first Piano Concerto with Sir Andrew Davis. Hough has written of the ‘burst of utter, natural, divine genius’ that propels this concerto, ‘it’s flame flares with such intensity, and such promise of more to come, that I find myself overwhelmed by it’. As part of our Tippett retrospective, we come to his fourth and final symphony, which follows a life-cycle from birth to death in a single movement, complete with breathing effects; an astonishing example of the imaginative vitality of the composer’s late years. Jonathan Lloyd, whose own fourth symphony was written for the BBC SO, makes a welcome return with a new work for strings.
Jonathan Lloyd : old racket
Johannes Brahms : Piano Concerto No. 1, in D minor
Michael Tippett : Symphony No. 4
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13 Apr
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Saturday, April 13, 2013 at 7.30pm
London Symphony Orchestra: LSO Futures - Symphonic Sound Worlds
Barbican Hall, London
Barbican, Silk Street, London EC2
United Kingdom
020 7638 8891
http://www.barbican.org.uk/eticketing
Tickets: £10 £15 £19.50 £27 £36
François-Xavier Roth conductor
London Symphony Orchestra
At the centre of this concert, which showcases the full forces of the LSO, is the world premiere of Panufnik Variations, a project that brings together graduates from across the Panufnik Scheme’s seven-year history. Taking a theme from Andrzej Panufnik’s Universal Prayer as a starting-point, the work features a series of variations showcasing the sounds and styles of nine Panufnik Scheme alumni, bookended by an opening and conclusion by Colin Matthews.
Anton Webern : Passacaglia
Pierre Boulez : Notations
Colin Matthews : Panufnik Variations
Claude Debussy : La Mer
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13 Apr
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Aaron Corley
