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New Music Concert Listings
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5 Oct |
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6 Oct |
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7 Oct |
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8 Oct |
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9 Oct |
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10 Oct |
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11 Oct |
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12 Oct
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Friday, May 12, 2017 at 7.30pm Ravi Shankar's opera: Sukanya Curve Theatre Rutland Street Leicester, LE1 1SB United Kingdom 0116 242 3595 www.curveonline.co.uk
Aakash Odedra Company
BBC Singers
London Philharmonic Orchestra
David Murphy
conductor
After a terrible mistake leaves the ancient sage Chyavana blinded, the beautiful princess Sukanya finds herself marrying for the sake of her kingdom. As a pair of swaggering, meddling gods watch this unlikely union blossom, will love grow in the strangest of circumstances?
Taken from the legendary Sanskrit texts of the Mahābhārata, the story of Sukanya has been brought to life in this innovative production with music by Indian music legend Ravi Shankar and combines traditional Indian instruments with Western orchestra and singers.
This performance is directed by Curve Associate Director Suba Das and unites dance choreographed by the Aakash Odedra Company, production by the Royal Opera and the musicians of the London Philharmonic Orchestra.
Come and experience Ravi Shankar’s Sukanya. This special event combining myth, music and dance brings Ravi Shankar’s opera to life for the very first time.
Ravi Shankar : Sukanya
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13 Oct |
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14 Oct |
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15 Oct
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Monday, May 15, 2017 at 8pm New works for string quartet IRCAM/Centre Pompidou-Grande salle-Paris
France
Diotima Quartet
Yun-Peng Zhao, violin
Constance Ronzatti, violin
Franck Chevalier, viola
Pierre Morlet, cello
Today, electronics have created unimagined possibilities to a new generation of musicians.
Anima by Ashley Fure represents a quest for electric blood, for digital breathing…. Like a stethoscope listening to the body’s secrets, the performers move transducers from one spot to another on their instruments; instruments that then become loudspeakers.
In memory of the Italian composer Fausto Romitelli, The 1987 Max Headroom Broadcast Incident by Mauro Lanza is a tribute to obsolescent or soon to be forgotten technologies.
In Philipp Maintz’ Geubteste Ferne, the composer questions each instrument’s heterogeneity. How does one keep an open mind when presented with an unexpected object? How does one understand its qualities?
Ghost stories by Oscar Strasnoy blends the voices of famous authors with instrumental sounds. Like genies trapped in lamps, Perec Calvino and Borges speak to us as if they were still alive.
For works that, via alterations or electronics, shift the representation of the string quartet.
Mauro Lanza : The 1987 Max Headroom Broadcast Incident Ashley Fure : Anima Oscar Strasnoy : Ghost Stories Philipp Maintz : Quatuor
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16 Oct |
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17 Oct |
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18 Oct |
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19 Oct
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Friday, May 19, 2017 at 7.30pm Y Tŵr Sherman Theatre Cardiff CF24 4YE United Kingdom
Guto Puw Composer
Gwyneth Glyn Libretto
Caryl Hughes The Woman
Gwion Thomas The Man
Richard Baker Conductor
Michael McCarthy Director
Samal Blak Designer
Ace McCarron Lighting
“We’ll go up, you and me, together, hand in hand, no fear, no regrets.”
Y Tŵr explores the journey of two people bound together through life’s all too brief struggle, from youth to old-age, from love to despair, from desire to disillusionment. An intense and searching opera from the UK’s leading new opera company and the Welsh-language national theatre company, based on the work of one of Wales’ most important playwrights. Personal and universal. Particular and timeless.
Sung in Welsh with English surtitles.
Guto Puw : Y Tŵr
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19 Oct
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Friday, May 19, 2017 at 19.00pm MUSMA FEAT. AMÔN QUARTET de Doelen Rotterdam Netherlands
Aymeric De Villoutreys - violin
Eva Pusker - violin
Nina Poskin - viola
Anne-Gabrielle Lia-Aragnouet - cello
MusMA, Music Masters on Air is a collaboration between European art institutions, festivals and radio networks that started in 2010. MusMA showcases works by five young composers around a theme. The 2017 theme is ‘Music and Exile’: the galvanising effect of cultural exchange during crisis and displacement. MusMA composers wrote pieces addressing this, performed at Classical:NEXT by Amôn Quartet.
Martin Q Larsson : Ares and Afrodite
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19 Oct
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Friday, May 19, 2017 at 7:00pm Ecce Ensemble Culminates Le Lab Residency with May 19th Concert Le Laboratoire 650 East Kendall Street United States 617-945-7515 http://www.lelaboratoirecambridge.com
Tickets: $20 Ecce Ensemble
Roberta Michel (flutes), Carlos Cordeiro (clarinet), Jennifer Choi (violin), John Popham (cello), Amanda DeBoer Bartlett (soprano), Hassan Anderson (oboe), Colin Gee (choreographer/dancer), Sam Budish (percussion), and Julia Den Boer (piano)
As the 2016-17 contemporary music ensemble-in-residence at Cambridge’s Le Laboratoire, the Ecce Ensemble completes its French-inspired season with a diverse program juxtaposing American and French music. The concert features chamber performances of masterworks by French composer Philippe Hurel and by American composer John Aylward. The event is also a program of memorials, featuring two of Hurel's significant homage works, Pour Luigi and In Memoriam a Berio, and the world premiere of Aylward’s Angelus Novus, an homage to Lee Hyla.
John Aylward : Angelus Novus John Aylward : Daedalus Philippe Hurel : Pour Luigi
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20 Oct |
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21 Oct
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Sunday, May 21, 2017 at 4:00PM-6:00PM New Voices Old Stone House 336 3rd St, Brooklyn, NY 11215 United States http://theoldstonehouse.org
Tickets: $25/$15 Laura Strickling, Elisabeth Marshall, soprano; Steven Eddy, baritone; Pascal Archer, clarinet;
Michael Brofman, Miori Sugiyama, piano
On Sunday, May 21st, 2017 Brooklyn Art Song Society will present its season finale, a concert of songs written after 2010, as part of its New Voices series. Two works will be world premieres: A new work by Tom Cipullo written to celebrate the wedding of artistic director Michael Brofman and Glen Rovens Three Songs by Thomas Hardy for baritone and bass-clarinet. Also on the program: Scott Wheelers swashbuckling Ben Gunn Songs on texts from Treasure Island (which BASS premiered in 2015), Michael Djuptroms lushly romantic Three Teasdale Songs and James Kellembachs epic A Primer of Bird on texts by Ted Hughes. Sopranos Laura Strickling and Elisabeth Marshall and baritone Steven Eddy perform works written specifically for their voice.
Tom Cipullo : New Work James Kallembach : A Primer of Birds Glen Roven : Three Poems by Thomas Hardy Scott Wheeler : Ben Gunn Michael Djuptom : Three Teasdale Songs
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21 Oct
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Sunday, May 21, 2017 at 4:00pm The Dessoff Choirs in Concert: A New Amorous World Holy Trinity Church 3 West 65th Street, New York City, NY United States
Tickets: $15-35 The Dessoff Choirs
Voices of Haiti
United Nations International School Senior Chorus
Hailed as “one of the great amateur choruses of our time (New York Today) for its “full-bodied sound and suppleness (The New York Times),” The Dessoff Choirs completes its 92nd season with an unforgettable concert dedicated to utopian visions. The Dessoff Choirs welcomes intergenerational and cross-cultural guest artists including the United Nations International School Senior Choir and its director Mr. Daniel Stroup, and Johanne Francois and Wenson Delice, co-directors of “Voices of Haiti,” a children’s choir based in Port-au-Prince, Haiti. The featured piece on the program The New Amorous World will be complemented by contemporary choral music sung in the original language from Haiti, China, and the Middle East.
Lembit Beecher : The New Amorous World
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21 Oct
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22 Oct
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Monday, May 22, 2017 at 7.30pm PSYCHO WITH ORCHESTRA Bath Festival
United Kingdom
Bath Philharmonia
A thrilling opportunity to experience Alfred Hitchcock’s masterpiece with a live orchestra. Bernard Herrmann’s score is integral to the spine-chilling atmosphere of the film, adding impact to the highpoints and maintaining an almost unbearable level of tension throughout. Conductor Jason Thornton and the Bath Philharmonia combined with a great film will provide a cinematic experience to remember.
Bernard Herrmann : Psycho
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23 Oct
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Tuesday, May 23, 2017 at 12:00pm Renowned Organist Gail Archer Performs Free Concert in St Paul, MN 5/23 Church of St Louis 506 Cedar Street United States 651-224-3379
Tickets: Free Organist Gail Archer
Gail Archer is an international concert organist, recording artist, choral conductor and lecturer who draws attention to composer anniversaries or musical themes with her annual recital series including Max Reger: The Last Romantic, The Muse’s Voice, An American Idyll, Liszt, Bach, Mendelssohn and Messiaen. Ms. Archer was the first American woman to play the complete works of Olivier Messiaen for the centennial of the composer’s birth in 2008; Time Out New York recognized the Messiaen cycle as “Best of 2008” of classical music and opera.
Cesar Cui : Prelude in G Minor
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23 Oct
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24 Oct
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25 Oct
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25 Oct
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26 Oct
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Friday, May 26, 2017 at 7:30 pm Mirrors and Meditations Church of the Sacred Heart 25 South Street, Exeter EX1 1EB United Kingdom 01392 667080 www.exeterphoenix.org.uk
Tickets: £11 Jonathan Storer - Violin
Stephen Beville - Piano
Internationally acclaimed pianist and composer Stephen Beville and concert-violinist Jonathan Storer perform a meditative programme featuring Arvo Part's Fratres, Spiegel im Spiegel, Beville's Monodrama (world premiere) and Beethoven's Kreutzer Sonata, Op 47.
Frederick Chopin : Two Nocturnes, Op 27 Frederick Chopin : Ballad No 3 in A-flat, Op 36 Arvo Part : Fratres (1977/80) Stephen Beville : Monodrama (2011) Ludwig Van Beethoven : Sonata in A, Op 47, 'Kreutzer' Arvo Part : Spiegel im Spiegel (1978)
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27 Oct |
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28 Oct |
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29 Oct |
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30 Oct |
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31 Oct
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Wednesday, May 31, 2017 at 8pm Simon Rattle conducts Adès, Mozart and Stravinsky Philharmonie Hall, Berlin
Germany
Berliner Philharmoniker
Sir Simon Rattle Conductor
Imogen Cooper Piano
“Simon Rattle and friends”: that’s how one could describe this concert. The composer Thomas Adès, whose Dances from “Powder Her Face” we hear here, and Imogen Cooper, the soloist in Mozart’s Piano Concerto No. 25, have both been artistic associates for many years. One could say the same about Stravinsky’s Le Sacre du printemps, which Rattle has conducted in Berlin repeatedly, including in 2003 at the first dance project of the Philharmoniker’s Education Programme. In addition, Sir Simon Rattle conducts the German premiere of Chant funebre, an early work by Stravinsky which was long considered lost and rediscovered only recently.
Wolfgang Amadeus Mozart : Piano Concerto in C major K. 503 Thomas Ades : Powder Her Face Suite Igor Stravinsky : Chant funèbre Igor Stravinsky : Le Sacre du printemps
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1 Nov |
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2 Nov
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Friday, June 2, 2017 at 9:30am - 3:00pm Top Sexologist in Delhi (Dr.PK Gupta +91-9999925201) Dr.Pk Gupta (Best Sexologist) Metro Tower Plaza, Attach to Gate No. 8, Karol Bagh Metro Station, Main Pusa Road, Karol Bagh, Delhi – 110005 India +91-9999925201 http://www.bestsexologistindelhi.in drpkguptakarolbaghclinic@gmail.com
Tickets: 500 Dr.Pk Gupta is the world of Best Sexologist Doctor. He is Top Sexologist doctor in Delhi
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Timing:
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Mon - Sat : 4:00pm - 8:00pm (By app.)
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2 Nov
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Friday, June 2, 2017 at 7.30pm Thomas Adès Beethoven Symphony Cycle Barbican Hall, London Barbican, Silk Street, London EC2 United Kingdom 020 7638 8891 http://www.barbican.org.uk/eticketing
Adès
Britten Sinfonia
The opening concert of a three year project between Thomas Adès and Britten Sinfonia, performing Beethoven’s Symphony Cycle alongside music by contemporary composer Gerald Barry.
‘Thomas Adès makes you hear things with which you thought you were familiar as if they were completely new’ wrote the Guardian’s Tom Service. In this opening concert of Adès's Beethoven Symphony cycle project with Britten Sinfonia, he sheds new light on these monuments of orchestral repertoire. Here Beethoven’s witty first symphony is paired with the virtuosic second, complemented by Gerald Barry’s powerful setting of Beethoven’s love letter to his ‘immortal beloved’.
Gerald Barry : Beethoven Ludwig Van Beethoven : Symphony No 1 in C major, Op 21 Ludwig Van Beethoven : Symphony No 2 in D major, Op 36
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2 Nov
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Friday, June 2, 2017 at 7:30pm - 9:00pm Not Less Than the Good Morgan Library New York United States
Tickets: $25 /$20 New Thread Quartet
J.D. McClatchy
David Morneau
Not Less Than the Good is a musical sunrise, a celebration of morning as embraced by Thoreau in Walden. Thoreau wrote about morning as a metaphor for intellectual and spiritual awakening: “The morning, which is the most memorable season of the day, is the awakening hour.” Commissioned by New Thread Quartet and composed by David Morneau, Not Less Than the Good simulates a sunrise by combining the meditative playing of the saxophone quartet with ambient synthesizers. The music grows from a single quiet note, adding notes and timbres, growing in fullness and depth. Underneath this are sounds recorded during the pre-dawn and early morning hours at Walden Pond: a chorus of insects, the lone song of dawn’s first bird which is joined by others in a raucous counterpoint, and the splashing of morning swimmers. The hour-long performance is punctuated by readings of excerpts from Walden—a secular prayer of hope for enlightenment—performed by poet J. D. McClatchy.
Morneau composed Not Less Than the Good for the bicentennial of Thoreau’s birth (July 12, 2017). In Walden, Thoreau invites us to reject the life we’re expected to live, through a pursuit of self enlightenment, through the effort to wake up. His words remain vital today. “I know of no more encouraging fact than the unquestionable ability of man to elevate his life by a conscious endeavor.”
David Morneau : Not Less Than the Good
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2 Nov
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Friday, June 2, 2017 at 7:30pm Odyssey Opera Continues Wilde Opera Nights with Patience, or Bunthorne's Bride Boston University Theatre 264 Huntington Avenue United States
Tickets: $25 and Up Reginald Bunthorne: Aaron Engebreth (baritone)
Patience: Sara Heaton (soprano)
Archibald Grosvenor: Paul Max Tipton (baritone)*
Lady Jane: Janna Baty (mezzo-soprano)
Colonel Calverley: James Maddalena (baritone)
Lieut. The Duke of Dunstable: Steve Goldstein (tenor)
Lady Angela: Jaime Korkos (soprano)*
Lady Ella: Sara Womble (soprano)*
Lady Saphir: Heather Gallagher (mezzo-soprano)*
Conductor: Gil Rose
Stage Director: Frank Kelley
Odyssey Opera completes its Wilde Opera Nights series, a season-long exploration of operatic works inspired by the writings and world of Oscar Wilde. For two nights, Odyssey Opera presents a fully-staged performance of Arthur Sullivan and W.S. Gilbert’s early hit, Patience; or, Bunthorne’s Bride (1881). Inspired by the aesthetes of Victorian England of the late 1800s, this two-act comic opera delves into the world that Wilde skewered with his pen. Directed by Frank Kelley, with conductor Gil Rose and full orchestra and chorus, Patience welcomes back several Odyssey Opera alumni to the stage including lead vocalists Aaron Engrebreth (baritone) as Reginald Bunthorne and Sara Heaton (soprano) as Patience.
Arthur Sullivan : Patience, or Bunthorne's Bride
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3 Nov
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Saturday, June 3, 2017 at 7:30pm Odyssey Opera Continues Wilde Opera Nights with Patience, or Bunthorne's Bride Boston University Theatre 264 Huntington Avenue United States
Tickets: $25 and Up Reginald Bunthorne: Aaron Engebreth (baritone)
Patience: Sara Heaton (soprano)
Archibald Grosvenor: Paul Max Tipton (baritone)*
Lady Jane: Janna Baty (mezzo-soprano)
Colonel Calverley: James Maddalena (baritone)
Lieut. The Duke of Dunstable: Steve Goldstein (tenor)
Lady Angela: Jaime Korkos (soprano)*
Lady Ella: Sara Womble (soprano)*
Lady Saphir: Heather Gallagher (mezzo-soprano)*
Conductor: Gil Rose
Stage Director: Frank Kelley
Odyssey Opera completes its Wilde Opera Nights series, a season-long exploration of operatic works inspired by the writings and world of Oscar Wilde. For two nights, Odyssey Opera presents a fully-staged performance of Arthur Sullivan and W.S. Gilbert’s early hit, Patience; or, Bunthorne’s Bride (1881). Inspired by the aesthetes of Victorian England of the late 1800s, this two-act comic opera delves into the world that Wilde skewered with his pen. Directed by Frank Kelley, with conductor Gil Rose and full orchestra and chorus, Patience welcomes back several Odyssey Opera alumni to the stage including lead vocalists Aaron Engrebreth (baritone) as Reginald Bunthorne and Sara Heaton (soprano) as Patience.
Arthur Sullivan : Patience, or Bunthorne's Bride
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3 Nov
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Saturday, June 3, 2017 at 1pm The New Babylon Holland Festival Amsterdam Netherlands
performing
Radio Filharmonisch Orkest, Groot Omroepkoor, Nederlands Kamerkoor
conductor
Markus Stenz
choral conductor Netherlands Radio Choir
Klaas Stok
choral conductor Nederlands Kamerkoor
Boudewijn Jansen
soprano
Marisol Montalvo (Inanna), Guibee Yang (Die Seele), Gabriele Schnaut (Euphrat)
tenor
Jussi Myllys (Tammu), Steven Ebel (Priester)
bass-bariton
Robert Bork (Priesterkönig/Der Tod)
countertenor
Kai Wessel (Skorpionmensch)
speaking voice
Franz Mazura (Ezechiel)
bass
Simon Duus (Der Schreiber)
production
NTR ZaterdagMatinee
The Israelite exile Tammu and the priestess Inanna declare their love for each other within the walls of Babylon. Tammu is sacrificed, and Inanna descends into the underworld to bring back her lover. Babylon is the second opera by Jörg Widmann, who studied under Wolfgang Rihm. Philosopher Peter Sloterdijk wrote the libretto. The world premiere at the Bavarian State Opera in 2012 was spectacular, thanks to Widmann’s overwhelming music. A concert version is being performed at the NTR Saturday Matinee. The Netherlands Radio Philharmonic Orchestra, the Netherlands Radio Choir and the Nederlands Kamerkoor, conducted by Markus Stenz, promise virtuoso vocal scores and a ‘Babylonian’ polyphony of styles and sounds.
Joerg Widmann : The New Babylon
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4 Nov |
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