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New Music Concert Listings
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20 Jan
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20 Jan
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21 Jan
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22 Jan
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Wednesday, January 22, 2014 at 8pm
UBS Soundscapes: Eclectica - An Eastern Vigil
LSO St Luke's, London
161 Old Street London EC1V 9NG
United Kingdom
020 7638 8891
http://www.lso.co.uk/lsostlukes/
admin@lso.co.uk
Tickets: £10 - £22
Estonian Philharmonic Chamber Choir
Daniel Reuss conductor
Grammy award-winning Estonian Philharmonic Chamber Choir, one of the most famous choirs in the world, collaborates with Gilad Atzmon, a writer and an award-winning jazz saxophonist and member of The Blockheads living in London.
They explore the mystical soundworlds of Arvo Pärt, Cyrillus Kreek, Vasyl Barvinski, Nikolai Kedrov and Rachmaninov combined with Atzmon’s swirling improvisations.
Arvo Pärt : Two slavonic psalms
Alfred Schnittke : Three sacred hymns
Arvo Pärt : Magnificat
Arvo Pärt : Nunc Dimittis
Cyrillus Kreek : Psalm 22
Cyrillus Kreek : Psalm 104
Vasyl Barvinskyi : Oh, What a Wonder!
Nikolai Kedrov : Otsche Nash
Sergei Rachmaninov : All-Night Vigil (‘Vespers’)
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22 Jan
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Wednesday, January 22, 2014 at 7.30pm
Ilan Volkov conducts Beethoven, Boulez and Grisey
Barbican Hall, London
Barbican, Silk Street, London EC2
United Kingdom
020 7638 8891
http://www.barbican.org.uk/eticketing
Tickets: £10-£32
Ilan Volkov conductor
Nicolas Hodges piano
BBC Singers
Beethoven’s powerful Seventh Symphony is prefaced by a trio of beguiling modern French works in the first of two concerts pairing Beethoven with recent French music. The BBC Singers have had great success with Boulez’s now-classic work cummings ist der Dichter, which sets the poetry of ee cummings for vocal ensemble and chamber orchestra. Conductor Ilan Volkov, known for his high-voltage performances and radical programmes, presents the UK premiere of Hugues Dufourt’s piano concerto with Nicolas Hodges as soloist. Dufourt’s own world of sonorities reflects that of one of France’s greatest 20th century composers, Gérard Grisey. In his monumental early work Mégalithes, 15 brass players scattered around the hall hurl sonic clusters of shimmering dissonance into the auditorium – a not-to-be-missed experience.
Gérard Grisey : Mégalithes
Hugues Dufourt : Piano Concerto
Pierre Boulez : cummings ist der Dichter
Ludwig Van Beethoven : Symphony No. 7 In A major
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23 Jan
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Thursday, January 23, 2014 at 7.30pm
Jack Quartet
Wigmore Hall, London
36 Wigmore St, London W1
United Kingdom
02079352141
http://www.wigmore-hall.org.uk
Tickets: £15-£30
JACK Quartet
The JACK Quartet’s concerts prove time and again that we belong to a golden age of chamber music composition, one in which creative diversity and difference are encouraged and celebrated.
This programme, devised by Wigmore Hall’s Composer in Residence Julian Anderson, opens with a seminal work composed in 1931 by Ohio-born Ruth Crawford Seeger, the first woman to receive a Guggenheim Fellowship, and closes with Horaţiu Rădulescu’s evocatively titled Fifth String Quartet of 1995.
Brian Ferneyhough’s wild Exordium, written in honour of Elliott Carter’s 100th birthday in 2008, stands in bold contrast to Julian Anderson’s ‘Light Music’ and the world première of a new score by Christopher Trapani, winner of the 2007 Gaudeamus Prize.
Ruth Crawford Seeger : String Quartet
Christopher Trapani : New work
Brian Ferneyhough : Exordium
Julian Anderson : String Quartet No. 1 ‘Light Music’
Horaţiu Rădulescu : String Quartet No. 5 ‘before the universe was born’
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23 Jan
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Thursday, January 23, 2014 at 7.30pm
Meditations on the Sea
Queens Hall
Edinburgh
Scotland
0131 668 2019
http://www.thequeenshall.net
Tickets: £10-£30
Garry Walker: conductor; Maximiliano Martín: clarinet
Scottish Chamber Orchestra
To Scots, living on so many islands and dependent on it for so much, the sea is a constant presence to be loved and admired, but also feared and respected. This complicated relationship with the sea is reflected here in pieces by two of the most important and widely performed living composers.
MacMillan’s Tuireadh laments the dead of the Piper Alpha disaster in great tidal movements of sound and grief. South African composer Volan’s Symphony offers a beautiful and oblique reflection “on the sea and the role of ships and their cargoes in our history”.
Jean Sibelius : Pelléas et Mélisande
Kevin Volans : Symphony: Daar Kom die Alibama
James MacMillan : Tuireadh
Zoltán Kodály : Dances of Galanta
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24 Jan
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Friday, January 24, 2014 at 7.30pm
Max Richter: Memoryhouse
Barbican Hall, London
Barbican, Silk Street, London EC2
United Kingdom
020 7638 8891
http://www.barbican.org.uk/eticketing
Tickets: £17.50 - 25
Performed by the BBC Symphony Orchestra with Max Richter, conducted by André de Ridder
Contemporary composer Max Richter premieres his 2002 debut album Memoryhouse with the BBC Symphony Orchestra conducted by André de Ridder.
An homage to Europe and the haunting power of memories, Memoryhouse is the stunning album that announced Max Richter as a major talent. With echoes of his earlier collaborations with Roni Size and electronic duo FSOL, influences of post-rock acts such as Sigur Rós and classical forebears like Arvo Pärt and Philip Glass, this work shows the unique mix of contemporary classical and electronics that would become the signature language in Richter’s musical universe.
Max Richter : Memoryhouse
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25 Jan
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28 Jan
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Tuesday, January 28, 2014 at 7.30pm
Contemporary with Thomas Søndergård
BBC Hoddinott Hall
Cardiff
Wales
Tickets: £8 - 10
BBCNOW
Conductor Thomas Søndergård
Come and experience music by two leading Danish composers. The different levels of mood and emotion created by Poul Ruders have established him as one of the world’s leading composers. Kafkapriccio includes score from his opera, based on Kafka’s The Trial. In contrast, Pelle Gudmundsen-Holmgreen’s compelling, ritualistic command of sound creates music that nags at the imagination long after the performance has ended.
Poul Ruders : KafKapriccio
Pelle Gudmundsun-Holmgreen : Symphony Antiphony
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| 29 Jan |
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31 Jan
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Friday, January 31, 2014 at 12.30 pm
Saxology Sax Quartet
Chelmsford Cathedral
53 New St, Chelmsford, Essex CM1 1TY
United Kingdom
01245 294492
info@chelmsfordcathedral.org.uk
Tickets: free
Saxology Saxophone Quartet
Contemporary ensemble of some 25 years standing offer a programme of arranged and original music.
Jeffery Wilson : Threnody
Jeffery Wilson : Circus Acts
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31 Jan
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31 Jan
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Friday, January 31, 2014 at 8.30pm
Sebastian Rivas. Aliados (Alliés)
Théâtre de St-Quentin-en-Yvelines
Place Georges Pompidou - CS 80317 78054 Saint Quentin en Yvelines Cedex
France
01 30 96 99 30
http://www.theatresqy.org/index.cfm
Music Sebastian Rivas, commissioned by the French governement | Libretto Esteban Buch | Director Antoine Gindt | Live Production Philippe Béziat | Conductor Léo Warynski
Artistic Collaboration and Assistant Director Élodie Brémaud | Stage Design Élise Capdenat | Lighting Daniel Lévy | Costumes Fanny Brouste | IRCAM Computer Music Design Robin Meier
Nora Petrocenko Lady Margaret Thatcher
Lionel Peintre Général Augusto Pinochet
Mélanie Boisvert The nurse
Thill Mantero The aide-de-camp
Richard Dubelski The conscript
Ensemble Multilatérale
Antoine Maisonhaute violin
Kobe Van Cauwenberghe electric guitar
Benoît Savin bass clarinet
Mathieu Adam trombone
Lise Baudouin piano
Hélène Colombotti percussion
"We're also very much aware that it’s you who brought democracy to Chile" said Lady Thatcher when she invited the senator Augusto Pinochet to tea in London in 1999, sparing not the slightest compliment for the man who would soon have to stand trial for his crimes. Following the example of Nixon in China by John Adams, the opera Aliados inspired by political history, in this case by the Falklands War in 1982 and the improbable alliance of the Iron Lady, champion of liberalism, with the Chilian general during the Cold War.
The failing memories of the two aged leaders retired from roles of power, revealing archives, and collective history are at the heart of this project by Sebastian Rivas and Esteban Buch, two Argentineans looking back at a decisive event for their generation and their identity. On the theater stage, designed by Antoine Gindt to look like the set of a television program, reality strikes through visual manipulation and stylized singing. An opera in real-time in every sense of the word; historical time and computer time.
Sebastian Rivas : Aliados
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31 Jan
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Friday, January 31, 2014 at 7pm
Peter Grimes
English National Opera
London Coliseum
United Kingdom
Peter Grimes Stuart Skelton
Ellen Orford Elza van den Heever
Balstrode Iain Paterson
Auntie Rebecca de Pont Davies
Swallow Matthew Best
Ned Keene Leigh Melrose
Bob Boles Michael Colvin
Mrs Sedley Felicity Palmer
Hobson Matthew Trevino
Reverend Horace Adams Tim Robinson
First Niece Rhian Lois
Second Niece Mary Bevan Conductor Edward Gardner
Director David Alden
Set Designer Paul Steinberg
Costume Designer Brigitte Reiffenstuel
Lighting Designer Adam Silverman
Choreographer Maxine Braham
ENO
The bleak, enclosed world of a fishing village provides the backdrop for the story of fisherman Peter Grimes and his uneasy relationship with the other inhabitants. Following the death of Grimes's apprentice, the community presumes Grimes to be guilty. Although he is cleared of any blame, the villagers no longer trust him, and when his new apprentice accidentally falls to his death, Grimes spirals towards a tragic breakdown.
The most significant British opera in over two centuries, Peter Grimes is a work of visceral and sustained beauty, and is notable for the orchestral interludes that depict the sea in different moods.
This is the first revival of David Alden's 2009 five-star sell-out production. ENO Music Director Edward Gardner again conducts the electrifying score, with Stuart Skelton heading an outstanding cast in his return to the title role.
Co-produced by ENO, De Vlaamse Opera, Opera de Oviedo and Deutsche Oper Berlin.
Further performances: 1st, 6th, 8th, 14th, 21st, 23rd, 27th February
Benjamin Britten : Peter Grimes
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1 Feb
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2 Feb
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2 Feb
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Sunday, February 02, 2014 at 7.30pm
Sir Peter Maxwell Davies world premiere
Barbican Hall, London
Barbican, Silk Street, London EC2
United Kingdom
020 7638 8891
http://www.barbican.org.uk/eticketing
Tickets: £10 £15 £20 £28 £37
Sir Antonio Pappano conductor
Maxim Vengerov violin
London Symphony Chorus
Simon Halsey chorus director
London Symphony Orchestra
The LSO and London Symphony Chorus premiere the Tenth Symphony from iconic British composer (and Master of the Queen’s Music) Sir Peter Maxwell Davies, and legendary violinist Maxim Vengerov plays Britten’s supremely imaginative Violin Concerto.
Change of programme
At the request of the soloist, the concerto being performed will now be the Britten Violin Concerto, rather than the Elgar Violin Concerto that was originally scheduled when listings were first published in January 2012.
Edward Elgar : In The South
Benjamin Britten : Violin Concerto
Peter Maxwell Davies : Symphony No 10
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6 Feb
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Thursday, February 06, 2014 at 8pm
Juice Vocal Ensemble
SHACKLEWELL ARMS
71 SHACKLEWELL LANE, DALSTON E8 2EB
United Kingdom
http://www.nonclassical.co.uk
Tickets: £5 Adv / £6 Door
Juice
“…close-harmonies that melt the heart…” (Richard Morrison, The Times)
We’re back for more of our residency at East London’s Shacklewell Arms on 6th February, getting into the Valentine spirit and celebrating the launch of Juice Vocal Ensemble’s single “Heal You” with music by Anna Meredith and lyrics by Philip Ridley. “Heal You” is one of a collection of ten love songs as part of juice’s upcoming album, Laid Bare, which will be released in April.
Juice (‘The 21st century’s answer to the Swingles or the King’s Singers’ The Times) are at the forefront of the UK’s experimental/classical scene, performing new vocal music which draws on classical, world music, jazz, folk, pop, improvisation and theatre. They have featured on BBC Radio 4’s Woman’s Hour, BBC Radio 3 and Classic FM, and were the first UK prize winners in the history of the internationally-renowned Tampere Vocal Festival.
Juice‘s debut album ‘Songspin’ (Nonclassical, 2011) won an international Independent Music Award for Best Contemporary Classical Album in 2012. Featuring remixes by the likes of Camille producer MaJiker and Bjork collaborator Mikhail Karikis, it was reviewed by The Observer as “Eighteen immaculately achieved tracks, spanning Elisabeth Lutyens to Gabriel Prokofiev via folk song and avant garde, enchant and enthrall”.
For the single release launch party, there will also be support and Nonclassical resident DJs spinning the best in contemporary classical, avant-garde electronica and new music.
Contemporary Composers : Various
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6 Feb
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Thursday, February 06, 2014 at 1:10pm
Harry Cameron-Penny, clarinet & Alissa Firsova, piano
Bridgewater Hall, Manchester
Lower Mosley Road
United Kingdom
44 (0) 161 907 9000
http://www.halle.co.uk/publishedSite/aidsdayconcert.asp
box@bridgewater-hall.co.uk
Tickets: £5-9
Harry Cameron-Penny, clarinet & Alissa Firsova, piano
Harry Cameron-Penny studied at The Royal College of Music, and regularly plays in a variety of UK orchestras. He has played to critical acclaim at The Purcell Room as a Park Lane Group Artist, and is a member of The Mercury Quartet, a contemporary chamber music group formed at the RCM to perform Messaien’s Quartet for the End of Time. Harry has worked closely with Nigel Kennedy and his Quintet and is currently The Richard Carne Junior Fellow for Solo Performer at Trinity Laban.
Today he is joined by pianist Alissa Firsova, the daughter of distinguished Russian composers Elena Firsova and Dmitri Smirnov, for a programme that includes two of the favourite works in the clarinet recital repertoire by Brahms and Debussy, as well as Alban Berg’s poetic Four Pieces and a recent work by the talented young composer and clarinettist Mark Simpson.
Supported by The Laurance Turner Memorial Trust
Alban Berg : Vier Stücke
Mark Simpson : Echoes and Embers
Claude Debussy : Premiere Rhapsody
Johannes Brahms : Sonata in E flat major
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6 Feb
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7 Feb
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Friday, February 07, 2014 at 10am-6pm
Panufnik Young Composers
Jerwood Hall
London
United Kingdom
Tickets: Free
Get a glimpse into a composer’s creative process and watch from the audience as this year’s Panufnik Young Composers develop their music with the LSO, joined by conductor François-Xavier Roth and composition director Colin Matthews. Featuring works by Kim Ashton, Benjamin Graves, Jae-Moon Lee, Elizabeth Ogonek, James Moriarty, Aaron Parker and Richard Whalley.
Contemporary Composers : Various
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7 Feb
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Friday, February 07, 2014 at 7pm
Studio Concert: Knussen conducts Henze
BBC Maida Vale Studios, London
Maida Vale One, Delaware Road, London
United Kingdom
02085761227
Tickets: Free
BBCSO
Oliver Knussen conductor
Anssi Karttunen cello
Finnish cellist Anssi Karttunen joins the BBC SO for Henze’s Love Songs (1984–5). His orchestral fantasy Los caprichos (1963) was inspired by Goya’s series of etchings of the same name. Henze’s vast and varied output for the stage has made him an established name in the genre. His dynamic and haunting Ouverture zu einem Theater was premiered at the Deutsche Oper Berlin just before Henze passed away in October 2012.
This concert will be recorded for future broadcast on BBC Radio 3's Hear & Now.
Hans Werne Henze : Ouverture zu einem Theater
Hans Werne Henze : Los caprichos – fantasia for orchestra
Hans Werne Henze : Liebeslieder
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8 Feb
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| 9 Feb |
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| 10 Feb |
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11 Feb
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12 Feb
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12 Feb
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Wednesday, February 12, 2014 at 7:15pm
Euphoria Keeps Chico Hamilton's Legacy Alive at DROM 2/12
DROM, New York
, 85 Ave A (b/w 5th & 6th St) in East Village
United States
(212) 777-1157
http://www.dromnyc.com/events/772/composers-concordance-records-release-party
Tickets: $15
Euphoria
Paul Ramsey (bass), Evan Schwam (saxophones, flute + piccolo), Jeremy Carlstedt (drums + percussion), Mayu Saeki (flute) & Nick Demopolous (guitar)
The killer quintet EUPHORIA returns to DROM in a monthly concert series devoted to the work of NEA Jazz Master Foreststorn “Chico” Hamilton (1921-2013). Described as “one of the city’s most buoyant combos (Time Out New York),” EUPHORIA digs into the repertoire of Chico Hamilton, playing old and new arrangements that capture the best of Chico’s legacy.
Comprised of Paul Ramsey (bass), Evan Schwam (saxophones, flute + piccolo), Jeremy Carlstedt (drums + percussion), Mayu Saeki (flute) & Nick Demopolous (guitar), EUPHORIA has built a chemistry under the direction of its veteran leader.
Chico Hamilton : The Inquiring Mind
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13 Feb
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Thursday, February 13, 2014 at 7pm
Illumination choir: Take him , earth, for cherishing
St Vedast-alias-Foster
4, Foster Lane, London EC2V 6HH
United Kingdom
020 7606 3998
http://www.vedast,org,uk
administrator@vedast.org.uk
Tickets: £10 at the door or £9 via Illumination website
Illumination chamber choir, conducted by Janette Ruocco
and work by Howells,Holst and Walton
Miriam Mackie : Hymn to God, in my sickness
Hilary Campbell : Plorans ploravit
Janette Ruocco : Psalm 23
Ed Rex : Do not stand at my grave and weep
Merinda D'Aprano : Sancta Maria
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13 Feb
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Thursday, February 13, 2014 at 7.30pm
Ryan Wigglesworth Violin Concerto world premiere
Bridgewater Hall, Manchester
Lower Mosley Road
United Kingdom
44 (0) 161 907 9000
http://www.halle.co.uk/publishedSite/aidsdayconcert.asp
box@bridgewater-hall.co.uk
Tickets: £11-38
The Hallé
Ryan Wigglesworth conductor | Barnabas Kelemen violin
The Abraham Moss Memorial Concert.
Pre-concert talk at 6.30pm:
Ryan Wigglesworth talks about his work as conductor, pianist and composer, and particularly his Violin Concerto, which is tonight receiving its first performance in complete form.
Ryan Wigglesworth makes his Hallé concert debut with the Four Sea Interludes and Passacaglia from Britten’s great opera Peter Grimes. In these evocative works, the North Sea is as important (and unfathomable) a character as Grimes himself. Further down the coast of Britain, Debussy had put the finishing touches on his great triptych of seascapes La Mer, musical canvases suggesting the sea at different times of the day and in varying weather conditions. In between these briny masterpieces is an exciting opportunity to hear the world premiere of Ryan Wigglesworth’s revised Violin Concerto, unveiled by Barnabas Kelemen. Berlioz’s Le Roi Lear Overture was inspired by Shakespeare’s great tale of betrayal, self-discovery and redemption and even features Lear’s paternal address to his daughters and his furious ravings on ‘the blasted heath’.
Benjamin Britten : Peter Grimes: Four Sea Interludes and Passacaglia
Ryan Wigglesworth : Violin Concerto
Hector Berlioz : Overture: Le Roi Lear
Claude Debussy : La Mer (Three Symphonic Sketches)
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14 Feb
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15 Feb
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Saturday, February 15, 2014 at 8pm
Pierre Boulez ...explosante-fixe...
IRCAM/Centre Pompidou-Grande salle-Paris
France
BIT20 Ensemble
IRCAM Computer Music Design Andrew Gerzso (1991-1993)
IRCAM Computer Music Production Carlo Laurenzi
IRCAM Sound Engineer Jérémie Henrot
Program Notes (excerpt)
A part of a supplement published in 1972 by the British journal Tempo in memoriam to Stravinsky, …explosante-fixe… is a “prolific” exploitation typical of Pierre Boulez’ art. From the initial publication, the composer created several successive versions that have since been forgotten. The current version of the work uses three sections— Originel, Transitoire VII, and Transitoire V—connected by two brief electronic music passages. Entirely automated with a score following program, the electro-acoustic part created at IRCAM by Andrew Gerzso, is used here not only for the transformation of certain solo flute performances, but also to spatialized the sound via a network of loud speakers. In keeping with the ancient tradition of tributes, …explosante-fixe… adopts the idea of the cannon, here it is not used in its traditional form but as a basic principle, as explained by the composer: “The idea was to confine several instruments to a single nucleus; instruments presented in different registers, each one circling it differently. The nucleus exploded in these different paths, but each musical range was perfectly fixed. I therefore baptized the work, literally: …explosante-fixe… (Pierre Boulez, text and its pre-text, interview with Peter Szendy, Genesis n° 4, 1993).
Alain Galliari
Pierre Boulez : ...explosante-fixe...
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19 Feb
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Wednesday, February 19, 2014 at 7:30pm
Organist Gail Archer in Concert
Central Synagogue
123 E. 55th Street, NYC
United States
(212) 838-5122
http://www.centralsynagogue.com
info@centralsynagogue.com
Tickets: Free
organist Gail Archer
CD Release Concert
When: WED 2.19 @ 7:30pm
Where: Central Synagogue, 652 Lexington Avenue, New York City, Train 4/5/6 to 59th Street / E/M to 53rd Street
Tickets: FREE. For more info, call 212.838.5122 or visit centralsynagogue.org.
Internationally renowned concert organist and recording artist Gail Archer releases her seventh solo album with The Muse’s Voice: A Celebration of Women Composers performed on the Gabe M. Wiener Organ (Casavant, 2002) at New York City’s Central Synagogue. Featuring works by today’s leading female composers including Jennifer Higdon, Nadia Boulanger, Jeanne Demessieux and Judith Bingham, The Muse’s Voice enthralls listeners with Archer’s ability to leap seamlessly from baroque to late romantic and modern eras.
Jennifer Higdon : Ceremonies Suite
Judith Bingham : The Everlasting Crown
Nadia Boulanger : Prelude, Petit Canon & Improvisation
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