by David Bruce
C:T talks to renowned composer Simon Holt, who, amongst many other things is the current Composer in Association with BBC National Orchestra of Wales
Tell us something about your background.
Born in Bolton in '58. Scrap metal merchant for a father, who was (he died in '75) interested in jazz. He visited the Hot Club in Paris with his mother in the 50s and had played trumpet in his late teens in a group called the Jive Five, but I gather, according to my aunt, that they only ever rehearsed (in a church!) and never actually played a gig! He stopped playing soon after. I certainly never saw, let alone heard, him play the trumpet. He had records of Frank Sinatra, Nat King Cole, Stephan Grapelli, Louis Armstrong and Ella Fitzgerald, which he would very occasionally play. There were a couple of ancient 78s, one of which was an arrangement for organ of a Beethoven minuet. How that came to be in the house, I will never know. I bought singles like 'Jeepster' by T.Rex and some things by The Small Faces. Long gone. The first classical records I bought were the Decca Karajan recording of Holst's 'The Planets' and 2 Mozart piano concertos; 11 and 15 with Peter Frankl playing. I think I still have them, but no record player. But, the music that excited me as a kid was pop music as I didn't really know then that there was any other kind. A good friend of mine at school had classical records including Beethoven's 3rd piano concerto, which I can remember finding very compelling, but it was things like Bowie's 'Space Oddity' and 'Purple Haze' by Jimi Hendrix, that had the most impact on me at that stage. Even now I have about 19 Bowie albums on iTunes.
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