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Blog » February Concert Diary: Dutilleux Days, Figaro Gets a Divorce and Nothing

20 Jan  

A very happy birthday to Henri Dutilleux, that other great post-war French composer, who would have been 100 on Friday. If you are in Paris for his anniversaire there will be a discussion day at the Philharmonie de Paris, beginning at 9am on 22nd (French required). Afterwards, at 20:30, there is a concert that includes his string quartet Ainsi la nuit. In the UK there is a tribute concert to the composer on 27th January by BBC National Orchestra of Wales at Hoddinott Hall. It also examines the music of composers he inspired. In London on 11th February the Royal College of Music will also host a Dutilleux day, with pre-concert contributions from Kenneth Hesketh, Caroline Potter, Caroline Rae and Mark Hutchinson. Works performed include his Piano Sonata, Les Citations, and the magnificent Symphony No.2, Le Double.

 

There are several other get-to-know-the-composer events this coming month. As well as the first UK performance of Andreissen’s La Commedia on 12th, there will be a Total Immersion Day dedicated to him at the Barbican on 13th. On 21st, at City Halls, Glasgow, the BBC SSO examine the life and works of Anthony Payne, who this year celebrates his 80th birthday. There will be an interview with the composer and performances that include his 1985 Proms piece Spirit’s Harvest. At Hoddinott Hall on 24th, the BBC National Orchestra of Wales present a programme of music by Huw Watkins: Anthem, Speak Seven Seas, Remember, Partita and Double Concerto. The composer will be present to play the piano. In the same venue the following day there is also the opportunity to hear orchestral music by emerging Welsh composers in the BBCNoW Composition:Wales - Open Workshop

 

'Frontiers: Expanding Musical Imagination' is the title of this year’s Peninsula Arts Contemporary Music Festival (Plymouth, UK, 26th–28th February). Apart from the final concert, all events are free. These include two installations: Sonification of Dark Matter by Nuria Bonet Filella and Embodied iSound, by Marcelo Gimes. The latter – ‘an immersive sound ride across frontiers of sonic spaces that members of the public will be invited to enjoy and, at the same time, control in real time’ – sounds particularly interesting. The final concert includes works by Linas Baltas, Federico Visi, David Everson and Eduardo Reck Miranda. 

 

There are two new operas this month. Figaro Gets a Divorce by Elena Langer is based on a libretto by David Pountney. It speculates on the events that might have occurred after Mozart’s great opera. WNO performances run from 21st February–April 7th, with tour dates in Bristol, Milton Keynes, Llandudno, Birmingham, Plymouth and Southampton. At Glyndebourne, meanwhile, Nothing by CT’s very own David Bruce, runs from 25th–27th (with a schools’ performance on 24th). In it the Glyndebourne Youth Opera team join forces with professional singers in a dark tale that examines the meaning of life, ‘lost childhood, the getting wisdom, and the madness of crowds.’ 

 

Other world premieres this month include: Serpents of Wisdom for horn and piano by John Casken (London, 1st): Joie éternelle, a new trumpet concerto by Chen Qigang (Amsterdam, 13th); a new work for the London Sinfonietta by Samantha Fernando (London, 11th);  Presence for two pianos and percussion by Aurélio Edler-Copes (London, 22nd); an as-yet untitled work by Daníel Bjarnason for flute, viola and harp (London, 24th); and Song Cycle by Hafliði Hallgrímsson (Edinburgh, 27th). 

 

If you are an organ fan, it’s also worth making a trip to the Philharmonie de Paris for the inauguration of the the organ on 6th February. This will include the opportunity to hear Ligeti’s majestic Volumina.



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