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Blog » December Concert Diary

20 Nov  

This is normally when I moan about December, the month without contemporary music. This year, however, there are quite a few things going on.

 

Chief amongst these is Spitalfields Music’s Winter Festival, which runs from 5th–16th December. Specifically contemporary music events can be viewed here. Highlights include a late-night performance of Tavener’s Lament for Jerusalem on 11th;  a programme of new works by Jerzy Kornowicz, Carl Bergstrom-Nielsen, Regin Petersen and Aleksandra Gryka that all use visual scores on 12th; the London première of Gérard Pesson’s Bitume and world première of Sam Hayden’s Transience given by Quatuour Diotima on 14th; and a new work by Edward Wickham and Christopher Fox that also incorporates music by Isaac, JS Bach and Webern on 15th. Throughout the festival there is a sound installation by Gawain Hewitt that will be taking place simultaneously in London and Dhaka, Bangladesh, transforming the sounds of the cities into music.

 

Perhaps reflecting the time of year, there is also plenty of more accessible contemporary music on offer. On 11th December the LSO dedicates an evening to the music of film composer Alexandre Desplat, including from the films Harry Potter and the Deathly Hallows, The King's Speech, Girl with a Pearl Earring and The Grand Budapest Hotel. There are two adaptations of Lewis Carroll’s Alice’s Adventure’s in Wonderland on offer. Joby Talbot’s rather wonderful version at Covent Garden and a newer one by Helen Woods, which will run from 17th–20th, at St. David’s Hall, Cardiff. On 20th December in Brighton, pianist Johan de Cock, will present a recital of Christmas works by Bach, Mendelssohn, Bartók, Liszt and Tchaikovsky as well as original compositions by Frederick Stocken, Stephan Beneking, and Trevor du Buisson. The London Concert Orchestra will also be touring popular film music scores by John Williams, with venues including the Barbican on 27th and Symphony Hall, Birmingham on 28th. 

 

There’s a good sprinkling of more challenging fare too. ENO’s staging of John Adams’ The Gospel According to the Other Mary, begins on 21st November but runs until 5th of the following month. At Wigmore Hall there are works by Michael Berkeley and Patrick John Jones; Mark-Anthony Turnage and Peter Maxwell Davies; and Pēteris Vasks on 3rd, 4th and 9th respectively. The UK première of James St. Luke Passion takes place at Birmingham Symphony Hall on 4th with the CBSO Symphony Orchestra, Choir and Youth Chorus, conducted by the composer. On 5th the London Sinfonietta celebrate the 80th birthday of Harrison Birtwistle with The Message for trumpet, clarinet and side drum and two new additions to his duet series (world premières). The composer will also be present to talk about his work. On 10th the London Sinfonietta also present five new film and music works by emerging composers at the British Film Institute. 

 

Outside the UK, on 1st December Ensemble Kontrapunke will play perform works by Wolfgang Seierl, Tanja Brüggemann-Stepien, Ming Wang, Friedrich Cerha and Roman Pawollek at the Musikverein on 1st. At the Concertgebouw on 8th Twan Huys, Lavinia Meijer and Arthur Theunissen perform works by Philip Glass and Nico Muhly; on 12th there is music by Ives, Debussy, Dutilleux and Messiaen as well as the Netherlands première of Brewaeys’ Zesde Symphonie. In the States there is a once-only performance of Tobias Picker’s Fantastic Mr. Fox with Odyssey Opera, Boston Modern Orchestra Project and Boston Children's Chorus at Jordan Hall, Boston on 7th. Meanwhile Jessica Meyer’s 50 minute solo show Sounds of Being, which consists of her pieces for viola and electronics, comes to NYC’s Cell Theatre on 15th



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