From my teens until my twenties I was an avid collector of CDs. A few of my friends in school were the same. Hardly a week would go by without one of us bringing in a new acquisition, usually from the mainstream classical repertoire. We would pore over every detail of the work and be witheringly critical of performances that failed to use ‘authentic’ performance practices. As my interest in contemporary music grew I later added many twentieth and twenty-first century works to my collection. I have some 300 CDs, neatly laid out on shelves in my living room. I hardly ever touch them.
CDs were consumers’ first experience of purely digital music production. Only those marked with the holy trinity of DDD (digitally recorded, digitally mixed, digitally transferred) were good enough for me. I loved the shine of them, the quality of the sound and, of course, the music itself. Then, along came iTunes, Spotify and the rest of it. Downloads did away with my disks. My CDs gathered dust; it always seemed easier to look up a piece on Spotify, even if it was not quite the recording I would have bought. I never bothered ripping my CDs to iTunes because, as an iPhone user with a paltry 32GB, I could not have transferred all of my music onto it. This last few weeks, however, I have been breathing new life into my CD collection with Apple’s iTunes Match.
iTunes Match has been around since the end of 2011. For £21.99 a year you can upload your entire music collection into the cloud. What is rather clever is that, when you rip a CD to iTunes on your computer, iTunes can work out what it is and, rather than uploading the entire CD, it identifies the album in the iTunes catalogue and makes it available across all of your devices. This also means that if you ripped a CD to a low bit rate file, perhaps to save hard drive space, iTunes can identify the album and make it available to you in the full 256 kbps from the cloud.
The service has come in for criticism and, I must admit, the process of ripping CDs, cleaning up the information and finding cover art is tedious (the program TuneUp, makes things rather easier, however). The process of matching is also not as smooth as it should be; I think more than half of my tracks have actually been manually uploaded. But once the music is in the cloud it is great. I can now listen to the hundreds of disks I lovingly collected wherever I am and without it using up valuable disk space. I am now reengaging with my CD library in a big way. Also, in case you think I am being typically Mac-centric, you can get similar services with Amazon Cloud Player and Google Play. If you’re not sure which is for you, arstechnica.com have written a useful comparison of the three.
|55338 Page Views|
|Christian Morris's C:T Profile:||Christian Morris|
|Christian Morris's Personal Website||http://www.christianmorris.net|