Image from The Firework-Maker's Daughter
It’s hard not to feel a bit bucked at this time of year. Today, as I look out of my window, I see bright sunlight, budding trees and flowering bulbs. I also hear, slightly annoyingly – since it is in my roof-space – nesting birds. The odometer of life may ominously continue ticking, but the presence of so much that is ‘new’ makes one feel less aged. ‘April hath put a spirit of youth in everything.’
Of course ‘newness’ is concept that is rather important to ‘New’ Music, for obvious enough reasons. And this month brings forth its fair share of premières. Some of these, however, are youthful in a different way, since they contain music by the next generation of composers. This is the case, for example, with three concerts by student composers. One of these features Maury von Loon, David Everson, Jason Mitchell and Jennifer Harris at the Sherwell Theatre, Plymouth University. The other two will take place at Ircam in Paris and mark the end of a year of study for young composers in the Cursus for Composition and Computer Music programme.
There are also a noticeable number of courses designed to help and support young composers. Some of the best of these are run by BCMG (many of which are on-going): ‘Feel the Buzz’, a composing project for 14-18 year olds; Family Music Maze, for 8-11 year olds; the Zigzag Ensemble, a composing and improvising group for 12-16 year olds; and BBC Inspire Composer Lab, a day-long workshop for 12-18 year olds. The LSO also has two schemes: their Futureworks for Young Composers, which invites composers aged 14-18 for a day of composition workshops and glimpses behind the scenes; and their continuing Panufnik Composers’ Project.
Two contemporary music events might also be appealing choices for audiences who are young at heart. The first is a performance, again by BCMG, of Into the Little Hill, George Benjamin’s reimagining of the Pied Piper story. It will be performed as part of a day exploring his music at Wigmore Hall. Also a good bet would be The Firework-Maker’s Daughter by CT’s own David Bruce. The opera, based upon a fairytale by Philip Pullman, is aimed at audiences of all ages. It will receive performances from 3rd–13th April at Lindbury Studio Theatre.
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