Last year I speculated as to why contemporary music and Christmas don’t mix; as we enter the festive month performances of new music decline as caroling and yuletide cheer take over. This year is no different, though there are a few concerts in CT’s concert diary worth noting.
At the beginning of December there is a mini Britten festival at Wigmore Hall as part of the Britten at 100 celebration. It includes a concert of song cycles on December 1st; the complete string quartets on December 3rd; and Les Illuminations, Lachrymae and Serenade on December 4th. In New York City the 28-year-old Composers Concordance Festival starts today, running for five concerts until 7th December. There are a large number of living composers represented: more details are on the festival’s website. On 14th December at the Barbican Hall there is screening of Godfrey Reggio’s time-lapse cinematic vision of American Cities, Koyaanisqatsi, set to a new arrangement of Philip Glass’s film score. The website is reporting this as sold-out, though the old adage of turning-up on the night might pay dividends for the determined. Surprisingly deep into the festivities, on 20th December, Nonclassical, finally, is presenting a night of new music commissioned from six composers as part of the ‘Freedom From Torture Presents’ event, as well as Gyorgy Kurtag’s masterpiece Kafka Fragments.
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